{"id":10280,"date":"2024-08-15T19:02:54","date_gmt":"2024-08-15T11:02:54","guid":{"rendered":"http:\/\/chongqingdac.org\/?p=10280"},"modified":"2024-09-05T17:31:36","modified_gmt":"2024-09-05T09:31:36","slug":"%e5%8d%81%e6%96%b9%e5%b1%95%e8%a6%bd%ef%bd%9c%e3%80%8a%e6%ac%b2%e5%93%ad%e6%ac%b2%e7%ac%91-%e5%93%ad%e7%ac%91%e4%b8%8d%e5%be%97oscillations%e3%80%8bsam-alekksandra%ef%bc%88%e9%a6%ac%e8%80%b3%e4%bb%96","status":"publish","type":"post","link":"http:\/\/chongqingdac.org\/?p=10280","title":{"rendered":"\u5341\u65b9\u5c55\u89bd\uff5c\u300a\u6b32\u54ed\u6b32\u7b11 \u54ed\u7b11\u4e0d\u5f97Oscillations\u300bSam Alekksandra\uff08\u99ac\u8033\u4ed6\uff09\u500b\u4eba\u99d0\u7559\u4f5c\u54c1\u5c55"},"content":{"rendered":"
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\u25a0\u00a0\u25a0 \u00a0<\/strong>\u00a0 \u7b56\u5c55\u4eba\u524d\u8a00\u00a0 \u00a0\u25a0\u00a0\u25a0<\/strong><\/p>\n

Curator’s Foreword<\/strong><\/p>\n

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\u75db\u82e6\uff08pain\uff09\u8207\u5feb\u6a02\uff08pleasure\uff09\u76f8\u4f34\u76f8\u751f\u4e14\u5faa\u74b0\u5f80\u5fa9\u3002\u6211\u5011\u7684\u5167\u5fc3\u5982\u540c\u904e\u5c71\u8eca\u4e00\u6a23\u4e0a\u4e0a\u4e0b\u4e0b\uff0c\u7559\u6200\u8457\u904e\u53bb\uff0c\u671f\u5f85\u8457\u672a\u4f86\u3002\u6240\u6b32\u800c\u6240\u5f97\u5373\u559c\uff0c\u6240\u6b32\u800c\u6240\u4e0d\u5f97\u5247\u60e1\u3002<\/p>\n

\u85dd\u8853\u5bb6Sam\u4e00\u908a\u5c07\u6975\u81f4\u7684\u60c5\u611f\u901a\u904e\u88dd\u7f6e\u53ca\u5f71\u50cf\u5448\u73fe\u51fa\u4f86\uff0c\u5176\u4e2d\u6a21\u7cca\u8655\u7406\u7684\u60c5\u7dd2\u662f\u559c\u6975\u800c\u6ce3\uff1f\u6216\u662f\u60b2\u75db\u6b32\u7d55\uff1f\u9084\u662f\u7686\u70ba\u904a\u6232\uff1f\u53e6\u4e00\u908a\u85dd\u8853\u5bb6\u62ff\u8d77\u7b46\u58a8\u5728\u9ed1\u767d\u4e4b\u9593\u66f8\u5beb\u7e6a\u756b\uff0c\u9ad4\u609f\u4e00\u5ff5\u4e00\u60f3\u4e4b\u9593\u4f55\u70ba\u771f\u5be6\uff1f\u6771\u897f\u65b9\u50f9\u503c\u5728Sam\u7684\u4f5c\u54c1\u4e2d\u8f15\u8f15\u78b0\u89f8\uff0c\u537b\u4e5f\u9918\u97f3\u5acb\u5acb\u3002<\/p>\n

\u6b63\u5982\u85dd\u8853\u5bb6\u6240\u95dc\u6ce8\u7684\uff0c\u6839\u672c\u6216\u8a31\u5728\u65bc\u7d55\u671b\u8207\u72c2\u559c\u4e4b\u9593\u7684\u6a21\u7cca\u5730\u5e36\u3002\u597d\u6bd4\u6a39\u6728\u751f\u9577\uff0c\u9806\u61c9\u56db\u5b63\u8b8a\u5316\uff0c\u4f46\u6c42\u4e2d\u6b63\uff0c\u4e0d\u8513\u4e0d\u679d\uff0c\u624d\u80fd\u7acb\u65bc\u5929\u5730\u4e4b\u9593\u3002\u65bc\u4eba\u800c\u8a00\u4ea6\u662f\u6b64\u7406\uff0c\u884c\u4e8b\u4e0d\u614c\u4e0d\u5fd9\uff0c\u5167\u5fc3\u4e0d\u5351\u4e0d\u4ea2\uff0c\u5224\u65b7\u4e0d\u504f\u4e0d\u501a\uff0c\u8655\u8655\u90fd\u5728\u5f37\u8abf\u4e00\u500b\u201c\u4e2d\u201d\u5b57\u3002<\/p>\n

\u5948\u4f55\u7e3d\u8d77\u5fc3\u52d5\u5ff5\uff0c\u8655\u8655\u7686\u559c\u6012\u54c0\u6a02\uff0c\u4f46\u6625\u79cb\u4ecd\u7136\uff0c\u5929\u5730\u4f9d\u820a\uff0c\u662f\u8b02\u201c\u5929\u5730\u4e0d\u4ec1\u201d\u3002\u5c0d\u65bc\u9019\u6b21\u5c55\u89bd\u800c\u8a00\uff0c\u201c\u6b32\u54ed\u6b32\u7b11 \u54ed\u7b11\u4e0d\u5f97\u201d\u9019\u500b\u540d\u5b57\u4e5f\u5be6\u6709\u4e00\u7a2e\u81ea\u5632\u7684\u610f\u5473\u3002<\/p>\n

\u2014\u2014\u725b\u7426\u744b<\/section>\n
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Pain and pleasure are intertwined, constantly cycling and recurring. Our inner selves are like a roller coaster, moving up and down, with nostalgic for the past and anticipating the future. What we desire and obtain brings joy, while what we desire but cannot attain brings suffering.<\/section>\n
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Artist presents extreme emotions through installations and images, where the blurred emotions might be tears of joy, agony, or merely part of the game. On the other hand, Sam uses brush and ink to explore what is real between black and white. The values of East and West gently touch upon each other in Sam’s works, leaving a lingering resonance.<\/section>\n
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As the artist observes, the essence may lie in the blurred zone between despair and ecstasy. Just like trees grow, adapting to the changes of the seasons, seeking balance and avoiding excess, they stand between heaven and earth. For humans, the same principle applies: acting with composure, maintaining inner balance, and making judgments impartially all emphasize the concept of \u00a0\u201cbe in the middle.\u201d<\/section>\n
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When our heart and mind start, they leads us to joy and sorrow. Yet spring and autumn continue, and heaven and earth remain, as the saying from Tao Teh King says\u00a0\u201cHeaven and earth are unkind\u201d. For this exhibition, the name \u201c\u6b32\u54ed\u6b32\u7b11 \u54ed\u7b11\u4e0d\u5f97\u201d\u00a0indeed carries a sense of self-mockery.<\/section>\n
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\u2014\u2014Niu\u00a0Qiwei<\/section>\n
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\u25a0\u00a0\u25a0 \u00a0\u00a0<\/strong>\u85dd\u8853\u5bb6\u81ea\u8ff0\u00a0 \u25a0\u00a0\u25a0<\/strong><\/section>\n
Artist’s Statement<\/strong><\/section>\n
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\u300aOscillations\u300b\u662f\u6211\u5c0d\u75db\u82e6\u548c\u5feb\u6a02\u7684\u500b\u4eba\u63a2\u7d22\uff0c\u6e90\u81ea\u6211\u6240\u5728\u7684\u897f\u65b9\u4e16\u754c\u53ca\u6211\u5728\u4e2d\u570b\u9047\u5230\u7684\u6771\u65b9\u7684\u54f2\u5b78\u50f9\u503c\u7684\u51b0\u5c71\u4e00\u89d2\u3002<\/section>\n
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\u9019\u7a2e\u75db\u82e6\u8207\u5feb\u6a02\u7684\u4e8c\u5143\u6027\u5e38\u5e38\u9700\u8981\u7a4d\u6975\u4e3b\u52d5\u5730\u53bb\u5c0b\u6c42\u8d85\u8d8a\uff0c\u610f\u5473\u8457\u5728\u72c2\u559c\u6216\u7d55\u671b\u4e2d\u5931\u53bb\u5c0d\u81ea\u6211\u7684\u63a7\u5236\u3002\u5728\u9019\u6b21\u5c55\u89bd\u4e2d\uff0c\u6211\u8a66\u5716\u6355\u6349\u9019\u5169\u500b\u9818\u57df\u4e4b\u9593\u7684\u6a21\u7cca\u5730\u5e36\uff0c\u63a2\u7d22\u5728\u7d55\u671b\u8207\u72c2\u559c\u4e4b\u9593\u7684\u6df7\u6c8c\u9818\u571f\uff0c\u4ee5\u6211\u7684\u8eab\u9ad4\u4f5c\u70ba\u77e5\u8b58\u7684\u4f86\u6e90\uff0c\u4e26\u7d50\u5408\u91cd\u6176\u7684\u7cbe\u795e\u67b6\u69cb\u9032\u884c\u8868\u9054\u3002<\/section>\n
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\u6211\u5c07\u81ea\u5df1\u7684\u8eab\u9ad4\u4f5c\u70ba\u6750\u6599\uff0c\u904b\u7528\u58a8\u6c34\u3001\u7269\u4ef6\u548c\u88dd\u7f6e\u4f86\u53cd\u601d\u7576\u4ee3\u6975\u7aef\u500b\u9ad4\u5316\u7684\u610f\u8b58\u5f62\u614b\u3002\u5728\u7576\u4eca\u9019\u500b\u6642\u4ee3\uff0c\u7121\u8ad6\u82e6\u6a02\u4e5f\u7121\u8ad6\u597d\u58de,\u6bcf\u500b\u4eba\u90fd\u627f\u64d4\u8457\u5c0d\u81ea\u8eab\u4eba\u6027\u7684\u552f\u4e00\u7684\u4e14\u6c7a\u5b9a\u4eba\u751f\u7684\u8cac\u4efb\u3002\u4f5c\u54c1\u8a66\u5716\u8abf\u89e3\u75db\u82e6\u8207\u5feb\u6a02\u4e4b\u9593\u7684\u4e2d\u9593\u72c0\u614b\uff0c\u540c\u6642\u53bb\u8a8d\u8b58\u72c2\u559c\u65e2\u4e0d\u662f\u5e78\u798f\u7684\u81f3\u9ad8\u9ede\uff0c\u4e5f\u4e0d\u662f\u7d55\u671b\u7684\u6df1\u6df5\uff0c\u800c\u662f\u4e00\u7a2e\u901a\u904e\u5c0d\u6975\u7aef\u7684\u7121\u5dee\u5225\u7d50\u5408\u4f86\u5be6\u73fe\u7684\u8d85\u8d8a\u73fe\u8c61\u3002<\/section>\n
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\u65e9\u671f\u7684\u897f\u65b9\u601d\u60f3\u5bb6\uff0c\u5982\u4e9e\u88cf\u58eb\u591a\u5fb7\uff0c\u8a8d\u70ba\u5728\u5feb\u6a02\u8207\u75db\u82e6\u4e4b\u9593\u5b58\u5728\u5c0d\u6297\u6027\u7684\u95dc\u4fc2\uff0c\u4ed6\u8aaa\uff1a\u201c\u5feb\u6a02\u662f\u4e00\u7a2e\u904b\u52d5\uff0c\u4e00\u7a2e\u4f7f\u6574\u500b\u9748\u9b42\u81ea\u89ba\u5730\u56de\u5230\u5176\u6b63\u5e38\u72c0\u614b\u7684\u904b\u52d5\uff1b\u800c\u75db\u82e6\u5247\u662f\u76f8\u53cd\u7684\u3002\u201d\u56e0\u6b64\uff0c\u4eba\u985e\u4e0d\u65b7\u5730\u5728\u6e1b\u5c11\u75db\u82e6\u548c\u589e\u52a0\u5feb\u6a02\u4e4b\u9593\u6416\u64fa\uff0c\u5229\u7528\u60b2\u5287\u85dd\u8853\u7b49\u624b\u6cd5\u4f86\u9f13\u52f5\u5c0d\u4e0d\u53ef\u907f\u514d\u7684\u75db\u82e6\u7684\u5fcd\u8010\u3002<\/section>\n
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\u7136\u800c\uff0c\u65e9\u671f\u7684\u4e2d\u570b\u601d\u60f3\u5bb6\u5011\u5247\u5c0b\u627e\u4e00\u500b\u66f4\u6df1\u5c64\u6b21\u7684\u57fa\u790e\uff0c\u4ee5\u4fbf\u5c07\u7f8e\u8207\u79ae\u5100\uff08\u6a02\uff0c\u9577\u671f\u6109\u6085\uff09\u4ee5\u53ca\u8eab\u9ad4\u6109\u6085\uff08\u559c\uff0c\u77ed\u671f\u5feb\u6a02\uff09\u7d50\u5408\u8d77\u4f86\u3002\u5c0d\u65bc\u5b5f\u5b50\u548c\u694a\u6731\u9019\u6a23\u7684\u601d\u60f3\u5bb6\u4f86\u8aaa,\u5feb\u6a02\u4e0d\u662f\u8207\u75db\u82e6\u5c0d\u7acb\uff0c\u800c\u662f\u8207\u7126\u616e\u6216\u4e0d\u5b89\uff08\u201c\u6182\u201d\u6216\u201c\u4e0d\u5b89\u201d\uff09\u5c0d\u7acb\u3002\u201c\u4eba\u6027\u5728\u4e0d\u5b89\u7684\u60c5\u5883\u4e2d\u7121\u6cd5\u611f\u53d7\u5230\u6109\u6085\uff0c\u540c\u6642\u5f9e\u4e0d\u4eab\u53d7\u7684\u4e8b\u7269\u4e2d\u4e5f\u7121\u6cd5\u7372\u5f97\u4efb\u4f55\u76ca\u8655\u3002\u201d<\/section>\n
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\u56e0\u6b64\uff0c\u751f\u6d3b\u53ef\u80fd\u662f\u7121\u6578\u75db\u82e6\u8207\u5feb\u6a02\u7e3d\u548c\u7684\u7c21\u55ae\u65c5\u7a0b\uff0c\u800c\u4eba\u7684\u76ee\u6a19\u4e0d\u662f\u5728\u6975\u7aef\u4e2d\u8d85\u8d8a\u5b83\u5011\uff0c\u800c\u662f\u5728\u7a69\u5b9a\u81ea\u5df1\u7121\u6cd5\u907f\u514d\u7684\u8d77\u8d77\u4f0f\u4f0f\u3002\u8c50\u90fd\u7684\u5730\u7344\u5f62\u8c61\u8207\u5927\u8db3\u7684\u5929\u570b\u5851\u50cf\u4f5c\u70ba\u6587\u660e\u7684\u63d0\u793a\u5f71\u97ff\u4e86\u6211\u7684\u5275\u4f5c\uff0c\u9019\u4e9b\u83ef\u9e97\u7684\u7269\u4ef6\u4ee3\u8868\u4e86\u4eba\u5728\u751f\u547d\u4e2d\u8d77\u8d77\u4f0f\u4f0f\u7684\u5169\u500b\u6975\u9ede\u3002<\/section>\n
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\u2014\u2014\u85a9\u59c6-\u4e9e\u66c6\u5c71\u5fb7\u62c9<\/section>\n
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Oscillations is a personal exploration of pain and pleasure, drawing on certain tips of philosophical icebergs of a Western world in which I am from and the Eastern one that I encountered in China.<\/section>\n
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This binary of pain and pleasure is often engaged in an active hunt to transcend it, in the throes of ecstasy, that is, the self losing control of the self. In this exhibition, I look to capture a certain blurriness between the two realms, a muddled territory between despair and exaltation using my own body as a source of knowledge, and the spiritual architecture in Chongqing.<\/section>\n
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I use my own body as material, ink, objects and installation to reflect on the ideology of extreme individualization in contemporary times, where each person bares the sole, life-defining responsibility of their own humanity, in pain and in pleasure, for better or for worse. The works mediate on the in-betweenness in pain and pleasure, as well as an understanding that ecstasy is not the supreme heights of happiness nor the violent depths of despondency, but rather the phenomenon of transcendence, often through an indiscriminate combination of extremes.<\/section>\n
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Occidental thinkers as early as Aristotle claimed an antagonistic relationship in oscillation between the pleasure and pain, in that \u201cPleasure is a movement, a movement by which the soul as a whole is consciously brought into its normal state of being; and that Pain is the opposite.\u201d\u00a0Humans, therefore,\u00a0are in constant motion to lessen pain and grow pleasure, using instruments like tragic art to encourage an endurance of inevitable suffering.<\/section>\n
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Early Chinese thinkers, however, were looking for a deeper foundation on which beauty and decorum, on the one hand, and physical pleasure, on the other, might be grounded, and is well captured between two concepts: le (long-term pleasure) and xi (short-term delight). The shades of pleasure for those like Mencius and Yang Zhu constantly oppose pleasure not to pain, but to anxiety or insecurity (y\u014du \u6182, or b\u00f9\u2019\u0101n \u4e0d\u5b89 in classical Chinese).\u00a0\u201cHuman nature is incapable of feeling pleasure in an insecure situation, yet one cannot gain any benefit from what one does not take pleasure in.\u201d\u00a0\u00a0<\/section>\n
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Life, then, can be a simple journey of the multitudes of pain and pleasure, the aim not to transcend them in extremities, but to stabilise the highs and lows that are inescapable to every human. The figures of hell in Fengdu to the heavenly sculptures carved into rock in Dazu inform the work as civil reminders of this, ornate objects that represent the two points in which we oscillate between during our lifetimes.<\/section>\n
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\u2014\u2014Sam Alekksandra<\/section>\n<\/section>\n
\u25a0\u00a0\u25a0\u00a0<\/strong>\u00a0 \u5c55\u89bd\u4fe1\u606f\u00a0\u00a0 \u25a0\u00a0\u25a0<\/strong><\/section>\n
Exhibition Information<\/strong><\/section>\n
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\u300a<\/strong>\u6b32\u54ed\u6b32\u7b11 \u54ed\u7b11\u4e0d\u5f97<\/strong>\u300b<\/strong><\/section>\n
Oscillations<\/strong><\/section>\n
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\u00a0<\/strong><\/section>\n
Sam Alekksandra\uff08MT\uff09Solo Resident Exhibition<\/strong><\/section>\n
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Sam Alekksandra\uff08\u99ac\u8033\u4ed6\uff09\u500b\u4eba\u99d0\u7559\u4f5c\u54c1\u5c55<\/strong><\/section>\n
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\u5c55\u89bd\u958b\u5e55 Opening\uff1a<\/strong>2024.8.18\u00a019:00<\/section>\n
\u5c55\u89bd\u6642\u9593 Exhibition Period\uff1a<\/strong><\/section>\n
2024.8.18-9.1\u00a014:00-18:00<\/section>\n
\uff08\u6bcf\u9031\u4e94\u81f3\u9031\u65e5\uff5cEvery Fri. to Sun.\uff09<\/section>\n
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\u5c55\u89bd\u5730\u9ede Venue\uff1a<\/strong><\/section>\n
\u91cd\u6176 \u5341\u65b9\u85dd\u8853\u4e2d\u5fc3 A\u5c55\u5ef3<\/section>\n
Exhibition Hall A, Dimensions Art Center, Chongqing, China<\/section>\n
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\u85dd\u8853\u7e3d\u76e3\uff5cArt Director\uff1a<\/strong>\u66fe\u9014 Zeng Tu<\/section>\n
\u5c55\u89bd\u7b56\u5283\uff5cCurator\uff1a<\/strong>\u725b\u7426\u744b Niu Qiwei<\/section>\n
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\u57f7\u884c\u7d71\u7c4c\uff5cCoordination\uff1a<\/strong>\u5289\u66a2\u00a0Liu Chang<\/section>\n
\u5c55\u89bd\u5354\u52a9\uff5cAssistance\uff1a<\/strong>\u5289\u6625\u5229 Liu Chunli\u00a0 \u80e1\u514b Ben<\/section>\n
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\u99d0\u7559\u85dd\u8853\u5bb6\u7c21\u6b77\ufe31<\/strong>Resume of Artist\uff1a<\/strong><\/section>\n
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\u85a9\u59c6-\u4e9e\u66c6\u5c71\u5fb7\u62c9\u662f\u4e00\u4f4d\u4f86\u81ea\u99ac\u723e\u4ed6\u7684\u591a\u5b78\u79d1\u8a69\u4eba\u3002\u5728\u5979\u7684\u5275\u4f5c\u5be6\u8e10\u4e2d\uff0c\u5979\u5e0c\u671b\u901a\u904e\u7269\u54c1\u3001\u8868\u6f14\u3001\u8a69\u6b4c\u548c\u8996\u983b\u7b49\u591a\u6e20\u9053\u4f86\u50b3\u905e\u6587\u672c\uff0c\u5f9e\u800c\u5efa\u7acb\u4e00\u7a2e\u7576\u4ee3\u7684\u3001\u76f4\u63a5\u7684\u3001\u5145\u6eff\u8a18\u61b6\u7684\u3001\u56fa\u6709\u7684\u788e\u7247\u5316\u548c\u539f\u59cb\u7684\u500b\u4eba\u54f2\u5b78\u3002\u5979\u66fe\u5728\u6cd5\u570b\u3001\u5fb7\u570b\u3001\u99ac\u723e\u4ed6\u548c\u4e2d\u570b\u8209\u8fa6\u904e\u5c55\u89bd\u3002Sam Alekksandra is a multidisciplinary poet from Malta. In her practice she looks to deliver text through a multi-channel of objects, performance, poetry and video, to build a personal philosophy that is contemporary, immediate, memory-fuelled, inherently fragmented, and raw. She has exhibited in France, Germany, Malta and China.<\/p>\n

\u8fd1\u671f\u4f5c\u54c1\u5305\u62ec2024\u5e747\u6708\uff0c\u8207\u5979\u7684\u85dd\u8853\u5718\u9ad4\u5728\u4e0a\u6d77\u6731\u5bb6\u89d2\u8209\u8fa6\u7684\u5c55\u89bd\uff1b2024\u5e745\u6708\uff0c\u5728\u67cf\u6797\/\u6155\u5c3c\u514b\u8209\u884c\u7684\u591a\u57ce\u5e02\u8868\u6f14\uff1b\u4ee5\u53ca2024\u5e743\u6708\uff0c\u70ba\u99ac\u723e\u4ed6\u9996\u5c46\u96d9\u5e74\u5c55\u5275\u4f5c\u7684\u8a69\u610f\u8868\u6f14\u548c\u88dd\u7f6e\u85dd\u8853\u3002<\/p>\n

Recent works include a solo show in Zhujiajiao, Shanghai with her art collective (July, 2024), a multi-city performance called LET YOUR MOVE BE RESISTANCE, (Berlin\/Munich, May 2024) and HESITATIONS, a poetic performance and installation for Malta\u2019s first biennale (March 2024).<\/p>\n

2023\u5e7412\u6708\uff0c\u5979\u5728\u99ac\u723e\u4ed6\u7684Rosa Kwir\u756b\u5eca\u63a8\u51fa\u4e86\u81ea\u5df1\u7684\u9996\u90e8\u5be6\u9a57\u96fb\u5f71\u300a\u5982\u679c\u4f60\u78ba\u5b9a\u6211\u60f3\u300b\uff0c\u6b64\u524d\u5979\u9084\u7372\u5f97\u4e86\u99ac\u723e\u4ed6\u570b\u5bb6\u9752\u5e74\u85dd\u8853\u5bb6\u734e\u3002<\/p>\n

She released her debut experimental film “If You’re Sure I Want To” in December 2023, at Rosa Kwir gallery in Malta, after winning a National award for promising young artists.<\/p>\n

\u8fd1\u5e74\u53c3\u5c55 \/ \u6f14\u51fa\uff1a<\/strong><\/p>\n

Select Exhibitions\u00a0<\/strong>\/ Performances<\/strong><\/p>\n

[ANONYMOUS COLLECTIVE] solo exhibition, Shanghai, 2024<\/p>\n

LET YOUR MOVE BE RESISTANCE, performance, Berlin\/Munich, May\/June 2024<\/p>\n

I can\u2019t write these kinds of poems, performance, Council of Europe, May 2024<\/p>\n

OUTERPOETRY, installation, Valletta, Malta, April 2024<\/p>\n

HESITATIONS, site-specific installation, Malta Biennale, March 2024<\/p>\n

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IF YOU\u2019RE SURE I WANT TO, film debut, Rosa Kwir, December 2023<\/p>\n

XQXS, Rosa Kwir, Malta, group exhibition, November 2023<\/p>\n

IN SERVITUDE OF NOTHING, AHS Hasinheide Berlin, group exhibition, September 2023<\/p>\n

FAR REACH, MaHalla Berlin, Berlin Art Week, September 2023 Beehive, Oikos Logia, R Gallery, group exhibition, April 2023<\/p>\n

JA! JA! JA! poetic performance, R Gallery, July 2023<\/p>\n

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The first time I kissed a girl I thought I was a boy, Teatru Tal-Miskin, group exhibition, Valletta, October 2022<\/p>\n

Politics of touch, chapbook of poetry, Ede Books, December 2022<\/p>\n

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Princess wonderful ft. heartsbeatingintime, Storeroom, June 2021<\/p>\n

Princess wonderful, Bewyld festival, October 2018<\/p>\n

Princess wonderful, Rock the South Festival, May 2017<\/p>\n<\/section>\n

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\u85dd\u8853\u5bb6\u4ee5\u5f80\u4f5c\u54c1\ufe31<\/strong>Previous works of the artist\uff1a<\/strong><\/section>\n
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\u300a\u56de\u7b54\u6211\u300b<\/strong><\/section>\n
RE:ME<\/strong><\/section>\n
90x200cm<\/section>\n
\u7126\u6728\uff0c\u7dda\uff08100\u7c73\uff09\uff0c\u92c1<\/section>\n
charred wood, thread (100m), aluminum<\/section>\n
– 2023 –<\/section>\n
\u300a\u56de\u7b54\u6211\u300b\u662f\u6211\u6301\u7e8c\u5275\u4f5c\u7684\u4e00\u7cfb\u5217\u8a69\u610f\u7269\u4ef6\u7684\u4e00\u90e8\u5206\uff0c\u9019\u4e9b\u4f5c\u54c1\u5de7\u5999\u5730\u878d\u5408\u4e86\u7dda\u3001\u91d1\u5c6c\u3001\u93e1\u5b50\u548c\u6728\u982d\u7b49\u6750\u8cea\u3002\u9019\u4ef6\u4f5c\u54c1\u66fe\u5728Rosa Kwir\u756b\u5eca\u7684\u4e00\u6b21\u7fa4\u5c55\u4e2d\u5c55\u51fa\uff0c\u5176\u4e2d\u7a81\u51fa\u4e86\u4ee5\u932f\u843d\u6709\u81f4\u7684\u5716\u6848\u53cd\u5fa9\u51fa\u73fe\u7684\u6025\u5207\u8a9e\u53e5\u201cKEEP ME FROM MY THOUGHTS\u201d\uff08\u8b93\u6211\u9060\u96e2\u6211\u7684\u601d\u7dd2\uff09\uff0c\u9019\u53cd\u6620\u4e86\u5728\u601d\u7dad\u6f29\u6e26\u4e2d\u6240\u611f\u53d7\u5230\u7684\u7121\u529b\u611f\u548c\u505c\u6eef\u72c0\u614b\u3002<\/section>\n
<\/section>\n
RE:ME forms part of an on-going body of work of poetic objects made with thread, metal, mirror and wood. Re:Me was featured in a group exhibition at Rosa Kwir, and features the frantic words KEEP ME FROM MY THOUGHTS in disjuncted patterns throughout, reflecting the paralysis felt during thought spirals.<\/section>\n
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\u300a\u8702\u5de2\u300b<\/strong><\/section>\n
BEEHIVE<\/strong><\/section>\n
\u8a69\u610f\u4e4b\u7269
\n<\/strong><\/section>\n
poetic object<\/section>\n
61.5×98.6cm<\/section>\n
\u91d1\u5c6c\uff0c\u6728\u6750\uff0c\u7dda\uff08150\u7c73\uff09<\/section>\n
metal, wood, thread (150m)<\/section>\n
– 2023 –<\/section>\n
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OIKOS LOGIA\uff0cR\u756b\u5eca\uff0c\u99ac\u723e\u4ed6\uff0c2023\u5e744\u6708<\/p>\n

OIKOS LOGIA, R Gallery, Malta, April 2023<\/p>\n

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\u300a\u8702\u5de2\u300b\u9019\u4ef6\u4f5c\u54c1\u4ee5\u4ea4\u7e54\u7684\u8a69\u610f\u624b\u6cd5\u878d\u5408\u4e86\u6709\u6a5f\u8207\u7121\u6a5f\u6750\u8cea\uff0c\u5f15\u767c\u6df1\u601d\uff1a\u6211\u5011\u5982\u4f55\u80fd\u9006\u8f49\u90a3\u4e9b\u770b\u4f3c\u4e0d\u53ef\u9006\u7684\u640d\u5bb3\uff1f\u9762\u5c0d\u751f\u614b\u7684\u4e0d\u548c\u8ae7\uff0c\u6211\u5011\u5982\u4f55\u80fd\u5920\u6b63\u8996\u81ea\u6211\uff0c\u800c\u4e0d\u53ea\u662f\u81ea\u8cac\uff1f\u53c8\u5982\u4f55\u80fd\u4f7f\u5df2\u5931\u53bb\u751f\u6a5f\u4e4b\u7269\u91cd\u7165\u6d3b\u529b\uff1f\u9019\u4e9b\u554f\u984c\u69cb\u6210\u4e86\u4f5c\u54c1\u7684\u6838\u5fc3\u601d\u8003\u3002\u6b64\u4f5c\u54c1\u4f5c\u70baOIKOS LOGIA\u7fa4\u5c55\u7684\u4e00\u90e8\u5206\uff0c\u57282023\u5e744\u6708\u5c55\u51fa\uff0c\u9019\u662f\u4e00\u500b\u753110\u4f4d\u85dd\u8853\u5bb6\u5171\u540c\u53c3\u8207\u7684\u5c55\u89bd\uff0c\u65e8\u5728\u63a2\u7d22\u4eba\u985e\u8207\u5176\u68f2\u606f\u74b0\u5883\u4e4b\u9593\u529f\u80fd\u5931\u8abf\u7684\u95dc\u4fc2\u3002<\/section>\n
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BEEHIVE combines organic and inorganic material in threaded poetics: how do we reverse the irreversible? How do we look at ourselves to gaze at this ecological dissonance without beating our backs? How do you bring back to life what is deadened? The work shows part of group show OIKOS LOGIA, a 10-artist exhibition exploring the dysfunctional relationship between humans and their habitat, in April 2023.<\/section>\n
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\u300a<\/strong>\u7121\u7269\u4e4b\u5f79<\/strong>\u300b<\/strong><\/section>\n
IN SERVITUDE OF NOTHING<\/strong><\/section>\n
\u7279\u5b9a\u5834\u5730\u4f5c\u54c1\u00a0+\u00a0\u88dd\u7f6e
\n<\/strong><\/section>\n
site-specific work + installation<\/section>\n
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\u7d19\u3001\u6728\u70ad\u3001\u53e3\u7d05\u3001\u62fe\u5f97\u7269\uff0820\u7c73\uff09<\/section>\n
paper, charcoal, lipstick, found objects (20m)<\/section>\n
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– 2023\u00a0–<\/section>\n
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\u300a<\/strong>\u7121\u7269\u4e4b\u5f79<\/strong>\u300b<\/strong><\/section>\n
IN SERVITUDE OF NOTHING<\/strong><\/section>\n
\u00a0<\/strong><\/section>\n

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\u300a\u7121\u7269\u4e4b\u5f79\u300b\u662f\u4e00\u500b\u7279\u5b9a\u5834\u5730\u7684\u88dd\u7f6e\u8207\u8868\u6f14\u85dd\u8853\u4f5c\u54c1\uff0c\u5b83\u901a\u904e\u5728\u5c0b\u7372\u7269\u54c1\u4e0a\u4ee5\u610f\u8b58\u6d41\u7684\u65b9\u5f0f\u66f8\u5beb\u4f86\u5be6\u73fe\u3002\u9019\u4ef6\u4f5c\u54c1\u662f\u5c55\u89bdHOMO LUDENS\u7684\u4e00\u90e8\u5206\uff0c\u8a72\u5c55\u89bd\u5f59\u96c6\u4e863\u4f4d\u85dd\u8853\u5bb6\uff0c\u5404\u81ea\u5c55\u73fe\u4e86\u4ed6\u5011\u5c0d\u6240\u8b02\u904a\u6232\u4e16\u754c\u53ca\u5176\u5f71\u97ff\u76843\u7a2e\u4e0d\u540c\u8996\u89d2\u3002<\/section>\n
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IN SERVITUDE OF NOTHING is a site-specific installation and performance, through the act of stream-of-consciousness written with and on found objects. It formed part of show HOMO LUDENS, three artists with three visions of the world of supposed playfulness and its consequences.<\/section>\n
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2013-2023, \u5341\u65b9\u5341\u5e74\u6709\u4f60\u76f8\u4f34<\/section>\n
\uff08\u611f\u8b1d\u85dd\u8853\u5bb6\u4f0d\u661f\u661f\u6350\u8d08\u526a\u7d19\u4f5c\u54c1\uff09<\/section>\n
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\u90f5\u7bb1 : info@chongqingdac.org<\/section>\n
\u5fae\u4fe1 : CNCQDAC<\/section>\n
Facebook : \u91cd\u6176\u5e02\u5341\u65b9\u85dd\u8853\u4e2d\u5fc3<\/section>\n
\u5730\u5740\uff1a\u91cd\u6176\u5e02\u4e5d\u9f8d\u5761\u5340\u9ec3\u6877\u576a\u5b98\u5bb6\u6797190\u865f<\/section>\n
<\/section>\n
Website : chongqingdac.org<\/section>\n
Email : info@chongqingdac.org<\/section>\n
Wechat : CNCQDAC<\/section>\n
Facebook : Chongqing Dimensions Art Centre & Chongqing Artists In Residency<\/section>\n
Address : Huangjueping GuanJiaLin 190, Jiulongpo, Chongqing, CN.\u00a0<\/section>\n
<\/section>\n","protected":false},"excerpt":{"rendered":"

\u25a0\u00a0\u25a0 \u00a0\u00a0 \u7b56\u5c55\u4eba\u524d\u8a00\u00a0 \u00a0\u25a0\u00a0\u25a0 Curator’s Foreword \u75db\u82e6\uff08pain\uff09\u8207\u5feb\u6a02 […]<\/p>\n","protected":false},"author":2,"featured_media":10282,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[13],"tags":[],"eventsnews":[17],"class_list":["post-10280","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-dair-activities","eventsnews-eventsnews"],"blocksy_meta":{"styles_descriptor":{"styles":{"desktop":"","tablet":"","mobile":""},"google_fonts":[],"version":6}},"_links":{"self":[{"href":"http:\/\/chongqingdac.org\/index.php?rest_route=\/wp\/v2\/posts\/10280","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/chongqingdac.org\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/chongqingdac.org\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/chongqingdac.org\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"http:\/\/chongqingdac.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=10280"}],"version-history":[{"count":3,"href":"http:\/\/chongqingdac.org\/index.php?rest_route=\/wp\/v2\/posts\/10280\/revisions"}],"predecessor-version":[{"id":10299,"href":"http:\/\/chongqingdac.org\/index.php?rest_route=\/wp\/v2\/posts\/10280\/revisions\/10299"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/chongqingdac.org\/index.php?rest_route=\/wp\/v2\/media\/10282"}],"wp:attachment":[{"href":"http:\/\/chongqingdac.org\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=10280"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/chongqingdac.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=10280"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/chongqingdac.org\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=10280"},{"taxonomy":"eventsnews","embeddable":true,"href":"http:\/\/chongqingdac.org\/index.php?rest_route=%2Fwp%2Fv2%2Feventsnews&post=10280"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}