{"id":12369,"date":"2026-05-16T19:50:43","date_gmt":"2026-05-16T11:50:43","guid":{"rendered":"http:\/\/chongqingdac.org\/?p=12369"},"modified":"2026-08-02T19:53:41","modified_gmt":"2026-08-02T11:53:41","slug":"%e3%80%8a%e5%b1%b1%e5%b3%b0%e3%80%8b%e9%98%bf%e6%a0%b9%e5%bb%b7%e8%89%ba%e6%9c%af%e5%ae%b6natheim-charly-fargas%e9%87%8d%e5%ba%86%e9%a9%bb%e5%9c%b0%e4%bd%9c%e5%93%81%e5%b1%95%e4%b8%8e","status":"publish","type":"post","link":"http:\/\/chongqingdac.org\/?p=12369","title":{"rendered":"\u300a\u5c71\u5cf0\u300b\u963f\u6839\u5ef7\u827a\u672f\u5bb6\u200bNatheim & Charly Fargas\u91cd\u5e86\u9a7b\u5730\u4f5c\u54c1\u5c55\u4e0e\u4ea4\u6d41\u4f1a"},"content":{"rendered":"
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\u25a0\u00a0<\/span>\u5c55\u89c8\u4fe1\u606f\ufe31<\/strong>Exhibition Information\uff1a<\/strong><\/section>\n

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<\/section>\n
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\u300a\u5c71\u5cf0\u300b<\/p>\n

CIMA<\/p>\n

Natheim & Charly Fargas<\/span><\/p>\n

\u963f\u6839\u5ef7\u827a\u672f\u5bb6\u91cd\u5e86\u9a7b\u5730\u4f5c\u54c1\u5c55\u4e0e\u4ea4\u6d41\u4f1a<\/span><\/p>\n

Argentine Artists Residency in Chongqing: Exhibition & Exchange<\/span><\/p>\n

\u5c55\u89c8\u5f00\u5e55 Opening\uff1a<\/span><\/p>\n

2026.5.16\uff08\u5468\u516d<\/span>\uff5cSat<\/span>.\uff09 14:30<\/span><\/p>\n

\u4ea4\u6d41\u4f1a Exchange\uff1a<\/span><\/p>\n

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15:00 – 17:00<\/span><\/p>\n<\/section>\n

 <\/p>\n

\u5c55\u89c8\u65f6\u95f4 Duration\uff1a<\/span><\/p>\n

2026.5.17-5.24\u00a0<\/span><\/p>\n

\u5468\u4e94\u81f3\u5468\u65e5 10:00-18:00<\/span><\/p>\n

\u89c2\u5c55\u8bf7\u9884\u7ea6\uff1a173 8239 7405<\/span><\/p>\n

\u5c55\u89c8\u5730\u70b9 Venue\uff1a<\/span><\/p>\n

\u91cd\u5e86 \u5341\u65b9\u827a\u672f\u4e2d\u5fc3 A\u5c55\u5385<\/span><\/p>\n

Exhibition Hall A, Dimensions Art Center, Chongqing, China<\/p>\n

\u827a\u672f\u5bb6\uff1a<\/span>\u7eb3\u7279\u6d77\u59c6\u3001\u67e5\u7406\u00b7\u6cd5\u52a0\u65af\uff08\u963f\u6839\u5ef7\uff09<\/p>\n

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\u7b56\u5c55\u4eba\uff1a\u4f55\u4eac\u3001\u9976\u5349\u00a0<\/span><\/p>\n

\u6267\u884c\u7b56\u5c55\u4eba\uff1a\u5468\u8bd7\u598d\u00a0<\/span><\/p>\n

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\u6267\u884c\u7edf\u7b79\uff1a\u5218\u7545\u00a0<\/span><\/p>\n

\u5c55\u89c8\u534f\u52a9\uff1a\u5218\u6625\u5229\u3001\u80e1\u514b\u00a0<\/span><\/p>\n<\/section>\n

 <\/p>\n

Artists:\u00a0<\/span>Natheim, Charly Fargas(AR)<\/span><\/p>\n

Project Advisors:\u00a0<\/span>Tu Zeng,\u00a0<\/span>Guoqiang Liu,\u00a0<\/span>Can Chen,\u00a0<\/span>Yun Xie<\/span><\/p>\n

Curators:<\/span>\u00a0Jing He,\u00a0<\/span>Hui Rao<\/span><\/p>\n

Executive Curator:\u00a0<\/span>Shiyan Zhou<\/span><\/p>\n

Executive Coordinator:\u00a0<\/span>Chang Liu<\/span><\/p>\n

Exhibition Assistants:\u00a0<\/span>Chunli Liu,\u00a0<\/span>Ke Hu<\/span><\/p>\n

\n<\/section>\n

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\n<\/section>\n<\/section>\n

\u25a0\u00a0<\/span>\u524d\u8a00\ufe31<\/strong>Foreword\uff1a<\/strong><\/section>\n
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\u201cCIMA\u201d\u662f\u4e00\u4e2a\u897f\u73ed\u7259\u8bed\u7684\u8bcd\u6c47\uff0c\u7b80\u5355\u7ffb\u8bd1\u6210\u201c\u5c71\u5cf0\u201d\uff0c\u4f46\u5b83\u7684\u5185\u6db5\u8fdc\u4e0d\u6b62\u4e8e\u6b64\uff0c\u662f\u6765\u81ea\u963f\u6839\u5ef7\u7684\u6587\u5b66\u6d6a\u6f2b\uff0c\u662f\u827a\u672f\u5bb6Natheim\u4e0e\u6587\u5b66\u5bb6Charly\u770b\u5f85\u4e16\u754c\u7684\u8bd7\u610f\u3002\u91cd\u5e86\u4f5c\u4e3a\u5c71\u57ce\u5728\u4ed6\u4eec\u7684\u72ec\u7279\u827a\u672f\u89c6\u89d2\u4e0b\uff0c\u901a\u8fc7\u6444\u5f71\u3001\u5f71\u50cf\u3001\u88c5\u7f6e\u5c55\u5f00\u521b\u4f5c\uff0c\u4ece\u89c2\u5ff5\u4e0e\u8bd7\u610f\u7684\u89d2\u5ea6\u5207\u5165\u5c71\u4e0e\u5b83\u7684\u652f\u6d41\u3002<\/p>\n

\u6b63\u5982\u7684Natheim\u4e0eCharly\u7684\u4e3b\u4e13\u4e1a\u6444\u5f71\u5f71\u50cf\uff0c\u8d77\u6b65\u7684\u89c6\u89d2\u4ea6\u6e90\u4e8e\u955c\u5934\u540e\u7684\u51dd\u89c6\uff0c\u4f46\u672a\u66fe\u6b62\u6b65\u4e8e\u5e73\u9762\u2014\u2014\u4ed6\u4eec\u5c06\u8868\u8fbe\u62d3\u5c55\u6210\u5f71\u50cf\u88c5\u7f6e\uff0c\u8ba9\u6444\u5f71\u7684\u201c\u56fe\u50cf\u201d\u4e0e\u88c5\u7f6e\u7684\u201c\u7269\u4e0e\u6750\u6599\u201d\u5728\u7a7a\u95f4\u4e2d\u53e0\u5408\u3001\u751f\u957f\uff0c\u8bde\u751f\u4e86\u8bd7\u610f\u7684\u827a\u672f\u3002\u5b83\u662f\u7acb\u4f53\u7684\uff0c\u662f\u4e30\u5bcc\u7684\uff0c\u827a\u672f\u5bb6\u7528\u8fd9\u79cd\u72ec\u7279\u7684\u521b\u4f5c\u65b9\u5f0f\uff0c\u5c06\u91cd\u5e86\u8fd9\u5ea7\u5c71\u57ce\u7684\u7acb\u4f53\u611f\u827a\u672f\u7f8e\u5b66\u5316\u5730\u94fa\u9648\u5f00\u6765\u3002\u6211\u4eec\u4ece\u4ed6\u4eec\u7684\u4f5c\u54c1\u4e2d\u6e05\u6670\u5730\u770b\u89c1\uff0c\u8fd9\u201c\u7acb\u4f53\u201d\u7edd\u975e\u7b80\u5355\u7684\u7269\u7406\u7a7a\u95f4\u5806\u53e0\uff0c\u800c\u662f\u66f4\u6df1\u5c42\u7684\u3001\u5e26\u6709\u5c71\u57ce\u5e02\u4e95\u201c\u4eba\u6587\u201d\u6e29\u5ea6\u7684\u7acb\u4f53\u3002\u5728\u8fd9\u6b21\u6570\u5341\u5929\u6781\u77ed\u7684\u9a7b\u7559\u65f6\u95f4\u91cc\uff0c\u654f\u9510\u5730\u6355\u6349\u5230\u5c71\u6c5f\u697c\u5b87\uff0c\u5c0f\u5df7\u70df\u706b\u3002<\/p>\n

\u65e0\u8bba\u4ece\u4ee5\u5f80\u4f5c\u54c1\u8fd8\u662f\u6b64\u6b21\u827a\u672f\u521b\u4f5c\uff0c\u6211\u4eec\u5728\u7684\u827a\u672f\u5bb6\u7684\u4f5c\u54c1\u4e2d\u4f3c\u4e4e\u80fd\u770b\u5230\u67d0\u79cd\u201c\u4e1c\u65b9\u7684\u610f\u5883\u201d\uff0c\u4f46\u8fd9\u6837\u8bf4\u5176\u5b9e\u5e76\u4e0d\u51c6\u786e\u3002\u6b63\u662f\u56e0\u4e3a\u827a\u672f\u5bb6\u6240\u6dec\u70bc\u51fa\u7eaf\u7cb9\u7684\u4e16\u754c\u611f\u77e5\uff0c\u53bb\u89e3\u8bfb\u8fd9\u4e00\u4e1c\u65b9\u73b0\u573a\u3002\u6211\u4eec\u901a\u8fc7\u4ed6\u4eec\u7684\u4f5c\u54c1\uff0c\u5f52\u672c\u6eaf\u6e90\uff0c\u62b5\u8fbe\u4eba\u7684\u6700\u7eaf\u7cb9\u611f\u77e5\u5bf9\u4e8b\u7269\u6700\u672c\u771f\u7f8e\u7684\u6620\u5c04\u3002\u4e8e\u662f\uff0c\u8de8\u5730\u533a\u6587\u5316\u5728\u7f8e\u4e0e\u611f\u77e5\u4e4b\u4e0b\u8d85\u8d8a\u4e86\u8bed\u8a00\uff0c\u6d88\u5f2d\u4e86\u8fb9\u754c\uff0c\u5efa\u7acb\u8d77\u7eaf\u7cb9\u7684\u611f\u77e5\u94fe\u63a5\u3002\u8fd9\u65e0\u7591\u662f\u5728\u827a\u672f\u5bb6\u62c9\u4e01\u7f8e\u6d32\u89c6\u89d2\u4e0e\u4e1c\u65b9\u5df4\u8700\u5c71\u57ce\u6587\u5316\u5bf9\u8bdd\u4e2d\u6240\u78b0\u649e\u51fa\u7684\u6df1\u5c42\u8bdd\u9898\u2014\u2014\u4e0d\u662f\u5173\u4e8e\u201c\u4ed6\u8005\u201d\u7684\u51dd\u89c6\uff0c\u800c\u662f\u5173\u4e8e\u4eba\u7c7b\u5171\u901a\u60c5\u611f\u7684\u5171\u632f\uff0c\u5173\u4e8e\u5fc3\u7075\u611f\u77e5\u7684\u786e\u8ba4\u3002<\/p>\n

\u2014\u2014\u4f55\u4eac<\/p>\n

CIMA\u2014a Spanish word meaning simply \u201cpeak\u201d. Yet its meaning stretches far beyond that measured height: it carries a literary romance born of Argentina, a poet\u2019s way of seeing the world that the artist Natheim and the writer Charly share. Through their unique artistic gaze, Chongqing\u2014a mountain-cradled city\u2014is revealed through photography, film, and installation, each work poised at the confluence of concept and poetry, delving deep into the mountain and the waters that branch from it.<\/p>\n

At the heart of Natheim and Charly\u2019s practice lies photography and the moving image\u2014born from the gaze held behind the lens. Yet their work has never been content to rest upon the flat surface. Expanding into video and sculptural installation, they allow the photographic image to meet the materials and objects of installation, where the two overlap, breathe, and grow within space\u2014giving rise to a poetics of art: dimensional, abundant. Through this singular creative language, the artists unfold the very three-dimensionality of mountainous Chongqing, rendered as an artistic aesthetic. What becomes vividly visible in their work is that this three-dimensionality is no mere stacking of physical spaces\u2014it is something deeper, a layered richness steeped in the human warmth of the city\u2019s streets and its people. Over the course of a residency that lasted only a few dozen intense days, they keenly captured the high-rises that face the river, and those humble, life-filled alleyways where the city\u2019s everyday pulse quietly beats.<\/p>\n

Looking back upon their earlier works and the pieces born of this residency, one might glimpse a certain \u201cEastern ambiance\u201d woven through the artists\u2019 output. Yet such a reading, however tempting, proves not entirely precise. What truly speaks through their vision is a refined, elemental perception of the world\u2014honed by the artists themselves\u2014through which they interpret this Eastern terrain. Passing through their works, we journey back to the origin, arriving at the most primal human reflection upon the authentic beauty of things. And thus, cross-regional cultures, sheltered under the aegis of beauty and perception, transcend language, dissolve boundaries, and give rise to a purely perceptual bond. This is unquestionably the deep resonance born of a dialogue between a Latin American gaze and the ancient culture of the Eastern Bashu mountain city\u2014not a fixation upon the \u201cother\u201d, but a vibration of shared human feeling, an affirmation of the soul\u2019s recognition.<\/p>\n

 <\/p>\n

\u2014 He Jing<\/p>\n

 <\/p>\n

<\/section>\n
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\u25a0\u00a0<\/span>\u827a\u672f\u5bb6\u81ea\u8ff0\ufe31<\/strong>Artist\u2019s Statement\uff1a<\/strong><\/section>\n
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<\/section>\n

CIMA\u662f\u4e00\u573a\u6c89\u6d78\u5f0f\u7684\u5760\u5165\uff0c\u5f15\u4f60\u8d70\u5411\u7b26\u53f7\u5316\u7586\u57df\u4e2d\u90a3\u4e9b\u65e0\u5f62\u4e4b\u7269\u7684\u6df1\u5904\u3002\u5c55\u89c8\u5982\u4e00\u6bb5\u65c5\u7a0b\uff1a\u4ece\u91cd\u5e86\u90a3\u8dc3\u52a8\u7684\u5730\u8868\u8d77\u59cb\u2014\u2014\u90a3\u91cc\u662f\u4e00\u7247\u6a21\u7cca\u7684\u611f\u5b98\u8ff7\u5883\uff0c\u6cb8\u817e\u7684\u4eba\u58f0\u4e0e\u58f0\u54cd\u4ea4\u7ec7\u7f20\u7ed5\u2014\u2014\u7ee7\u800c\u6f5c\u5165\u90a3\u5ea7\u201c\u6d3b\u7740\u7684\u5c71\u201d\u7684\u8179\u5730\uff0c\u5b83\u627f\u8f7d\u7740\u5386\u53f2\u3001\u8bb0\u5fc6\uff0c\u4ea6\u627f\u8f7d\u7740\u6211\u4eec\u81ea\u8eab\u7684\u6765\u5904\u3002<\/p>\n

\u4f5c\u54c1\u5728\u5df4\u8700\u6cb3\u5ddd\u7684\u8936\u76b1\u4e2d\u63a2\u5bfb\uff0c\u5728\u90a3\u5c42\u5c42\u53e0\u53e0\u3001\u4ece\u672a\u5168\u7136\u663e\u9732\u7684\u9690\u79d8\u4e2d\u7a7f\u884c\uff0c\u5448\u73b0\u90a3\u4e9b\u4e0d\u53ef\u8a00\u8bf4\u3001\u4ea6\u65e0\u610f\u88ab\u7406\u89e3\u7684\u4e8b\u7269\u3002\u8fd9\u662f\u4e00\u573a\u4e0e\uff08\u5012\u7f6e\u7684\uff09\u5c71\u5ce6\u7684\u76f8\u9047\uff0c\u9080\u89c2\u8005\u5411\u4e0a\u6500\u722c\uff0c\u5411\u66f4\u6df1\u7684\u6df1\u5904\u884c\u53bb\u3002<\/p>\n

\u2014\u2014\u00a0\u7eb3\u7279\u6d77\u59c6\u4e0e\u67e5\u7406\u00b7\u6cd5\u52a0\u65af<\/p>\n

CIMA es una inmersi\u00f3n en lo intangible del territorio simb\u00f3lico vivenciado. La exhibici\u00f3n propone un viaje que inicia en la superficie vibrante de Chongqing\u2014un ba\u00f1o de sentidos blureados, voces y sonidos que ebullen\u2014para luego sumergirse en la intimidad de la monta\u00f1a viva que sostiene la historia, la memoria y, por ende, la propia identidad.<\/p>\n

La obra explora los surcos de un r\u00edo Bashu y las infinitas capas de lo que nunca se deja ver del todo, exhibiendo lo inexplicable, lo que no busca ser comprendido. Es un encuentro con la monta\u00f1a (invertida), donde se invita al espectador a escalar la profundidad.<\/p>\n

 <\/p>\n

\u2014\u2014Natheim & Charly Fargas<\/p>\n

 <\/p>\n

CIMA is an immersion into the intangible realm of lived symbolic territory. The exhibition proposes a journey that begins on the surface of Chongqing\u2014a bath of blurred senses, bubbling voices and sounds\u2014before plunging into the intimacy of the living mountain that sustains history, memory, and ultimately, identity itself. The work explores the furrows of a Bashu River and the infinite layers of what is never fully revealed, exhibiting the inexplicable, that which does not seek to be understood. It is an encounter with the (inverted) mountain, where the viewer is invited to climb into its depths.<\/section>\n

 <\/p>\n

\u2014\u2014Natheim & Charly Fargas<\/p>\n<\/section>\n<\/section>\n

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\u25a0\u00a0<\/span>\u9a7b\u7559\u827a\u672f\u5bb6\u7b80\u5386\ufe31<\/strong>Resume of Artist\uff1a<\/strong><\/section>\n
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Natheim<\/span><\/span>\uff08<\/span>Argentina\uff09<\/p>\n

\u963f\u6839\u5ef7\u89c6\u89c9\u827a\u672f\u5bb6\u3001\u6444\u5f71\u5e08\u3001\u8868\u6f14\u8005\u3001FotoCreativeBA\u827a\u672f\u603b\u76d1 & \u7b56\u5c55\u4eba<\/span><\/span><\/p>\n

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Visual artist, photographer, performer and\u00a0director and curator of FotoCreativaBA<\/p>\n

\u7eb3\u7279\u6d77\u59c6\uff08Natheim\uff09\uff0c1982\u5e74\u751f\u4e8e\u963f\u6839\u5ef7\u3002\u6bd5\u4e1a\u4e8e\u5e03\u5b9c\u8bfa\u65af\u827e\u5229\u65af\u5927\u5b66\u793e\u4f1a\u4f20\u64ad\u5b66\u4e13\u4e1a\uff0c\u66fe\u5728\u5b89\u8fea\u00b7\u6208\u5c14\u8328\u5766\u521b\u610f\u6444\u5f71\u5b66\u6821\u5b66\u4e60\u6444\u5f71\uff0c\u5e76\u83b7\u5f97\u9a6c\u5fb7\u91cc\u5c60\u5bb0\u573a\u827a\u672f\u4e2d\u5fc3\uff08Intermediae, Matadero Madrid\uff09\u6587\u5316\u7ba1\u7406\u8ba4\u8bc1\u3002<\/p>\n

 <\/p>\n

\u5979\u7684\u6444\u5f71\u4e66\u300a\u9886\u5730\u300b\uff08Lurraldeak\uff09\u66fe\u4eae\u76f8\u83f2\u5e03\u96f7\u6444\u5f71\u4e66\u5c55\uff082020\u20142022\uff09\u3002\u5728\u963f\u6839\u5ef7\u3001\u4e4c\u62c9\u572d\u3001\u5384\u74dc\u591a\u5c14\u3001\u897f\u73ed\u7259\u3001\u610f\u5927\u5229\u3001\u6cd5\u56fd\u53ca\u4e2d\u56fd\u7b49\u5730\u4e3e\u529e\u8fc7\u4e2a\u5c55\u4e0e\u7fa4\u5c55\uff0c\u5305\u62ec\u300a\u652f\u6d41\u300b\uff08Afluente\uff0c2025\u5e74\u4e8eNY20+\u4e0eMil Gotas\u753b\u5eca\uff09\u53ca\u300a\u706b\u5c71\u53e3\u300b\uff08Crater\uff0c2025\u5e74\u4e8e\u6210\u90fdA4\u9a7b\u7559\u827a\u672f\u4e2d\u5fc3\uff09\u3002\u66fe\u5165\u56f4\u56fd\u5bb6\u89c6\u89c9\u827a\u672f\u6c99\u9f99\uff082025\uff09\u53caFELIFA\uff082021\uff09\u51b3\u8d5b\u3002<\/p>\n

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\u5979\u53c2\u4e0e\u8fc7\u591a\u4e2a\u56fd\u9645\u9a7b\u7559\u9879\u76ee\uff0c\u5305\u62ecPatrim+\uff08\u5df4\u65af\u514b\u5730\u533a\uff09\u3001R.A.R.O.\uff08\u9a6c\u5fb7\u91cc\uff09\u3001Cal Gras\uff08\u963f\u7ef4\u5c3c\u5965\uff09\u3001Proyecto ‘ace\u4e0eArte x Arte\uff08\u5e03\u5b9c\u8bfa\u65af\u827e\u5229\u65af\uff09\u3001Isla Invisible\uff08\u5e03\u5170\u5361\u6e2f\uff09\uff0c\u4ee5\u53caNY20+\u4e0eA4\u9a7b\u7559\u827a\u672f\u4e2d\u5fc3\uff08\u6210\u90fd\uff09\uff0c\u5e76\u5728\u6210\u90fd\u5448\u73b0\u4e86\u8868\u6f14\u4e0e\u827a\u672f\u5bb6\u8bb2\u5ea7\u3002\u5979\u7684\u521b\u4f5c\u6db5\u76d6\u6444\u5f71\u3001\u88c5\u7f6e\u4e0e\u884c\u4e3a\u5b9e\u8df5\uff0c\u5e38\u63a2\u8ba8\u7269\u8d28\u6027\u4e0e\u8c61\u5f81\u7269\u3002<\/p>\n

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\u4f5c\u4e3aFotoCreativaBA\u7684\u603b\u76d1\u4e0e\u7b56\u5c55\u4eba\uff0c\u7ec4\u7ec7\u8fc7\u4f17\u591a\u5c55\u89c8\uff0c\u5e76\u7b56\u5212\u4e86\u5305\u62ec\u5df4\u585e\u7f57\u90a3\u5b9e\u9a8c\u6444\u5f71\u8282\uff082025\uff09\u4e0e\u52a0\u62ff\u5927\u5723\u7f57\u838e\u827a\u672f\u4e0e\u7597\u6108\u9879\u76ee\u5728\u5185\u7684\u56fd\u9645\u9879\u76ee\u3002\u5979\u8fd8\u83b7\u5f97\u8fc7\u5e03\u5b9c\u8bfa\u65af\u827e\u5229\u65af\u5927\u90fd\u4f1a\u827a\u672f\u57fa\u91d1\u4f1a\u7684\u5236\u4f5c\u8d44\u52a9\u3002<\/p>\n

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\u5979\u7684\u4f5c\u54c1\u66fe\u5728\u4ee5\u4e0b\u673a\u6784\u5c55\u51fa\uff1a\u5e03\u5170\u5361\u6e2f\u5f53\u4ee3\u827a\u672f\u535a\u7269\u9986\u3001Gachi Prieto\u753b\u5eca\u3001Ac\u00e9fala\u753b\u5eca\u3001\u7f57\u9a6c\u5f53\u4ee3\u827a\u672f\u535a\u7269\u9986\u3001\u9a6c\u5fb7\u91cc\u7f8e\u6d32\u4e4b\u5bb6\u53ca\u8499\u5f97\u7ef4\u7684\u4e9a\u6444\u5f71\u4e2d\u5fc3\u7b49\u3002<\/p>\n

 <\/p>\n<\/section>\n

Natheim (b. 1982, Argentina) is a visual artist, photographer, and performer. She holds a degree in Social Communication from the University of Buenos Aires, trained in photography at the Andy Goldstein Creative Photography School, and is a certified cultural manager by Intermediae, Matadero Madrid.<\/p>\n

Her photobook Lurraldeak [Territories] was exhibited at Fiebre Photobook Fest (2020\u20132022). She has presented solo and group exhibitions in Argentina, Uruguay, Ecuador, Spain, Italy, France, and China, including Afluente (NY20+ and Galer\u00eda Mil Gotas, 2025) and Crater (A4 Residency Art Center, Chengdu, 2025). She was a finalist at the National Visual Arts Salon (2025) and FELIFA (2021).<\/p>\n

Natheim has participated in international artist residencies, including Patrim+ (Basque Country), R.A.R.O. (Madrid), Cal Gras (Aviny\u00f3), Proyecto \u2019ace and Arte x Arte (Buenos Aires), Isla Invisible (Bah\u00eda Blanca), and NY20+ and A4 Residency Art Center (Chengdu), where she presented a performance and an artist talk. Her work spans photography, installation, and performative practices, often exploring materiality and symbolic objects.<\/p>\n

She is director and curator of FotoCreativaBA, where she has organized numerous exhibitions, and has curated international projects including Experimental Photo Festival 2025 (Barcelona) and Santa Rosa Arts and Healing (Canada). She has also received production grants from the Fondo Metropolitano de las Artes, Buenos Aires.<\/p>\n

Her work has been shown at institutions such as the Museo de Arte Contempor\u00e1neo de Bah\u00eda Blanca, Galer\u00eda Gachi Prieto, Galer\u00eda Ac\u00e9fala, Museo d\u2019Arte Contemporanea di Roma, Casa de Am\u00e9rica (Madrid), and Centro de Fotograf\u00eda Montevideo.<\/p>\n

 <\/p>\n

Charly Fargas<\/span><\/span>\uff08<\/span>Argentina\uff09<\/p>\n

\u963f\u6839\u5ef7\u4f5c\u5bb6\u3001\u827a\u672f\u8bc4\u8bba\u5bb6\u3001FotoCreativeBA\u8054\u5408\u521b\u59cb\u4eba<\/p>\n

Writer, art critic, and\u00a0co-founder of FotoCreativaBA<\/p>\n

\u67e5\u7406\u00b7\u6cd5\u52a0\u65af\uff08Charly Fargas\uff09\uff0c1975\u5e74\u751f\u4e8e\u963f\u6839\u5ef7\u3002\u66fe\u5728\u5e03\u5b9c\u8bfa\u65af\u827e\u5229\u65af\u5927\u5b66\u5b66\u4e60\u6cd5\u5f8b\u4e0e\u7efc\u5408\u827a\u672f\u3002<\/p>\n

\u4ed6\u53c2\u4e0e\u8fc7\u591a\u4e2a\u827a\u672f\u9879\u76ee\uff0c\u5305\u62ec\u534f\u52a9\u7eb3\u7279\u6d77\u59c6\u5b8c\u6210\u300a\u9886\u5730\u300b\uff082019\uff0c\u5df4\u65af\u514b\u5730\u533a\uff09\u53ca\u300a\u6211\u4f1a\u6210\u4e3a\u4ec0\u4e48\uff1f\u300b\uff08Qu\u00e8 ser\u00e9?\uff0c2022\uff0c\u52a0\u6cf0\u7f57\u5c3c\u4e9a\uff09\uff0c\u8d1f\u8d23\u5c55\u89c8\u8bb0\u5f55\u3001\u9879\u76ee\u5f00\u53d1\u4e0e\u827a\u672f\u7814\u7a76\u30022025\u5e74\uff0c\u4ed6\u4e3a\u7eb3\u7279\u6d77\u59c6\u5728NY20+\uff08\u6210\u90fd\uff09\u548cMil Gotas\u753b\u5eca\uff08\u5317\u4eac\uff09\u7684\u4e2a\u5c55\u300a\u652f\u6d41\u300b\u521b\u4f5c\u4e86\u5f71\u50cf\u3001\u6587\u5b57\u4e0e\u58f0\u97f3\u4f5c\u54c1\u3002\u8fd1\u5e74\u6765\uff0c\u4ed6\u5f00\u59cb\u63a2\u7d22\u5b9e\u9a8c\u5f71\u50cf\u827a\u672f\u3002<\/p>\n

\u6cd5\u52a0\u65af\u66fe\u5f00\u8bbe\u97f3\u4e50\u6cbb\u7597\u4e0e\u5b89\u7b2c\u65af\u6587\u5316\u3001\u7535\u5f71\u521b\u610f\u5199\u4f5c\u3001\u793c\u4eea\u4e0e\u89c4\u7a0b\u7b49 Workshops \u53ca\u8bfe\u7a0b\u3002\u8457\u6709\u300a\u4e00\u573a\u8f6c\u53d8\u7684\u5386\u53f2\u300b\uff08Historia de una transformaci\u00f3n\uff0cDunken\u51fa\u7248\u793e\uff0c2007\uff09\u3002<\/p>\n

\u4ed6\u53c2\u4e0e\u8fc7\u591a\u4e2a\u5408\u4f5c\u9879\u76ee\u7684\u6982\u5ff5\u4e0e\u6280\u672f\u652f\u6301\uff0c\u5305\u62ec\u7b56\u5c55\u534f\u52a9\u3001\u6587\u732e\u8bb0\u5f55\u4e0e\u521b\u610f\u7b56\u7565\u3002\u5176\u5b9e\u8df5\u8fde\u63a5\u4e86\u6279\u8bc4\u5199\u4f5c\u3001\u89c6\u89c9\u827a\u672f\u4e0e\u5b9e\u9a8c\u5a92\u4ecb\uff0c\u5173\u6ce8\u53d9\u4e8b\u3001\u4eea\u5f0f\u4e0e\u884c\u4e3a\u5b9e\u8df5\u7684\u4ea4\u6c47\u3002<\/p>\n

\u901a\u8fc7\u5408\u4f5c\u3001\u5de5\u4f5c\u574a\u4e0e\u51fa\u7248\uff0c\u6cd5\u52a0\u65af\u4e3a\u827a\u672f\u77e5\u8bc6\u7684\u4f20\u64ad\u4e0e\u5b9e\u9a8c\u9879\u76ee\u7684\u63a8\u52a8\u505a\u51fa\u4e86\u8d21\u732e\uff0c\u6d3b\u52a8\u8303\u56f4\u5305\u62ec\u5e03\u5b9c\u8bfa\u65af\u827e\u5229\u65af\u672c\u5730\u53ca\u56fd\u9645\u3002\u4ed6\u7684\u5b9e\u8df5\u4f53\u73b0\u4e86\u5bf9\u5199\u4f5c\u3001\u89c6\u89c9\u5b9e\u9a8c\u4e0e\u53c2\u4e0e\u5f0f\u4e92\u52a8\u76f8\u7ed3\u5408\u7684\u6df7\u5408\u5f62\u5f0f\u7684\u6301\u7eed\u5174\u8da3\u3002<\/p>\n

Charly Fargas (b. 1975, Argentina) is a writer and art critic. He studied Law and Combined Arts at the University of Buenos Aires and is co-founder of FotoCreativaBA.<\/p>\n

He has collaborated on numerous artistic projects, including assisting Natheim in Lurraldeak [Territories] (Basque Country, 2019) and Qu\u00e8 ser\u00e9? (Catalonia, 2022), contributing to exhibition documentation, project development and artistic research. In 2025, he created video art, a written piece and a sound activation for Natheim\u2019s solo exhibition Afluente at NY20+ (Chengdu) and Galer\u00eda Mil Gotas (Beijing). In recent years, he has been exploring experimental video art as part of his creative practice.<\/p>\n

Fargas has conducted workshops and courses in music therapy and Andean culture, creative writing for cinema and ceremonial and protocol studies. He is the author of History of a Transformation (Editorial Dunken, 2007).<\/p>\n

He has been involved in the development of collaborative projects, supporting both the conceptual and technical aspects of artistic production, including curatorial assistance, documentation, and creative strategy. His work bridges critical writing, visual arts, and experimental media, with a focus on the intersections between narrative, ritual and performative practices.<\/p>\n

Through his collaborations, workshops, and publications, Fargas has contributed to the dissemination of artistic knowledge and the facilitation of experimental projects, both locally in Buenos Aires and internationally. His practice reflects a continued interest in hybrid forms that combine writing, visual experimentation and participatory engagement.<\/p>\n

\u25a0\u00a0<\/span>\u827a\u672f\u5bb6\u4ee5\u5f80\u4f5c\u54c1\ufe31<\/strong>Previous works of the artist\uff1a<\/strong><\/section>\n
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\u5bcc\u88d5<\/span>\u00a0|\u00a0Affluent<\/span><\/strong><\/section>\n
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Natheim & Charly Fargas | 2024<\/p>\n

\u201cAffluent\u201d\u6c47\u96c6\u4e86\u2f00\u7cfb\u5217\u53d7\u5df4\u8700\u2f42\u5316\u4e0e\u62c9\u4e01\u7f8e\u6d32\u89c6\u2ec6\u4ea4\u6c47\u542f\u53d1\u7684\u4f5c\u54c1\u3002 \u2f00\u4e2a\u2f49\u7684\u65f6\u95f4\u2fa5\uff0c \u6211\u6f2b\u6b65\u4e8e\u4e2d\u56fd\u6210\u90fd\u7684\u8857\u5934\uff0c\u6500\u767b\u9053\u6559\u5723\u2f2d\u2ed8\u57ce\u2f2d\uff0c\u5e76\u4e0e\u8fd9\u4e9b\u654f\u611f\u7684\u7d20\u6750\u5171\u5904\uff0c\u8fd9\u4e9b\u7d20\u6750\u6210\u4e3a\u4e86\u6211\u521b\u4f5c\u6b64\u9879\u2f6c\u7684\u7075\u611f\u6765\u6e90\u3002<\/p>\n

\u2f2d\u95f4\u6f7a\u6f7a\u6d41\u2f54\uff0c\u6e7f\u2f53\u7b51\u5c31\u7684\u2f46\u9650\u2f29\u5f84\uff0c\u873f\u8712\u2edc\u7fd4\u7684\u5de8\u2ef0\uff0c\u6211\u4eec\u2f8f\u2f9b\u4e8e\u5730\u4e0a\u5730\u4e0b\u7684\u5c42\u5c42\u542b\u4e49\uff0c \u00a0\u4ee5\u53ca\u8fd9\u5ea7\u57ce\u5e02\u5145\u6ee1\u6d3b\u529b\u7684\u8d85\u73b0\u5b9e\u4e3b\u4e49\uff0c\u8fd9\u4e9b\u5143\u7d20\u8d2f\u7a7f\u4e8e\u201cAffluent\u201d\u4e4b\u4e2d\uff0c\u5ef6\u7eed\u7740\u6211\u7814\u7a76\u7684\u2f40\u67f1\u3002<\/p>\n

\u201cAffluent\u201d brings together a set of works inspired by the intersection between Bashu culture and Latin American perception. For a month, I walked the streets of Chengdu (China), climbed the sacred Taoist mountain Qingcheng, and lived with what became the sensitive material to work on in this project.<\/span><\/p>\n

A flow of water coming down the mountain, infinite paths built by humidity, the undulating flight of its dragons, layers of meaning above and below the ground we walk on, along with the vibrant surrealism of the city permeate \u201cAffluent\u201d, continuing with my pillars of research.<\/span><\/p>\n

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\u7ec7\u7269\uff1a60×100\u5398\u7c73<\/span><\/strong><\/p>\n

2024<\/span><\/strong><\/p>\n

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2024<\/p>\n

Natheim. Bashu River. Sublimated photography installation on silk. Fabric: 60x100cm. 2024.<\/p>\n

Charly Fargas. Off the surface. Experimental videoart. 7:28min. 2024.<\/p>\n

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\u7ec7\u7269\uff1a60×100\u5398\u2f76<\/span><\/strong><\/p>\n

2024<\/span><\/strong><\/p>\n<\/section>\n<\/section>\n

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Natheim. Bashu River. Sublimated photography installation on silk. Fabric: 60x100cm. Details. 2024.<\/p>\n

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56×93\u5398\u2f76<\/span><\/strong><\/p>\n

2024<\/span><\/strong><\/p>\n

Natheim. Qingcheng. Xuan paper with gold threads, 3 meters long, 56x93cm. 2024.<\/span><\/strong><\/p>\n<\/section>\n<\/section>\n<\/section>\n

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\u6839\u636e\u6210\u90fd\u8857\u5934\u7167\u2f5a\u5728\u5ba3\u7eb8\u4e0a\u5370\u5237\u8d34\u7eb8<\/span><\/strong><\/p>\n

20×150\u5398\u2f76<\/span><\/strong><\/p>\n

2024<\/span><\/strong><\/p>\n

Natheim. Chinese music. Printing of stickers based on street photographs of Chengdu on rice paper. 20x150cm. 2024.<\/span><\/strong><\/p>\n<\/section>\n<\/section>\n<\/section>\n<\/section>\n<\/section>\n

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2024<\/span><\/strong><\/p>\n

Natheim. Affluents. Digital photography. 45x80cm. 2024.<\/span><\/strong><\/p>\n

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2024<\/span><\/strong><\/p>\n

Natheim. It\u2019s not fantasy. Digital photographs. 30x45cm. 2024.<\/strong><\/p>\n<\/section>\n<\/section>\n<\/section>\n

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2024<\/span><\/strong><\/p>\n

Natheim. Bashu universe. Digital photography. 40x60cm. 2024.<\/strong><\/p>\n

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2024<\/span><\/strong><\/p>\n

Charly Fargas. Off the surface. Ambient experimental video. 2024<\/strong><\/p>\n<\/section>\n<\/section>\n<\/section>\n<\/section>\n<\/section>\n

2024\u67e5\u7406\u00b7\u6cd5\u52a0\u65af\u5728AFLUENTE\u5c55\u89c8\u4e0a\u2f64\u2ec4\u85cf\u9882\u94b5\u8fdb\u2f8f\u58f0\u2fb3\u2f32\u9884\uff08\u56fe\u53f3\uff09<\/strong><\/p>\n

Mil Gotas \u753b\u5eca<\/strong><\/p>\n

2025<\/strong><\/p>\n

Charly Fargas, sound intervention with Tibetan singing bowls at the AFLUENTE exhibition. Mil Gotas Gallery. 2025<\/strong><\/p>\n

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AFFLUENT\u5c55\u89c8\uff0cMil Gotas \u753b\u5eca\uff0c\u5317\u4eac\uff0c\u4e2d\u56fd\uff0c2025<\/strong><\/p>\n

AFFLUENT exhibition, Mil Gotas Gallery, Beijing, China. 2025\u00a0<\/strong><\/p>\n

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NY20+\uff0c\u6210\u90fd\uff0c\u4e2d\u56fd\uff0c2024\u5e749\u6708<\/strong><\/p>\n

This text is part of \u201cAffluent\u201d by Charly Fargas.<\/strong><\/p>\n

NY20+, Chengdu, September 2024.<\/strong><\/p>\n<\/section>\n<\/section>\n<\/section>\n<\/section>\n<\/section>\n<\/section>\n<\/section>\n<\/section>\n

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\u795e\u8c15<\/span><\/strong><\/section>\n
Or\u00e1culo<\/strong><\/section>\n
2024<\/strong><\/section>\n
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“Or\u00e1culo” is the result of an artistic expedition organized by Ferrowhite Museo Taller de Ingeniero White, Bah\u00eda Blanca. Selected artists inhabit the Island of the Cangrejera Seagull, where I found the same territory to be the possessor of messages, of encrypted responses, that almost no one received or knew how to read because we have forgotten how to read nature and therefore how to read ourselves. “Or\u00e1culo” is an installation that includes an unrevealed image, a negative of the island sublimated in a waterproof fabric, held (and bitten, hurt) by hooks, which has at its feet port remains loaded with oblivion. At the same time, it is an invitation to whoever approaches to ask and obtain the message of the island.<\/p>\n

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140×90\u5398\u2f76<\/span><\/strong><\/p>\n

2024<\/span><\/strong><\/p>\n

Natheim. Or\u00e1culo. Installation: Negative photograph of the Bah\u00eda Blanca estuary (Islote de la Gaviota Cangrejera), on waterproof fabric, intervened with hooks with discarded port elements. 140x90cm, 2024.<\/strong><\/p>\n

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\u6570\u7801\u7167\u2f5a\uff1a40×60\u5398\u2f76<\/span><\/strong><\/p>\n

2024<\/span><\/strong><\/p>\n

Natheim. Island. Digital photographs. 40x60cm. 2024.<\/strong><\/p>\n

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\u754c\u9650\u5373\u52a8\u8bcd<\/span><\/strong><\/section>\n
El l\u00edmite es el verbo<\/span><\/strong><\/section>\n
2023-2024<\/span><\/strong><\/section>\n
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\u201c\u754c\u9650\u5373\u52a8\u8bcd\u201d \u63d0\u51fa\u4e86\u4e00\u79cd\u96c6\u4f53\u6027\u7684\u53cd\u601d\uff0c\u5173\u4e4e\u90a3\u4e9b\u5373\u4fbf\u8fd1\u5728\u54ab\u5c3a\uff0c\u6211\u4eec\u5374\u56de\u907f\u3001\u5ffd\u89c6\u6216\u5426\u8ba4\u7684\u4e8b\u7269\u3002\u5f53\u6211\u4eec\u7684\u8eab\u4f53\u7a7f\u884c\u4e8e\u5e03\u5170\u5361\u6e7e\u6cb3\u53e3\u7684\u4e0d\u540c\u72b6\u6001\u4e0e\u808c\u7406\u4e4b\u4e2d\u2014\u2014\u8fd9\u662f\u4e00\u4e2a\u88ab\u9080\u8bf7\u53bb\u63a2\u7d22\u548c\u8ba4\u77e5\u7684\u8c61\u5f81\u6027\u9886\u57df\u2014\u2014\u5bf9\u4e8e\u90a3\u4e9b\u65e2\u8fd1\u53c8\u8fdc\u7684\u4e1c\u897f\uff0c\u6211\u4eec\u53c8\u80fd\u611f\u77e5\u5230\u4ec0\u4e48\u5462\uff1f<\/p>\n

\u5728\u788e\u7247\u5316\u7684\u6cb3\u53e3\u4e0e\u201c\u81ea\u5df1\u7684\u201d\u6cb3\u53e3\u4e4b\u95f4\uff0c\u8fd9\u4e00\u884c\u52a8\u5c06\u754c\u9650\u7f6e\u4e8e\u5ba1\u89c6\u4e4b\u4e0b\uff0c\u4e5f\u968f\u4e4b\u68c0\u9a8c\u4e86\u90a3\u4e9b\u6c89\u6d78\u4e8e\u4f53\u9a8c\u4e4b\u4e2d\u7684\u4eba\u7684\u63a2\u5bfb\u4e0e\u4e13\u6ce8\u3002\u8fd9\u4e0d\u662f\u8981\u53bb\u770b\u4ec0\u4e48\u65b0\u4e1c\u897f\uff0c\u800c\u662f\u91cd\u65b0\u53bb\u770b\uff0c\u7528\u6574\u4e2a\u8eab\u4f53\u53bb\u770b\uff0c\u5e76\u8ba4\u8bc6\u5230\u6211\u4eec\u65e5\u5e38\u5468\u906d\u7684\u4e00\u5207\u90fd\u5e26\u6709\u4e00\u5c42\u6211\u4eec\u81ea\u5df1\u5f3a\u52a0\u7684\u9762\u7eb1\u3002<\/p>\n

\u8fd9\u662f\u4e00\u573a\u901a\u5f80\u8bcd\u8bed\u7684\u611f\u5b98\u524d\u594f\uff0c\u90a3\u4e9b\u4ece\u4eb2\u8fd1\u4e4b\u5904\u8bf4\u51fa\u7684\u8bcd\u8bed\uff0c\u7136\u800c\u5373\u4fbf\u5982\u6b64\uff0c\u6211\u4eec\u4ecd\u672a\u89e6\u53ca\u2014\u2014\u6216\u8005\uff0c\u4e5f\u8bb8\u5df2\u7ecf\u89e6\u53ca\uff1f<\/p>\n

*\u4f5c\u54c1\u4e2d\u7684\u2f42\u672c\u7531\u5df4\u4f0a\u4e9a\u5dde\u4f5c\u5bb6\u517c\u8bd7\u2f08\u827e\u4e3d\u2ec4\u4e9a\u00b7\u5e15\u7279\u8bfa\u4f0a\uff08Alicia Partnoy\uff09\u3001\u5965\u2ee2\u5c14\u00b7\u6851\u4f50\u5185\uff08Omar Sanzone\uff09\u548c\u585e\u5df4\u65af\u8482\u5b89\u00b7\u6d77\u59c6\uff08Sebasti\u00e1n Heim\uff09\u521b\u4f5c\u3002<\/p>\n

“The limit is the verb” proposes a collective reflection about that which, even close to us, we evade, ignore or deny. As our bodies make their way through the various states and textures of the Bah\u00eda Blanca estuary – a symbolic territory that is invited to explore and recognize – what do we perceive of what is close yet distant?<\/p>\n

Between fragmented and own estuaries, the action puts in check the limit and with it the search and attention of those who immerse themselves in the experience. It is not about seeing something new, it is about seeing again, seeing with the whole body and recognizing that everything that surrounds us every day carries a veil imposed by ourselves.<\/p>\n

A sensory prelude that leads to the word, the word already spoken from closeness and that, even so, we do not manage to touch, or if.<\/p>\n

*The texts that appear in the work are by Bahian writers and poets Alicia Partnoy, Omar Sanzone and Sebasti\u00e1n Heim.<\/p>\n<\/section>\n<\/section>\n<\/section>\n

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\u5df4\u4f0a\u4e9a\u5e03\u5170\u5361\u7f8e\u672f\u9986\u00a0<\/span><\/strong><\/p>\n

2023<\/span><\/strong><\/p>\n

Natheim. El l\u00edmite es el verbo. Bahia Blanca Fine Arts Museum. 2023<\/strong><\/p>\n

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2023<\/span><\/strong><\/p>\n

Natheim. El l\u00edmite es el verbo. Estuary recreated with pieces of disused black sheet pasta. 50x100cm. 2023<\/strong><\/p>\n<\/section>\n<\/section>\n<\/section>\n<\/section>\n

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2023<\/span><\/strong><\/p>\n

Natheim. El l\u00edmite es el verbo. 9 microtulle fabrics sublimated with photographs of estuary textures. 200x150cm each. 2023<\/strong><\/p>\n

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\u8868\u6f14<\/span><\/strong><\/p>\n

2024<\/span><\/strong><\/p>\n

Natheim. El l\u00edmite es el verbo. Performance, 2024. Museo de Arte Contempor\u00e1neo de Bah\u00eda Blanca.<\/strong><\/p>\n<\/section>\n<\/section>\n<\/section>\n<\/section>\n<\/section>\n<\/section>\n

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Barro Blanco<\/strong><\/section>\n
2023<\/span><\/strong><\/section>\n
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\u8eab\u4f53\u7684\u91cd\u91cf\u662f\u552f\u4e00\u80fd\u5728\u60ac\u6d6e\u4e4b\u6d77\u4e2d\u627e\u5230\u8fb9\u754c\u7684\u91cd\u91cf\u3002<\/p>\n

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\u201cBarro blanco\u201d \u00a0is a present question about the weight of the unsaid, about the word that is silent and hidden in our shadow.<\/p>\n

Part of the Bah\u00eda Blanca estuary as a symbolic territory of that which, even close, is denied, evaded or ignored. To approach it and explore it is to become immersed in the heritage of silences, pauses and gestures. Unheimlich.<\/p>\n

The weight of the body is the only one that finds the limit in a suspended sea.<\/p>\n

The weight of the mud is the only thing that finds us between the water and the salt.<\/p>\n

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140×90\u5398\u7c73<\/p>\n

2023<\/p>\n

Natheim. Barro Blanco. Negative photograph of the Bah\u00eda Blanca estuary, on waterproof fabric, intervened with hooks, sinkers and nylon thread.140x90cm, 2023. Ac\u00e9fala Gallery.<\/strong><\/p>\n<\/section>\n<\/section>\n<\/section>\n<\/section>\n<\/section>\n<\/section>\n<\/section>\n<\/section>\n<\/section>\n<\/section>\n<\/section>\n<\/section>\n<\/section>\n<\/section>\n<\/section>\n<\/section>\n<\/section>\n<\/section>\n<\/section>\n<\/section>\n<\/section>\n<\/section>\n<\/section>\n<\/section>\n<\/section>\n<\/section>\n<\/section>\n<\/section>\n<\/section>\n

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2026\u5e74\uff0c\u6211\u4eec\u6b63\u5f0f\u542f\u52a8\u8ba1\u5212\u201cChongqing Art Residency\u201d\u9080\u8bf7\u6765\u81ea\u5168\u7403\u5404\u5730\uff0c\u5bf9\u91cd\u5e86\u57ce\u5e02\u53ca\u4e2d\u56fd\u6587\u5316\u6000\u6709\u6d53\u539a\u5174\u8da3\u7684\u827a\u672f\u5bb6\u3001\u4f5c\u5bb6\u3001\u89c6\u9891\u5185\u5bb9\u521b\u4f5c\u8005\u3001\u6587\u5316\u5b9e\u8df5\u8005\u53ca\u5176\u4ed6\u521b\u610f\u4eba\u58eb\u52a0\u5165\u3002<\/span>\u9a7b\u7559\u65f6\u957f\u53ef\u4e3a\u4e24\u5468\u81f3\u6570\u6708\u3002\u53c2\u4e0e\u8005\u5c06\u83b7\u5f97\u8212\u9002\u7684\u5c45\u4f4f\u7a7a\u95f4\u3001\u521b\u4f5c\u5de5\u4f5c\u73af\u5883\u3001\u6587\u5316\u4ea4\u6d41\u673a\u4f1a\u4ee5\u53ca\u4f5c\u54c1\u5c55\u793a\u5e73\u53f0\u3002<\/section>\n
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\u6211\u4eec\u81f4\u529b\u4e8e\u642d\u5efa\u8fde\u63a5\u4e2d\u56fd\u4e0e\u4e16\u754c\u7684\u827a\u672f\u5bf9\u8bdd\u5e73\u53f0\uff0c\u63a8\u52a8\u4ee5\u91cd\u5e86\u72ec\u7279\u5730\u57df\u7279\u5f81\u548c\u5728\u5730\u6df1\u5ea6\u4f53\u9a8c\u4e3a\u6838\u5fc3\u7684\u8de8\u6587\u5316\u521b\u4f5c\uff0c\u4fc3\u8fdb\u56fd\u9645\u521b\u4f5c\u8005\u4e0e\u91cd\u5e86\u7684\u57ce\u5e02\u666f\u89c2\u3001\u81ea\u7136\u751f\u6001\u3001\u5927\u8db3\u77f3\u523b\u53ca\u793e\u533a\u6587\u5316\u4e4b\u95f4\u7684\u4e92\u52a8\u4ea4\u878d\u3002<\/span><\/p>\n<\/section>\n

This year, we are launching the project “Chongqing Art Residency”, and welcome artists, writers, video content creators, cultural practitioners, and other creative individuals from around the world who have a strong interest in Chongqing city and in Chinese culture to join us. The residency duration ranges from\u00a0half a month to several months<\/span>. Participants will be provided with comfortable living quarters, creative workspaces, opportunities for cultural exchange, and platforms for showcasing their work.<\/p>\n

We aim to build a platform for artistic dialogue connecting China and the world, promote cross-cultural creation with Chongqing’s distinctive characteristics and deep in-situ experience, and facilitate interaction between international creators and Chongqing’s urban landscape, natural ecology, Dazu Rock Carvings, and community culture.<\/p>\n

2026OpenCall\uff1ahttp:\/\/chongqingdac.org\/?page_id=11919<\/p>\n

Collaborating Organization \u8054\u5408\u53d1\u8d77\u673a\u6784\uff1a<\/p>\n

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2013-2023, \u5341\u65b9\u5341\u5e74\u6709\u4f60\u76f8\u4f34<\/section>\n
\uff08\u611f\u8b1d\u85dd\u8853\u5bb6\u4f0d\u661f\u661f\u6350\u8d08\u526a\u7d19\u4f5c\u54c1\uff09<\/section>\n
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\u5b98\u7db2 : chongqingdac.org<\/section>\n
\u90f5\u7bb1 : info@chongqingdac.org<\/section>\n
\u5fae\u4fe1 : CNCQDAC<\/section>\n
Instagram\uff1adimensionsartcenter<\/section>\n
Facebook : \u91cd\u6176\u5e02\u5341\u65b9\u85dd\u8853\u4e2d\u5fc3<\/section>\n
\u5730\u5740\uff1a\u91cd\u6176\u5e02\u4e5d\u9f8d\u5761\u5340\u9ec3\u6877\u576a\u5b98\u5bb6\u6797190\u865f<\/section>\n
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Website : chongqingdac.org<\/section>\n
Email : info@chongqingdac.org<\/section>\n
Wechat : CNCQDAC<\/section>\n
Instagram\uff1adimensionsartcenter<\/section>\n
Facebook : Chongqing Dimensions Art Centre & Chongqing Artists In Residency<\/section>\n
Address : Huangjueping GuanJiaLin 190, Jiulongpo, Chongqing, CN.\u00a0<\/section>\n
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 <\/p>\n","protected":false},"excerpt":{"rendered":"

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