{"id":12134,"date":"2025-12-26T07:57:43","date_gmt":"2025-12-25T23:57:43","guid":{"rendered":"http:\/\/chongqingdac.org\/?p=12134"},"modified":"2026-03-22T14:28:00","modified_gmt":"2026-03-22T06:28:00","slug":"%e5%8d%81%e6%96%b9%e5%b1%95%e8%a6%bd%ef%bd%9c%e3%80%8a%e5%9c%a8%e4%bb%80%e9%ba%bc%e4%b9%8b%e4%b8%8b%ef%bc%8c%e6%89%80%e4%bb%a5%e5%9c%a8%e4%bb%80%e9%ba%bc%e4%b9%8b%e4%b8%8b%e3%80%8b%e8%94%a1%e5%9c%8b","status":"publish","type":"post","link":"http:\/\/chongqingdac.org\/?p=12134","title":{"rendered":"\u5341\u65b9\u5c55\u89bd\uff5c\u300a\u5728\u4ec0\u9ebc\u4e4b\u4e0b\uff0c\u6240\u4ee5\u5728\u4ec0\u9ebc\u4e4b\u4e0b\u300b\u8521\u570b\u5091\uff08\u4e2d\u570b\u6fb3\u9580\uff09\u500b\u4eba\u99d0\u7559\u4f5c\u54c1\u5c55"},"content":{"rendered":"
\n
<\/section>\n
<\/section>\n
<\/section>\n
<\/section>\n<\/section>\n
<\/section>\n
<\/section>\n
\n

\u25a0 \u25a0 \u00a0<\/strong>\u00a0 \u7b56\u5c55\u4eba\u524d\u8a00\u00a0 \u00a0\u25a0 \u25a0<\/strong><\/p>\n

Curator’s Foreword<\/strong><\/p>\n

\u754c\u9650\u5230\u751f\u6d3b<\/span><\/p>\n

\u85dd\u8853\u5bb6\u8521\u570b\u5091\u5728\u85dd\u8853\u5275\u4f5c\u8108\u7d61\u4e2d\uff0c\u59cb\u7d42\u5728\u63a2\u8a0e\u516c\u5171\u9818\u57df\u548c\u79c1\u4eba\u9818\u57df\u53ca\u5176\u95dc\u4fc2\u554f\u984c\u3002\u901a\u904e\u4ed6\u7684\u89c0\u5bdf\u8207\u8a6e\u91cb\uff0c\u6211\u5011\u770b\u5230\u9019\u5169\u8005\u4e4b\u9593\u7684\u754c\u9650\u5f80\u5f80\u662f\u6a21\u7cca\u3001\u6d41\u52d5\u3001\u76f8\u4e92\u6ef2\u900f\u548c\u9593\u9699\u5b58\u5728\u3002<\/span><\/p>\n

 <\/p>\n

\u9019\u6b21\uff0c\u8521\u570b\u5091\u5c07\u9019\u4e00\u547d\u984c\u5e36\u5165\u5c71\u57ce\u91cd\u6176\u3002\u5728\u9019\u88cf\uff0c\u4ed6\u770b\u5230\u4e86\u4e00\u7a2e\u91cd\u6176\u7368\u5177\u7159\u706b\u6c23\u7684\u666f\u8c61<\/span>\u2014\u2014\u516c\u8207\u79c1\u7684\u754c\u9650\u88ab\u6253\u7834\u3002\u9019\u7a2e\u770b\u4f3c\u7121\u5e8f\u7684\u72c0\u614b\uff0c\u53cd\u800c\u6210\u5c31\u4e86\u6700\u771f\u5be6\u3001\u6700\u63a5\u5730\u6c23\u7684\u751f\u6d3b\u5716\u666f\uff0c\u5728\u7159\u706b\u4e2d\u9054\u6210\u4e86\u4e00\u7a2e\u5fae\u5999\u7684\u548c\u8ae7\u3002<\/span><\/p>\n

 <\/p>\n

\u5118\u7ba1\u5f9e\u898f\u5283\u7684\u89d2\u5ea6\u770b\uff0c\u6211\u5011\u5f80\u5f80\u9700\u8981\u908a\u754c\u7684\u754c\u5b9a\u548c\u898f\u5247\u7684\u5efa\u7acb\uff0c\u907f\u514d\u516c\u79c1\u6df7\u96dc\u53ef\u80fd\u9020\u6210\u7684\u79e9\u5e8f\u6df7\u4e82\u6216\u6b0a\u5c6c\u722d\u8b70\u3002\u4f46\u5728\u9019\u4e4b\u4e2d\u537b\u662f\u4e00\u7a2e\u751f\u6d3b\u7159\u706b\u6c23\u7684\u6240\u5728\uff0c\u9020\u5c31\u4e86\u91cd\u6176\u7368\u7279\u7684\u8857\u5df7\u666f\u89c0\u548c\u751f\u6d3b\u60c5\u8abf\u3002\u90a3\u4e9b\u4ee4\u4eba\u56f0\u64fe\u7684<\/span>\u201c\u516c\u79c1\u77db\u76fe\u201d\uff0c\u5728\u65e5\u5e38\u751f\u6d3b\u7684\u7d30\u679d\u672b\u7bc0\u4e2d\uff0c\u5f80\u5f80\u88ab\u4eba\u5011\u7528\u4e00\u7a2e\u5bec\u5bb9\u3001\u9b06\u5f1b\u7684\u614b\u5ea6\u6240\u5316\u89e3\u3002\u6df7\u4e82\u8207\u79e9\u5e8f\u4e26\u5b58\uff0c\u79c1\u5bc6\u8207\u958b\u653e\u5171\u821e\uff0c\u4f5c\u70ba\u5f7c\u6b64\u9593\u3001\u4e8b\u7269\u9593\u9020\u5c31\u751f\u6d3b\u610f\u7fa9\u7684\u806f\u7e6b\u8207\u7f88\u7d46\u3002<\/span><\/p>\n

 <\/p>\n

\u751f\u6d3b\uff0c\u5f80\u5f80\u8a95\u751f\u65bc\u898f\u5247\u8207\u81ea\u7531\u7684\u4ea4\u7e54\u8207\u7e2b\u9699\u4e4b\u4e2d\uff0c\u5b83\u7cbe\u5f69\u5730\u751f\u6210\u8457\u751f\u6d3b\u7684\u610f\u7fa9\u3002\u8521\u570b\u5091\u7684\u85dd\u8853\uff0c\u662f\u5728\u7269\u7406\u7a7a\u9593\u4e0a\uff0c\u5c0d\u65e2\u6709\u898f\u5247\u6027\u7684\u4ecb\u5165\u8207\u89e3\u69cb<\/span>\uff0c<\/span>\u4f46\u5176\u5167\u6db5\u537b\u662f\u5728\u793e\u6703\u95dc\u4fc2\u4e0a\uff0c\u5c0d\u4eba\u6587\u6027\u7684\u8a6e\u91cb\u8207\u91cd\u69cb\u3002<\/span><\/p>\n

\u2014\u2014\u4f55\u4eac<\/section>\n
From Boundaries to Life<\/span><\/section>\n
In his artistic practice,\u00a0<\/span>Cai Guojie\u00a0has consistently explored the public sphere, the private sphere, and the relationship between them. Through his observations and interpretations, we see that the boundaries between the two are often blurred, fluid, permeable, and marked by interstices.<\/section>\n
This time,\u00a0Cai Guojie\u00a0brings this inquiry to Chongqing, a city built on mountains. Here, he observes a scene unique to Chongqing\u2014one brimming with the vibrancy of daily life\u2014where the boundaries between public and private are dissolved. This seemingly disordered state, in fact, gives rise to the most authentic and down-to-earth portrayal of life, achieving a delicate harmony within the hustle and bustle.<\/section>\n
Although, from a planning perspective, we often require clear boundaries and established rules to avoid the chaos or disputes over ownership that may arise from the mixing of public and private, it is precisely within such intermingling that the vitality of everyday life thrives, creating Chongqing\u2019s distinctive streetscape and living atmosphere. Those troubling \u201cpublic-private contradictions\u201d are often resolved in the minutiae of daily life through an attitude of tolerance and ease. Chaos coexists with order, privacy dances with openness, forming connections and bonds that create meaning between people and things.<\/section>\n
Life often emerges from the interweaving and gaps between rules and freedom, brilliantly generating its own significance.\u00a0Cai Guojie\u2019s art intervenes in and deconstructs existing regulations within physical space, yet its essence lies in interpreting and reconstructing humanistic dimensions within social relations.<\/span><\/section>\n
\u2014\u2014He Jing<\/section>\n<\/section>\n
<\/section>\n
<\/section>\n
<\/section>\n
\n
\u25a0 \u25a0 \u00a0\u00a0<\/strong>\u85dd\u8853\u5bb6\u81ea\u8ff0\u00a0 \u25a0 \u25a0<\/strong><\/section>\n
Artist’s Statement<\/strong><\/section>\n
<\/section>\n
\n
\u672c\u6b21\u5c55\u89bd\u4ee5\u516c\u5171\u8207\u79c1\u4eba\u7a7a\u9593\u7684\u5171\u5b58\u8207\u758a\u52a0\uff0c\u805a\u7126\u91cd\u6176\u4f5c\u70ba\u5c71\u57ce\u7684\u57ce\u5e02\u7279\u8cea\uff0c\u4e26\u5617\u8a66\u4ee5\u5168\u7403\u5316\u8996\u89d2\u63a2\u7d22\u8de8\u6587\u5316\u7684\u5448\u73fe\u65b9\u5f0f\u3002\u5177\u9ad4\u901a\u904e\u8a0e\u8ad6<\/span>\u201c\u516c\u79c1\u4e4b\u9593\u201d\u7b49\u65b9\u5411\uff0c\u8f49\u5316\u90a3\u4e9b\u8655\u65bc\u904e\u6e21\u72c0\u614b\u7684<\/span>\u201c<\/span>\u7b2c\u4e09\u7a7a\u9593<\/span>\u201d<\/span>\uff0c\u5c55\u958b\u7a7a\u9593\u5ac1\u63a5\u7684\u5be6\u8e10\uff0c\u5f9e\u800c\u63a2\u5c0b\u57ce\u5e02\u56fa\u6709\u7a7a\u9593\u5b9a\u5411\u7684\u66f4\u591a\u53ef\u80fd\u6027\u3002<\/span><\/section>\n
\u7a7a\u9593\u610f\u7fa9\u4e0a\u7684<\/span>\u201c\u516c\u5171\u6027\u201d\u662f\u5426\u53ef\u4ee5\u8b93\u4f4d\u65bc\u500b\u4eba\u5316\u7684\u5373\u6642\u8a6e\u91cb\uff1f\u901a\u904e<\/span>\u201c<\/span>\u5b89\u88dd<\/span>\u201d<\/span>\u8207<\/span>\u201c<\/span>\u5378\u8f09<\/span>\u201d<\/span>\u7684\u64cd\u4f5c\uff0c\u5c55\u89bd\u8a66\u5716\u6fc0\u767c\u7a7a\u9593\u5c6c\u6027\u7684\u591a\u5411\u53ef\u80fd\u3002\u9019\u7a2e<\/span>\u201c<\/span>\u516c\u79c1\u758a\u52a0\u614b<\/span>\u201d<\/span>\u5728\u5c64\u5c64\u898f\u5247\u4e2d\uff0c\u7336\u5982\u5728\u758a\u898f\u4e4b\u4e2d\u6e67\u73fe\u7684\u6c23\u6ce1\uff0c\u5c55\u73fe<\/span>\u201c\u5982\u4f55\u66f4\u597d<\/span>\u5730<\/span>\u8b93\u516c\u79c1\u5171\u5b58<\/span>\u201d\u3002<\/span><\/section>\n
\u2014\u2014\u8521\u570b\u5091<\/section>\n
This exhibition centers on the coexistence and layering of public and private spaces, focusing on Chongqing<\/span>\u2019<\/span>s distinctive identity as a mountainous city. Through a global perspective, it seeks to explore crosscultural modes of expression. By engaging with themes such as\u00a0<\/span>\u201c<\/span>the space between public and private,<\/span>\u201d<\/span>\u00a0the project transforms transitional\u00a0<\/span>\u201c<\/span>third spaces<\/span>\u201d<\/span>\u00a0and initiates practices of spatial grafting, in order to open up new possibilities within the city<\/span>\u2019<\/span>s inherent spatial orientation.<\/span><\/section>\n
Can spatial\u00a0<\/span>\u201c<\/span>publicness<\/span>\u201d<\/span>\u00a0yield to personalized, immediate interpretation? Through acts of\u00a0<\/span>\u201c<\/span>installation<\/span>\u201d<\/span>\u00a0and\u00a0<\/span>\u201c<\/span>uninstallation<\/span>\u201d<\/span>, the exhibition attempts to activate multiple potentialities of spatial attributes. Within layers of rules and structures, this\u00a0<\/span>\u201c<\/span>publicprivate superposition<\/span>\u201d<\/span>\u00a0appears like bubbles rising between stacked regulations<\/span>\u2014<\/span>revealing ways in which public and private might better coexist.<\/span><\/section>\n
\u2014\u2014Cai\u00a0Guojie<\/section>\n<\/section>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n<\/section>\n

\u25a0 \u25a0\u00a0<\/strong>\u00a0 \u5c55\u89bd\u4fe1\u606f\u00a0\u00a0 \u25a0 \u25a0<\/strong><\/section>\n
Exhibition Information<\/strong><\/section>\n
<\/section>\n
\u300a<\/strong>\u5728\u4ec0\u9ebc\u4e4b\u4e0b\uff0c\u6240\u4ee5\u5728\u4ec0\u9ebc\u4e4b\u4e0b\u300b<\/strong>U<\/strong>nder<\/span>\u00a0What<\/span>, So<\/span>\u00a0Under<\/span>\u00a0What<\/span><\/section>\n
<\/section>\n
<\/section>\n
<\/section>\n
Cai Guojie (MO<\/strong>) Solo Resident Exhibition<\/strong><\/section>\n
<\/section>\n
<\/section>\n
\u8521\u570b\u5091\uff08\u4e2d\u570b\u6fb3\u9580\uff09\u500b\u4eba\u99d0\u7559\u4f5c\u54c1\u5c55<\/strong><\/section>\n
<\/section>\n
<\/section>\n
<\/section>\n
\u958b\u5e55 Opening\uff1a<\/strong>2025.12.27\uff08\u9031\u516d\uff09 19:00<\/section>\n
\u5c55\u671f Duration\uff1a<\/strong><\/section>\n
2025.12.27-2026.1.31 14:00-18:00<\/section>\n
\uff08\u6bcf\u9031\u4e94\u81f3\u9031\u65e5\uff5cEvery Fri. to Sun.\uff09<\/section>\n
<\/section>\n
\u5c55\u89bd\u5730\u9ede Venue\uff1a<\/strong><\/section>\n
\u91cd\u6176 \u5341\u65b9\u85dd\u8853\u4e2d\u5fc3 A\u5c55\u5ef3<\/section>\n
Exhibition Hall A, Dimensions Art Center, Chongqing, China<\/section>\n
<\/section>\n
\u85dd\u8853\u7e3d\u76e3\uff5cArt Director\uff1a<\/strong>\u66fe\u9014 Zeng Tu<\/section>\n
\u5c55\u89bd\u7b56\u5283\uff5cCurator\uff1a\u4f55\u4eac\u00a0He Jing<\/section>\n
<\/section>\n
\u57f7\u884c\u7d71\u7c4c\uff5cCoordination\uff1a\u5289\u66a2 Liu Chang<\/section>\n
\u5c55\u89bd\u5354\u52a9\uff5cAssistance\uff1a\u5289\u6625\u5229 Liu Chunli \u00a0\u80e1\u514b Ben<\/section>\n
<\/section>\n
<\/section>\n
<\/section>\n
<\/section>\n
<\/section>\n
<\/section>\n
<\/section>\n
\u99d0\u7559\u85dd\u8853\u5bb6\u7c21\u6b77\ufe31<\/strong>Resume of Artist\uff1a<\/strong><\/section>\n
<\/section>\n
\n

\u8521\u570b\u50911979\u5e74\u751f\u65bc\u4e2d\u570b\u81fa\u7063\u3002<\/span><\/p>\n

\u73fe\u5de5\u4f5c\u548c\u751f\u6d3b\u5728\u4e2d\u570b\u6fb3\u9580\u3002<\/span><\/p>\n

\u8fd1\u5e74\u5c55\u89bd<\/span>\uff08<\/span>\u7bc0\u9078<\/span>\uff09<\/span><\/p>\n

Important exhibitions in the recent years<\/span><\/p>\n

(selection)<\/span><\/p>\n

\u500b\u5c55<\/span><\/p>\n

Solo Exhibitions<\/span><\/p>\n

2023\u00a0<\/span>\u300a\u4f60\u597d\uff0c\u4e0a\u6d77\u5c45\u6c11\u300b\uff0c\u8981\u7a7a\u9593\uff0c\u4e0a\u6d77<\/span>\uff0c<\/span>\u4e2d\u570b<\/span><\/p>\n

2022\u00a0<\/span>\u300a\u8aa4\u5dee\u758a\u5236\uff1a\u6fb3\u9580\u8001\u57ce\u7684\u5730\u7c4d\u7dda\u8003\u5bdf\u300b\uff0c<\/span>At Light<\/span>\uff0c\u6fb3\u9580<\/span>\uff0c<\/span>\u4e2d\u570b<\/span><\/p>\n

2021\u00a0<\/span>\u300a\u66fc\u8c37\u96d9\u5e74\u5c55\u300b\u3008\u822a\u884c\u4e2d\u3009\uff0c\u671b\u590f\u5c71\u623f<\/span>61<\/span>\u865f\uff0c\u66fc\u8c37<\/span>(<\/span>\u99d0\u5730\u6fb3\u9580<\/span>\uff0c<\/span>\u4e2d\u570b<\/span>)<\/span><\/p>\n

2020\u00a0<\/span>\u300a\u4ea4\u6613\u7e7c\u7e8c\u300b\uff0c\u7761\u7720\u4e2d\u5fc3\uff0c\u7d10\u7d04\u66fc\u54c8\u9813<\/span>\uff0c<\/span>\u7f8e\u570b<\/span><\/p>\n

2019\u00a0<\/span>\u300a\u5fb7\u6649\u85dd\u8853\u82b1\u5712\u300b\uff0c\u5fb7\u6649\u85dd\u8853\u82b1\u5712\uff0c\u6fb3\u9580<\/span>\uff0c<\/span>\u4e2d\u570b<\/span><\/p>\n

2023\u00a0<\/span>Hellow Shanghai Residents<\/span><\/i>\uff0c<\/span>Yell Space<\/span>\uff0c<\/span>Shanghai, China<\/span><\/p>\n

2022\u00a0<\/span>The Accumulation of Discrepancies<\/span><\/i>\uff0c<\/span>At Light<\/span>\uff0c<\/span>Macau<\/span>, China<\/p>\n

2021\u00a0On the move<\/span><\/i>\u00a0<\/i>(Bangkok Biennial), Thailand<\/span>\u00a0(showing at Mong Ha Villas, Macau<\/span>, China<\/p>\n

2020\u00a0The Deals Go On<\/span><\/i>, Sleepcenter, Manhattan, New York<\/span>, USA<\/p>\n

2019\u00a0Tak Chun Art Garden<\/span><\/i>, Tak Chun Art Garden, Maca<\/span>u<\/span>, China<\/p>\n

\u9805\u76ee\u500b\u5c55<\/span><\/p>\n

Project Solo Exhibitions<\/span><\/p>\n

2025\u00a0<\/span>\u300a\u70cf\u862d\u5df4\u6258\u96d9\u5e74\u5c55<\/span>—<\/span>\u5cf6\u5dbc\u8a18\u61b6\u9ad4\u300b\u3008\u8aa4\u5dee\u5862\u5821\u2161\u3009\uff0c<\/span>ANCORE<\/span>\uff0c\u70cf\u862d\u5df4\u6258<\/span>\uff0c<\/span>\u8499\u53e4<\/span><\/p>\n

2020\u00a0<\/span>\u3008\u5bb6\u5712<\/span>\u2161\u3009\uff0c\u7576\u4ee3\u85dd\u8853\u63a8\u5ee3\u57fa\u91d1\u6703<\/span>Tommaseo<\/span>\u5de5\u4f5c\u5ba4\uff0c\u7684\u91cc\u96c5\u65af\u7279<\/span>\uff0c<\/span>\u7fa9\u5927\u5229<\/span><\/p>\n

2019\u00a0<\/span>\u3008\u67cf\u6797\u7684\u9577\u5ea6\u3009\uff0c<\/span>oMo<\/span>\u85dd\u8853\u7a7a\u9593\uff0c\u67cf\u6797<\/span>\uff0c<\/span>\u5fb7\u570b<\/span><\/p>\n

2025\u00a0<\/span>Ulaanbaatar Biennale, Technostalgia<\/span>\u2014<\/span>Peripheral Memory<\/span><\/i>\u3008<\/span>Error Fortress II<\/span>\u3009<\/span>, ANCORE, Ulaanbaatar, Mongolia<\/span><\/p>\n

2020\u00a0<\/span>Homeland<\/span>\u2161<\/span><\/i>\uff0c<\/span>Studio Tommaseo – Trieste Contemporanea, Trieste, Italy<\/span><\/p>\n

2019\u00a0<\/span>The Length of Berlin<\/span><\/i>, oMo Art space, Berlin, Germany<\/span><\/p>\n

\u7fa4\u5c55<\/span><\/p>\n

Group Exhibitions<\/span><\/p>\n

2024\u00a0<\/span>\u300a\u4f55\u4ee5\u9583\u720d\u300b\u3008\u8aa4\u5dee\u5862\u5821\u3009\uff0c\u56db\u5ddd\u7f8e\u8853\u5b78\u9662\u7f8e\u8853\u9928\uff0c\u91cd\u6176<\/span>\uff0c<\/span>\u4e2d\u570b<\/span><\/p>\n

2023\u00a0<\/span>\u300a\u81ea\u5236\u5cf6\u300b\u3008\u5782\u76f4\u571f\u5730\u3009\uff0c\u8cbb\u820d\u5167\u7d21\u7e54\u5ee0\u85dd\u8853\u4e2d\u5fc3<\/span>ArtIstanbul Feshane<\/span>\uff0c\u4f0a\u65af\u5766\u5821<\/span>\uff0c<\/span>\u571f\u8033\u5176<\/span><\/p>\n

2022\u00a0<\/span>\u300a\u53cd\u5e38\u89c0\u770b\u65e5\u5e38\u666f\u89c0\u300b\u3008\u8aa4\u5dee\u586b\u5145\u3009\uff0c\u5b83\u5c71\u85dd\u8853\u4e2d\u5fc3\uff0c\u8607\u5dde<\/span>\uff0c<\/span>\u4e2d\u570b<\/span><\/p>\n

2021\u00a0<\/span>\u300a\u570b\u969b\u9752\u5e74\u85dd\u8853\u5b63<\/span>—<\/span>\u4e94\u6708\u85aa\u706b\u300b\u3008\u5bb6\u5712\u3009\uff0c\u6d59\u6c5f\u5c55\u89bd\u9928\uff0c\u6d59\u6c5f<\/span>\uff0c<\/span>\u4e2d\u570b<\/span><\/p>\n

2020\u00a0<\/span>\u300a\u570b\u969b\u8de8\u5a92\u9ad4\u85dd\u8853\u7bc0<\/span>—<\/span>\u8fd1\u672a\u4f86<\/span>.<\/span>\u53ef\u80fd\u751f\u6d3b\u300b\u3008\u5e73\u6c34\u7891\u3009\uff0c\u5be7\u6ce2\u97d3\u5dba\u5c55\u5340\uff0c\u6d59\u6c5f<\/span>\uff0c<\/span>\u4e2d\u570b<\/span><\/p>\n

2019\u00a0<\/span>\u300a\u96e3\u6c11\u73fe\u6cc1\u300b\u3008\u5bb6\u5712\u3009\uff0c\u5df4\u9ece\u7b2c\u516b\u5927\u5b78\u62f1\u9802\u5c55\u89bd\u5834\uff0c\u5df4\u9ece<\/span>\uff0c<\/span>\u6cd5\u570b<\/span><\/p>\n

2018\u00a0<\/span>\u300a\u4e0d\u53ef\u80fd\u7684\u9ed1\u8272\u9b31\u91d1\u9999\u300b\u3008\u8aa4\u5dee\u7c3d\u552e\uff1a<\/span>Le Murate<\/span>\u3009\uff0c<\/span>Le Murate\u00a0<\/span>\u7576\u4ee3\u85dd\u8853\u4e2d\u5fc3\uff0c\u4f5b\u7f85\u502b\u65af<\/span>\uff0c<\/span>\u7fa9\u5927\u5229<\/span><\/p>\n

2024\u00a0<\/span>Sparkles<\/span><\/i>\u3008<\/span>Error Wharf<\/span>\u3009\uff0c<\/span>Sichuan Fine Arts Institute(SCFAI) Art Museum,<\/span>\u00a0Chongqing,<\/span>\u00a0China<\/span><\/p>\n

2023\u00a0<\/span>I am Another You, You are Another Me<\/span><\/i>\u00a0<\/i>(Vertical Land)<\/span>\uff0c<\/span>ArtIstanbul Feshane<\/span>\uff0c<\/span>Istanbul<\/span>,\u00a0T\u00fcrk\u0131ye<\/span><\/p>\n

2022\u00a0<\/span>Paradoxical Seeing of Daily Scene l<\/span><\/i>\u00a0(Error Padding)<\/span>\uff0c<\/span>Tasa Art Center, Suzhou, China<\/span><\/p>\n

2021\u00a0<\/span>International Youth Art Season: Glaring Fire in May<\/span><\/i>, Zhejiang Exhibition Hall, Hangzhou, China<\/span><\/p>\n

2020\u00a0<\/span>The 6th Intermedia Art Festival<\/span><\/i>, Ningbo Hanling Exhibition Area, Zhejiang, China<\/span><\/p>\n

2019\u00a0<\/span>La situation des r\u00e9fugi\u00e9.e.s<\/span><\/i>, Universit\u00e9Paris VIII Vincennes-Saint-Denis, France<\/span><\/p>\n

2018\u00a0<\/span>The Impossible BlackTulip<\/span><\/i>, Le Murate Contemporary art center, Florence, Italy<\/span><\/p>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

\u85dd\u8853\u5bb6\u4ee5\u5f80\u4f5c\u54c1\ufe31Previous works of the artist\uff1a<\/strong><\/section>\n
<\/section>\n
\u300a\u6a4b\u5730\uff1a\u9c7c\u83dc\u706b\u9505\u300b<\/span><\/section>\n<\/section>\n
\n
<\/section>\n
\n
\n
<\/section>\n
<\/section>\n
<\/section>\n
\n
<\/section>\n
<\/section>\n
<\/section>\n
\n
\n
<\/section>\n<\/section>\n<\/section>\n<\/section>\n
\n
<\/section>\n
\n
\n
<\/section>\n<\/section>\n<\/section>\n<\/section>\n
\n
<\/section>\n
<\/section>\n
<\/section>\n
\n
\n
<\/section>\n<\/section>\n<\/section>\n<\/section>\n
\n
<\/section>\n
<\/section>\n
\n
\n
<\/section>\n
<\/section>\n<\/section>\n<\/section>\n<\/section>\n
\n
<\/section>\n
<\/section>\n
<\/section>\n
\n
\n
<\/section>\n<\/section>\n<\/section>\n<\/section>\n
\n
<\/section>\n
<\/section>\n
<\/section>\n
\n
\n
<\/section>\n<\/section>\n<\/section>\n<\/section>\n
\n
<\/section>\n
\n
\n
<\/section>\n
<\/section>\n
<\/section>\n<\/section>\n<\/section>\n<\/section>\n
\n
<\/section>\n
\n
\n
<\/section>\n<\/section>\n<\/section>\n<\/section>\n
\n
<\/section>\n<\/section>\n<\/section>\n<\/section>\n<\/section>\n
<\/section>\n
<\/section>\n
<\/section>\n
<\/section>\n
<\/section>\n
<\/section>\n
<\/section>\n
<\/section>\n
<\/section>\n
2013-2023, \u5341\u65b9\u5341\u5e74\u6709\u4f60\u76f8\u4f34<\/section>\n
\uff08\u611f\u8b1d\u85dd\u8853\u5bb6\u4f0d\u661f\u661f\u6350\u8d08\u526a\u7d19\u4f5c\u54c1\uff09<\/section>\n
<\/section>\n
<\/section>\n
\u5b98\u7db2 : chongqingdac.org<\/span><\/section>\n
\u90f5\u7bb1 : info@chongqingdac.org<\/section>\n
\u5fae\u4fe1 : CNCQDAC<\/section>\n
Instagram\uff1adimensionsartcenter<\/section>\n
Facebook : \u91cd\u6176\u5e02\u5341\u65b9\u85dd\u8853\u4e2d\u5fc3<\/section>\n
\u5730\u5740\uff1a\u91cd\u6176\u5e02\u4e5d\u9f8d\u5761\u5340\u9ec3\u6877\u576a\u5b98\u5bb6\u6797190\u865f<\/section>\n
<\/section>\n
Website : chongqingdac.org<\/section>\n
Email : info@chongqingdac.org<\/section>\n
Wechat : CNCQDAC<\/section>\n
Instagram\uff1adimensionsartcenter<\/span><\/section>\n
Facebook : Chongqing Dimensions Art Centre & Chongqing Artists In Residency<\/section>\n
Address : Huangjueping GuanJiaLin 190, Jiulongpo, Chongqing, CN.\u00a0<\/section>\n
<\/section>\n
\u00a0<\/section>\n","protected":false},"excerpt":{"rendered":"

\u25a0 \u25a0 \u00a0\u00a0 \u7b56\u5c55\u4eba\u524d\u8a00\u00a0 \u00a0\u25a0 \u25a0 Curator’s Foreword \u754c\u9650\u5230\u751f\u6d3b \u85dd\u8853\u5bb6\u8521\u570b […]<\/p>\n","protected":false},"author":1,"featured_media":12137,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[13],"tags":[],"eventsnews":[17],"class_list":["post-12134","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-dair-activities","eventsnews-eventsnews"],"blocksy_meta":[],"_links":{"self":[{"href":"http:\/\/chongqingdac.org\/index.php?rest_route=\/wp\/v2\/posts\/12134","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/chongqingdac.org\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/chongqingdac.org\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/chongqingdac.org\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/chongqingdac.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=12134"}],"version-history":[{"count":9,"href":"http:\/\/chongqingdac.org\/index.php?rest_route=\/wp\/v2\/posts\/12134\/revisions"}],"predecessor-version":[{"id":12318,"href":"http:\/\/chongqingdac.org\/index.php?rest_route=\/wp\/v2\/posts\/12134\/revisions\/12318"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/chongqingdac.org\/index.php?rest_route=\/wp\/v2\/media\/12137"}],"wp:attachment":[{"href":"http:\/\/chongqingdac.org\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=12134"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/chongqingdac.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=12134"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/chongqingdac.org\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=12134"},{"taxonomy":"eventsnews","embeddable":true,"href":"http:\/\/chongqingdac.org\/index.php?rest_route=%2Fwp%2Fv2%2Feventsnews&post=12134"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}