{"id":3711,"date":"2021-07-30T23:38:12","date_gmt":"2021-07-30T15:38:12","guid":{"rendered":"http:\/\/chongqingdac.org\/?p=3711"},"modified":"2021-11-22T23:39:06","modified_gmt":"2021-11-22T15:39:06","slug":"%e5%8d%81%e6%96%b9%e9%a7%90%e7%95%99-%e3%80%8a%e8%b6%85%e5%87%a1%e3%80%8b%e7%be%8e%e5%9c%8b%e8%97%9d%e8%a1%93%e5%ae%b6jacqueline-shea-caraglior%e5%80%8b%e5%b1%95","status":"publish","type":"post","link":"http:\/\/chongqingdac.org\/?p=3711","title":{"rendered":"\u5341\u65b9\u99d0\u7559 | \u300a\u8d85\u51e1\u300b\u7f8e\u570b\u85dd\u8853\u5bb6Jacqueline Shea Caraglior\u500b\u5c55"},"content":{"rendered":"
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\u200b\u6eab\u99a8\u63d0\u793a<\/strong><\/section>\n
\u7531\u65bc\u65b0\u51a0\u9632\u75ab\u9700\u8981\uff0c\u5404\u4f4d\u4f86\u8a2a\u73fe\u5834\u89c0\u5c55\u6642\uff0c\u8acb\u52d9\u5fc5\u4f69\u6234\u53e3\u7f69\u3002<\/section>\n
\u6211\u5011\u5c07\u5728\u5c55\u89bd\u73fe\u5834\u8a2d\u7f6e\u6d88\u6bd2\u7528\u54c1\u3002<\/section>\n
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\u25a0<\/strong>\u00a0<\/strong>\u25a0<\/strong>\u00a0<\/strong>\u85dd\u8853\u5bb6\u81ea\u8ff0<\/strong>\u00a0<\/strong>\u25a0<\/strong>\u00a0<\/strong>\u25a0<\/strong><\/p>\n

Artist Statement of Exhibition<\/strong><\/p>\n

\u6211\u6f2b\u6b65\u5728\u57ce\u5e02\uff0c\u5f9e\u91cd\u6176\u795e\u79d8\u7684\u6c1b\u570d\u4e2d\u627e\u5230\u4e86\u9748\u611f\u3002\u7a7a\u9580\u7a97\u548c\u9580\u9053\u9019\u4e9b\u4eba\u985e\u66fe\u5c45\u4f4f\u7684\u7a7a\u9593\u8207\u873f\u8712\u66f2\u6298\u3001\u5145\u6eff\u81ea\u7136\u751f\u6a5f\u7684\u8def\u9053\u5f62\u6210\u4e86\u9bae\u660e\u7684\u5c0d\u6bd4\u3002\u6211\u6df1\u6df1\u7684\u88ab\u9019\u6a23\u7684\u756b\u9762\u5438\u5f15\uff1a\u68ee\u6797\u8a66\u5716\u6536\u56de\u88ab\u57ce\u5e02\u4f54\u7528\u7684\u7a7a\u9593\uff0c\u4ea4\u7d50\u7684\u6a39\u6839\u3001\u85e4\u8513\u548c\u8568\u985e\u690d\u7269\u5f9e\u6df7\u51dd\u571f\u7684\u88c2\u7e2b\u4e2d\u873f\u8712\u958b\uff1b\u56e0\u6f6e\u6fd5\u7684\u6c23\u5019\uff0c\u6cbe\u6eff\u6591\u6f2c\u7684\u7246\u58c1\u3001\u7834\u788e\u7684\u77f3\u982d\u548c\u751f\u93fd\u7684\u6b04\u6746\u88ab\u4fb5\u8755\u548c\u98a8\u5316\u3002\u9019\u4e9b\u5e73\u5e38\u60c5\u666f\u4e4b\u4e0b\uff0c\u6709\u4e00\u7a2e\u5f35\u529b\u5b58\u5728\u65bc\u88ab\u4f54\u9818\u7684\u548c\u88ab\u907a\u68c4\u7684\u3001\u6d3b\u8e8d\u7684\u548c\u60f0\u6027\u7684\u3001\u98c4\u6e3a\u7684\u548c\u5728\u5730\u7684\u53cd\u5dee\u4e4b\u9593\u3002\u6709\u5e8f\u7684\u751f\u6d3b\u7a7a\u9593\u548c\u6df7\u4e82\u7684\u690d\u88ab\u4ea4\u7e54\u5728\u4e00\u8d77\uff0c\u9019\u662f\u6211\u60f3\u6355\u6349\u7684\u8584\u8584\u908a\u754c\u7684\u632f\u52d5\u611f\u3002\u9019\u4e9b\u5ee2\u68c4\u4f4f\u5b85\u7684\u5b58\u5728\u63d0\u9192\u6211\uff0c\u5373\u4f7f\u662f\u5728\u4e00\u500b\u5feb\u901f\u6210\u9577\u548c\u767c\u5c55\u7684\u57ce\u5e02\uff0c\u7a69\u5b9a\u53ef\u80fd\u6027\u7684\u627f\u8afe\u548c\u7a81\u7136\u5d29\u6f70\u7684\u7126\u616e\u4f5c\u70ba\u4eba\u985e\u8207\u751f\u4ff1\u4f86\u7684\u7684\u4e8c\u5206\u6cd5\u601d\u7dad\u4e26\u5b58\u8457\u3002\u5728\u9019\u4e9b\u795e\u8056\u7684\u5ee2\u589f\u4e0a\uff0c\u6709\u4e00\u4e9b\u8d85\u51e1\u812b\u4fd7\u7684\u3001\u4ee4\u4eba\u96e3\u4ee5\u5fd8\u61f7\u7684\u8a98\u60d1\u3002\u7576\u6211\u770b\u8457\u5927\u81ea\u7136\u95d6\u9032\u4e26\u596a\u56de\u9019\u4e9b\u908a\u7de3\u7a7a\u9593\u6642\uff0c\u6211\u5fcd\u4e0d\u4f4f\u5947\u602a\u5730\u88ab\u5438\u5f15\uff0c\u51dd\u8996\u8457\u9019\u500b\u4e0d\u6613\u5bdf\u89ba\u7684\u6df1\u6df5\uff0c\u6c89\u601d\u8457\u72c2\u91ce\u6230\u52dd\u4e86\u6587\u660e\u3002<\/p>\n

In my wanderings around this city, I found inspiration in Chongqing\u2019s uncannyvibe. Vacant windows and doorways of formally inhabited spaces are contrastedby a winding labyrinth of passageways that hum with activity. I wasparticularly taken with moments in which the forest attempts to reclaim thecity\u2019s occupied spaces. Tangles of roots, vines and ferns twist and furl upfrom the cracks in the concrete. Stained walls, crumbling stones and rustedrailings are worn and weathered from the humid climate. In these mundanemoments, there is a tension between the occupied and the abandoned; theanimated and the inert; the ethereal and the telluric. I wanted to capture thevibratory quality of this thin boundary between ordered lived spaces and thechaotic vegetation that intertwines. The presence of these discarded dwellingsreminds me that, even in a city of rapid growth and development, the promise ofpossibility and the anxiety of collapse exist side by side as an innately humandichotomy of thinking. There is something otherworldly and hauntingly seductiveabout these hallow ruins. As I watch the nature push in and take back overthese liminal spaces, I can\u2019t help but feel strangely drawn to staring intothis subtle abyss and musing about the wild prevailing over the civilized.\u00a0<\/section>\n
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–\u00a0 \u00a0Jacqueline Shea Caraglior\uff08\u7f8e\u570b\uff5cUSA\uff09<\/section>\n
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\u25a0<\/strong>\u00a0<\/strong>\u25a0<\/strong>\u00a0<\/strong>\u7b56\u5c55\u4eba\u524d\u8a00<\/strong>\u25a0<\/strong>\u00a0<\/strong>\u25a0<\/strong><\/p>\n

Curator’s Foreword<\/strong><\/p>\n

\u4e0d\u5f97\u4e0d\u627f\u8a8d\u91cd\u6176\u78ba\u5be6\u9b54\u5e7b\uff0c\u4e5f\u66f4\u611f\u5606\u85dd\u8853\u5bb6\u628a\u9019\u9b54\u5e7b\u76f4\u63a5\u751f\u52d5\u7684\u5c55\u793a\u7d66\u4e86\u6211\u5011\uff0c\u5448\u73fe\u4e86\u85dd\u8853\u5bb6\u5177\u6709\u7368\u7279\u7f8e\u5b78\u7684\u7e6a\u756b\u4f5c\u54c1\u3002\u85dd\u8853\u5bb6Jacqueline\u6b64\u6b21\u99d0\u7559\u50c5\u70ba\u671f\u4e00\u500b\u6708\uff0c\u6642\u9593\u56fa\u7136\u77ed\u66ab\u3002<\/p>\n

I have to admit that Chongqing is indeedmagical, and also praise that artist Jacqueline has directly and vividlydisplayed this magic to us, presenting paintings with unique aesthetics. Thistime, Jacqueline’s residency is only one month, which is short.<\/p>\n

\u91cd\u6176\u70ba\u4ec0\u9ebc\u9b54\u5e7b\uff0c\u4e00\u7a2e\u53ef\u898b\u7684\u95e1\u91cb\u662f\u9019\u5ea7\u57ce\u5e02\u5448\u73fe\u4e86\u81ea\u7136\u751f\u614b\u8207\u4eba\u985e\u6d3b\u52d5\u76f8\u4e92\u6ef2\u900f\u7684\u7e41\u8302\u666f\u8c61\u3002\u6216\u8005\u8aaa\uff0c\u6211\u5011\u5728\u79fb\u5c71\u9806\u6c34\uff0c\u81ea\u7136\u4e5f\u5728\u6b63\u5176\u81ea\u7136\u7684\u6c81\u900f\u6211\u5011\u3002\u901a\u5e38\u6211\u5011\u6703\u63d0\u5230\u57ce\u5e02\u4eba\u985e\u8207\u81ea\u7136\u751f\u614b\u7684\u5c0d\u649e\uff0c\u5e36\u51fa\u5169\u8005\u9593\u7684\u5c0d\u7acb\u6027\u548c\u908a\u754c\u611f\uff0c\u4f46\u9019\u4e9b\u63cf\u8ff0\u4e00\u65e6\u843d\u5230\u91cd\u6176\u5c31\u6703\u77ac\u9593\u878d\u5316\uff0c\u66f4\u591a\u7684\u611f\u53d7\u662f\u96a8\u7136\uff0c\u5c11\u4e86\u4e9b\u7cfe\u7d50\u3002<\/p>\n

Why is Chongqing magic? A visibleexplanation is that the city presents a prosperous scene including mutualpenetration of natural ecology and human activities. In other words, we aregoing along the mountains and rivers, nature is also refreshing us. Usually, wemention the collision between human cities and nature, which brings out theopposition and boundary sense between the two. However, once these descriptionsfall to Chongqing, they will melt instantly. More feelings are random and lesstangled.<\/p>\n

\u85dd\u8853\u5bb6Jacqueline\u4e5f\u5728\u8ac7\u201c\u908a\u754c\u201d\uff0c\u7576\u6211\u5011\u53bb\u8b80\u85dd\u8853\u5bb6\u7684\u4ee5\u5f80\u4f5c\u54c1\u6642\uff0c\u7e3d\u6703\u611f\u53d7\u5230\u90a3\u7a2e\u201c\u908a\u754c\u201d\u5f9e\u756b\u9762\u4e2d\u6a6b\u7a7f\u800c\u904e\u3002\u5728\u5e73\u9762\u5316\u3001\u69cb\u6210\u5316\uff0c\u85dd\u8853\u5bb6\u4e3b\u89c0\u7684\u85dd\u8853\u8655\u7406\u4e0b\uff0c\u5176\u4e2d\u860a\u542b\u8457\u85dd\u8853\u5bb6\u5c0d\u81ea\u7136\u8207\u4eba\u985e\u5169\u8005\u76f8\u4e92\u5c0d\u5cd9\u7684\u6fc3\u70c8\u8868\u6cd5\u3002<\/p>\n

Artist Jacqueline is also talking about”boundary”. When we read the Jacqueline’s previous works, we can feelthat the \u201cboundary” are crossing through on the paintings. Under theartistic treatment of complanation, composition and artist’s subjectivity, itcontains the artist’s expression of the confrontation between nature and humanbeings.<\/p>\n

\u4f46\u9019\u6b21\uff0c\u201c\u908a\u754c\u201d\u5df2\u7136\u662f\u53e6\u5916\u4e00\u7a2e\u72c0\u614b\u5c55\u73fe\u5728\u6279\u65b0\u7684\u5275\u4f5c\u4e2d\uff0c\u85dd\u8853\u5bb6\u5f9e\u5bb9\u4e14\u771f\u5be6\u5beb\u7167\u4e86\u91cd\u6176\u9019\u822c\u81ea\u7136\u751f\u6a5f\u7684\u57ce\u5e02\u666f\u8c61\uff0c\u8ddf\u96a8\u9019\u4e9b\u66f2\u6298\u873f\u8712\u7684\u690d\u88ab\u7a7f\u8d8a\u201c\u908a\u754c\u201d\uff0c\u8513\u5ef6\u904e\u5875\u4e16\u9593\uff0c\u7531\u6b64\u7372\u5f97\u4e86\u65b0\u7684\u611f\u609f\u3002\u95dc\u65bc\u81ea\u7136\u8207\u4eba\u985e\u7684\u76f8\u524b\u76f8\u751f\uff0c\u662f\u85dd\u8853\u5bb6\u59cb\u7d42\u5c08\u6ce8\u7684\u547d\u984c\u3002\u6211\u60f3\uff0c\u9019\u500b\u547d\u984c\u4e5f\u5728\u91cd\u6176\u99d0\u7559\u7684\u9019\u6bb5\u6642\u9593\u4e2d\u5f97\u5230\u4e86\u4e0d\u4e00\u6a23\u7684\u89e3\u7b54\u3002\u85dd\u8853\u5bb6\u628a\u6b64\u7d93\u6b77\u5f62\u5bb9\u70ba\u201cTransmundane\u201d\uff0c\u66ab\u8b6f\u70ba\u201c\u8d85\u51e1\u201d – \u8d8a\u904e\u4e16\u9593\u3002<\/p>\n

But this time, “boundary” isalready another state, which is displayed in the new batch of paintings,Jacqueline calmly and truly portrayed the natural and vibrant urban scene fromChongqing, followed these winding vegetation, through the “boundary”,and spread across the reality, thus obtaining a new understanding. It is aproposition that Jacqueline focus on the mutual restraint and coexistence ofnature and human beings. I guess this proposition also got a different answerduring Jacqueline\u2019s residency in Chongqing. Artist Jacqueline described thisexperience as “transmundane”, translated as “\u8d85\u51e1” – beyond the ordinary.<\/p>\n

– \u4f55\u4eac<\/p>\n

\u4f86\u81ea\u79fb\u5c45\u91cd\u6176\u7684\u540c\u611f<\/p>\n

-HeJing<\/p>\n

from asame feeling of migrant to Chongqing<\/p>\n

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\u25a0\u00a0\u25a0\u00a0\u85dd\u8853\u5bb6\u4ecb\u7d39\u00a0\u25a0\u00a0\u25a0\u00a0<\/strong><\/p>\n

Introduction to the Artist<\/strong><\/p>\n

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2019\u5e747\u6708\u7562\u696d\u65bc\u6cf0\u570b\u66fc\u8c37\u65b0\u6fa4\u897f\u5927\u5b78\uff0c\u53c3\u8207\u897f\u73ed\u7259\u99ac\u6d1b\u5361\u5168\u7403\u7814\u7a76\u751f\u8ab2\u7a0b\uff0c\u57fa\u790e\u6559\u80b2\u78a9\u58eb\u3002<\/section>\n
2009\u5e746\u6708\u7562\u696d\u65bc\u7f8e\u570b\u6d1b\u6749\u78ef\u52a0\u5229\u798f\u5c3c\u4e9e\u5927\u5b78\uff0c\u52a0\u5dde\u5927\u5b78\u85dd\u8853\u8207\u5efa\u7bc9\u5b78\u9662\uff0c\u85dd\u8853\u5b78\u58eb<\/section>\n
The College of New Jersey, Bangkok, Thailand and Mallorca, Spain \u2014 Global Graduate Program<\/section>\n
Masters in Elementary Education, July 2019<\/section>\n
University of California, Los Angeles, Ca \u2014 School of Arts and Architecture<\/section>\n
B.A. in Art, June 2009<\/section>\n
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I am attracted to novelty within the mundane. By tapping into an altered state of awareness, I attempt to crystallize the uncanny and de-familiarize the common. The relationship between light and shadow operates both visually and metaphorically in my work. In nature, the line between order and chaos plays out in the tension between growth and decay. In inhabited spaces, this juxtaposition can be found in the wild pushing up against the constructed. By examining the boundaries in-between, these thresholds have the potential to reveal what is beyond the veil of perception. In this liminal space, I find a strange moment of clarity, a certain vibratory quality, that captures the animistic quality of our world. I believe it is an innately human pursuit to attempt to carve out the sacred and the profane. It is with this goal in mind, I paint from my experiences.<\/section>\n
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I have found several specific aesthetic subjects of curiosity related to these concepts. Abandoned spaces have a certain nostalgic quality in the domestic details left behind, while their dark doorways or windows seem like portals into the abyss. Places of transition such as pathways, bridges and stairways seem to hum with activity even when vacant. Walled cities or walled gardens illustrate an attempt to delineate and claim space, ultimately representing the threshold between the wild and the civilized. The records of past settlements and rituals survive within ruins and stacked stones. The vegetation that ultimately intertwines and reclaims them is a reminder of life\u2019s ephemerality and impermanence. Most recently, I have been entranced by the shadows cast on walls and the weathering that accumulates on old walls as markers of the passage of time. Shadows showing the micro, fleeting moments of the day and weathering the macro, longer strokes of generations gone by.<\/section>\n
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\u95dc\u65bc\u672c\u6b21\u99d0\u7559<\/strong>\ufe31<\/strong>About this Residency\uff1a<\/strong><\/section>\n
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\u6211\u88ab\u91cd\u6176\u7368\u7279\u7684\u6c1b\u570d\u548c\u98a8\u683c\u8ff7\u4f4f\u4e86\uff0c\u5c24\u5176\u662f\u90a3\u4e9b\u4f5c\u70ba\u57ce\u5e02\u6b77\u53f2\u5be6\u7269\u8a18\u9304\u7684\u5efa\u7bc9\u907a\u8de1\uff0c\u5b83\u5011\u6709\u7684\u88ab\u91cd\u5efa\uff0c\u6709\u7684\u88ab\u907a\u68c4\u3002\u9019\u4e9b\u7a7a\u5fc3\u7d50\u69cb\u662f\u5982\u4f55\u8207\u90a3\u4e9b\u5728\u6574\u500b\u6e1d\u4e2d\u534a\u5cf6\u9748\u6d3b\u5730\u873f\u8712\u800c\u884c\u3001\u8ff7\u5bae\u822c\u7684\u901a\u9053\u5f62\u6210\u9bae\u660e\u5c0d\u6bd4\u7684\u5462\uff1f\u6cbf\u8457\u6cb3\u6d41\u884c\u8d70\u6642\uff0c\u6211\u770b\u5230\u5c64\u5c64\u98a8\u5316\u7684\u652f\u6490\u7269\u5728\u6c34\u6d41\u4e2d\u5fc3\u525b\u6027\u5730\u652f\u6490\u8d77\u57ce\u5e02\u7684\u908a\u754c\u3002\u6240\u4ee5\u5728\u6b64\u671f\u9593\uff0c\u6211\u60f3\u8981\u66f4\u591a\u5730\u77ad\u89e3\u3001\u8003\u5bdf\u6cb3\u6d41\u7684\u5167\u5728\u754c\u9650\u548c\u8207\u5efa\u7bc9\u7684\u4ea4\u532f\u8655\u7684\u8c61\u5fb5\u610f\u7fa9\u3002\u6211\u5f88\u69ae\u5e78\u6709\u6a5f\u6703\u5728 DAC \u99d0\u7559\uff0c\u5e0c\u671b\u5728\u99d0\u7559\u671f\u9593\u80fd\u5920\u66f4\u6df1\u523b\u5730\u8a8d\u8b58\u3001\u611f\u53d7\u91cd\u6176\u3002<\/section>\n
\u5728\u6211\u7684\u99d0\u7559\u521d\u671f\uff0c\u6211\u5c07\u5728\u57ce\u5340\u53ca\u57ce\u5916\u90ca\u5340\u5beb\u751f\u4e26\u62cd\u651d\u4e00\u4e9b\u53c3\u8003\u7167\u7247\u3002\u6211\u7279\u5225\u60f3\u5728\u4e00\u7cfb\u5217\u5927\u578b\u7e6a\u756b\u4e2d\u63a2\u7d22\u610f\u8b58\u548c\u6f5b\u610f\u8b58\u3001\u5c45\u4f4f\u5340\u548c\u7121\u4eba\u5340\u9019\u5169\u7d44\u6982\u5ff5\u9593\u7684\u95dc\u4fc2\u548c\u5b83\u5011\u7684\u4e2d\u9593\u5730\u5e36\u3002\u6211\u89ba\u5f97\u91cd\u6176\u662f\u6211\u63a2\u7a76\u77e5\u8207\u4e0d\u77e5\u4e4b\u9593\u7684\u754c\u9650\u7684\u7406\u60f3\u5730\u9ede\u3002<\/section>\n
I am captivated by Chongqing\u2019s unique vibe and aesthetic. I am particularly fascinated with the physical record of the city\u2019s history in the remains of old structures, sometimes built over and sometimes abandoned. I am taken by how these hollow structures are contrasted by a labyrinth of passageways that hum with activity, as they wind throughout the peninsula. Along the rivers, you can see layers of weathered walls and supports rigidly holding up the boundaries of the city from the confluence of flowing waters. The inherent liminality of rivers and the symbolism of the crossroads is something I would like to consider, when learning more about Chongqing. I feel very fortunate for the opportunity of my residency at DAC and hope to find a deeper sense of place during my stay.\u00a0<\/section>\n
At the start of my residency, I will spend time drawing plein-air and capturing photographic references out in the city and in the wild spaces beyond its reach. I would specifically like to explore the concepts of the conscious and subconscious mind in relation to inhabited and uninhabited space, and the thresholds in-between, in a series of large-scale paintings. I feel that Chongqing is an ideal location for my inquiry into the margins between knowing and not-knowing.\u00a0<\/section>\n
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\u00a0<\/strong><\/section>\n
\u4ee5\u5f80\u4f5c\u54c1\u4ecb\u7d39<\/strong>\ufe31<\/strong>Introduction to Previous Works\uff1a<\/strong><\/section>\n
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\u6a4bI<\/strong><\/section>\n
BRIDGE I<\/strong><\/section>\n
\u6cb9\u756b\u00a0OIL ON CANVAS<\/section>\n
50 X 70 CM<\/section>\n
2016<\/section>\n
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\u6a4bIII<\/strong><\/section>\n
BRIDGE III<\/strong><\/section>\n
\u6cb9\u756b\u00a0OIL ON CANVAS<\/section>\n
50 X 60 CM<\/section>\n
2016<\/section>\n
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\u82d4\u861a\u968e\u68af<\/strong><\/section>\n
MOSSY STAIRS<\/strong><\/section>\n
\u6cb9\u756b\u00a0OIL ON CANVAS<\/section>\n
80 X 100 CM<\/section>\n
2020<\/section>\n
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\u6797\u4e2d\u968e\u68af<\/strong><\/section>\n
FOREST STAIRS<\/strong><\/section>\n
\u6cb9\u756b\u00a0OIL ON CANVAS<\/section>\n
100 X 150 CM<\/section>\n
2020<\/section>\n
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\u4e0a\u6d77\u9670\u5f71I\u00a0<\/strong><\/section>\n
SHANGAHI SHADOWS I<\/strong><\/section>\n
\u6cb9\u756b\u00a0OIL ON CANVAS<\/section>\n
80 X 100 CM<\/section>\n
2019<\/section>\n
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\u5edf\u7246<\/strong><\/section>\n
TEMPLE WALL\u00a0<\/strong><\/section>\n
\u6cb9\u756b\u00a0OIL ON CANVAS\u00a0<\/section>\n
100 X 150 CM\u00a0<\/section>\n
2021<\/section>\n
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\u25a0<\/strong>\u00a0<\/strong>\u25a0<\/strong>\u00a0<\/strong>\u5c55\u89bd\u4fe1\u606f<\/strong>\u00a0<\/strong>\u25a0<\/strong>\u00a0<\/strong>\u25a0<\/strong><\/p>\n

Exhibition Information<\/strong><\/p>\n

\u300a\u8d85\u51e1\u300b<\/strong>\uff0c\u7f8e\u570b<\/strong>\u85dd\u8853\u5bb6Jacqueline Shea Caraglior\u500b\u5c55<\/strong><\/p>\n

“<\/strong>Transmundane<\/strong>“, Solo Exhibition by American Artist Jacqueline Shea Caraglior<\/strong><\/p>\n

\u958b\u5e55\u6642\u9593\u00a0<\/strong>Opening Time\uff1a<\/strong><\/p>\n

2021.7.30\uff08\u9031\u4e94Fri.\uff0919:00<\/strong><\/p>\n

\u5c55\u89bd\u9031\u671f\u00a0<\/strong>Exhibiton Time\uff1a<\/strong><\/p>\n

2021.7.30 – 2021.8.08<\/strong>\uff0814:00-18:00\uff09<\/strong><\/p>\n

\u5c55\u89bd\u5730\u9ede\u00a0<\/strong>Exhibiton Location\uff1a<\/strong><\/p>\n

\u91cd\u6176 \u00b7 \u00a0\u5341\u65b9\u85dd\u8853\u4e2d\u5fc3\u00a0\u00b7\u00a0\u00a0A\u5c55\u5385\u00a0<\/strong><\/p>\n

Chongqing \u00b7Dimensions Art Center\u00b7Hall A<\/strong><\/p>\n

\u99d0\u7559\u85dd\u8853\u5bb6\u00a0<\/strong>Resident Artist\uff1a<\/strong><\/p>\n

Jacqueline Shea Caraglior\uff08\u7f8e\u570b\uff5c<\/strong>USA<\/strong>\uff09<\/strong><\/p>\n

\u85dd\u8853\u7e3d\u76e3\u00a0<\/strong>Art Directo<\/strong>r<\/strong>\uff1a<\/strong>\u66fe\u9014\u00a0<\/strong>Zeng Tu<\/strong><\/p>\n

\u7b56\u5c55\u4eba\u00a0<\/strong>Curator<\/strong>\uff1a<\/strong>\u4f55\u4eac\u00a0<\/strong>He Jing<\/strong><\/p>\n

\u7ffb\u8b6f\u5354\u52a9\u00a0<\/strong>Translation Assistance<\/strong>\uff1a<\/strong>\u7f85\u73b2\u00a0<\/strong>Luo Ling<\/strong><\/p>\n

\u57f7\u884c\u7d71\u7c4c\u00a0<\/strong>Coordinator<\/strong>\uff1a<\/strong>\u5289\u6625\u5229\u00a0<\/strong>Liu Chunli<\/strong><\/p>\n

\u73fe\u5834\u62cd\u651d\u00a0<\/strong>Photographer<\/strong>\uff1a<\/strong>\u80e1\u514b\u00a0<\/strong>Ben\u00a0<\/strong><\/p>\n

\u4e3b\u8fa6\u65b9\u00a0<\/strong>Sponsor<\/strong>\uff1a<\/strong><\/p>\n

\u5341\u65b9\u85dd\u8853\u4e2d\u5fc3\uff08DAC\uff09<\/strong>Dimensions Art Center (DAC)<\/strong><\/p>\n

\u652f\u6301\u65b9\u00a0<\/strong>Supporter<\/strong>\uff1a\u5feb\u5f69\u5370\u52d9\u00a0<\/strong>Kuai Cai Printing<\/strong><\/section>\n
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\u5a92\u9ad4\u652f\u6301\u00a0<\/strong>Media support\uff1a<\/strong><\/section>\n
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\u90f5\u7bb1 : info@chongqingdac.org<\/section>\n
\u5fae\u4fe1 : CNCQDAC<\/section>\n
Facebook : \u91cd\u6176\u5e02\u5341\u65b9\u85dd\u8853\u4e2d\u5fc3<\/section>\n
\u5730\u5740\uff1a\u91cd\u6176\u5e02\u4e5d\u9f8d\u5761\u5340\u9ec3\u6877\u576a\u5b98\u5bb6\u6797190\u865f<\/section>\n
<\/section>\n
Website : chongqingdac.org<\/section>\n
Email : info@chongqingdac.org<\/section>\n
Wechat : CNCQDAC<\/section>\n
Facebook : Chongqing Dimensions Art Centre & Chongqing Artists In Residency<\/section>\n
Address : Huangjueping GuanJiaLin 190, Jiulongpo, Chongqing, CN.\u00a0<\/section>\n","protected":false},"excerpt":{"rendered":"

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