{"id":8933,"date":"2023-07-07T14:23:13","date_gmt":"2023-07-07T06:23:13","guid":{"rendered":"http:\/\/chongqingdac.org\/?p=8933"},"modified":"2023-07-10T14:24:25","modified_gmt":"2023-07-10T06:24:25","slug":"%e5%8d%81%e6%96%b9%e5%b1%95%e8%a6%bd%ef%bd%9c%e5%ae%87%e5%ae%99%e7%9a%84%e4%ba%a4%e5%8c%af%c2%b7%e7%a6%81%e6%ad%a2%e5%8d%80%e5%9f%9f","status":"publish","type":"post","link":"http:\/\/chongqingdac.org\/?p=8933","title":{"rendered":"\u5341\u65b9\u5c55\u89bd\uff5c\u5b87\u5b99\u7684\u4ea4\u532f\u00b7\u7981\u6b62\u5340\u57df"},"content":{"rendered":"
<\/section>\n
<\/section>\n
<\/section>\n
<\/section>\n
<\/section>\n
<\/section>\n
<\/section>\n
\u25a0<\/strong>\u00a0<\/strong>\u25a0<\/strong>\u00a0<\/strong>\u7b56\u5c55\u4eba\u524d\u8a00<\/strong>\u25a0<\/strong>\u00a0<\/strong>\u25a0<\/strong><\/section>\n
Curator’s Foreword<\/strong><\/section>\n
\n
<\/section>\n<\/section>\n
\n
\u300c\u6587\u4e0d\u5e7b\u4e0d\u6587\uff0c\u5e7b\u4e0d\u6975\u4e0d\u5e7b\u3002\u662f\u77e5\u5929\u4e0b\u6975\u5e7b\u4e4b\u4e8b\uff0c\u4e43\u6975\u771f\u4e4b\u4e8b\uff1b\u6975\u5e7b\u4e4b\u7406\uff0c\u4e43\u6975\u771f\u4e4b\u7406\u3002<\/section>\n
\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u2014\u300a\u897f\u904a\u8a18\u300b\u984c\u8fad \u00a0 \u5e54\u4ead\u904e\u5ba2\u8881\u65bc\u4ee4<\/section>\n
\n
<\/section>\n
<\/section>\n<\/section>\n
\n
\u7522\u751f\u4ea4\u532f\u5c31\u610f\u5473\u8457\u5b87\u5b99\u4e26\u975e\u552f\u4e00\uff0c\u4e16\u754c\u900f\u904e\u81ea\u6211\u7684\u9078\u64c7\u8207\u91cd\u69cb\u5728\u500b\u9ad4\u5fc3\u4e2d\u6620\u7167\u51fa\u5f62\u72c0\u5404\u7570\u7684\u5b87\u5b99\u3002\u800c\u6b63\u56e0\u70ba\u5176\u5f62\u72c0\u5404\u7570\uff0c\u624d\u9700\u8981\u76f8\u4e92\u4ea4\u532f\uff0c\u800c\u5728\u4ea4\u532f\u8655\u624d\u6709\u78b0\u649e\u8207\u4ea4\u878d\u3002<\/section>\n<\/section>\n
\n
<\/section>\n<\/section>\n
\n
\u672c\u6b21\u570b\u969b\u4e3b\u6d41\u9805\u76ee\u7684\u5169\u4f4d\u85dd\u8853\u5bb6\u53bb\u5f80\u5ddd\u6e1d\u965c\u7684\u4e0d\u540c\u57ce\u5e02\u548c\u6b77\u53f2\u907a\u8de1\uff0c\u9078\u64c7\u4e26\u6383\u63cf\u4e8650\u500b\u7269\u4ef6\u8207\u7a7a\u9593\u3002\u901950\u500b3D\u6a21\u578b\u662f\u69cb\u6210\u4f5c\u54c1\u7684\u57fa\u672c\u8981\u7d20\u3002\u85dd\u8853\u5bb6\u5229\u7528\u7269\u4ef6\u548c\u7a7a\u9593\u7684\u672c\u8eab\u5177\u6709\u7684\u7b26\u865f\u7279\u6027\u8207\u6240\u6307\u542b\u7fa9\uff0c\u901a\u904eVR\u9ad4\u9a57\u8a2d\u8a08\u5275\u9020\u51fa\u4e86\u4e00\u7a2e\u985e\u904a\u6232\u7684\u865b\u64ec\u9ad4\u9a57\u3002\u540c\u6642\u5169\u4f4d\u85dd\u8853\u5bb6\u5728\u99d0\u7559\u671f\u9593\u958b\u5c55\u4e86\u5275\u4f5c\u958b\u653e\u65e5\u6d3b\u52d5\u4ee5\u53ca\u591a\u6b21\u8a0e\u8ad6\uff0c\u8207\u8af8\u591a\u53c3\u8207\u8005\u6df1\u5ea6\u4ea4\u6d41\uff0c\u4e26\u6839\u64da\u53cd\u994b\u8abf\u6574\u512a\u5316\u4f5c\u54c1\u3002<\/section>\n
\u865b\u64ec\u73fe\u5be6\u6280\u8853\u5728\u8a95\u751f\u4e4b\u6642\u5c31\u4ee5\u7121\u9650\u8cbc\u8fd1\u771f\u5be6\u70ba\u76ee\u7684\uff0c\u9019\u4e00\u6280\u8853\u7684\u51fa\u73fe\u8207\u767c\u5c55\u4f7f\u5f97\u4f55\u70ba\u771f\u5be6\uff1f\u4f55\u70ba\u865b\u5e7b\uff1f\u7684\u554f\u984c\u66f4\u52a0\u51f8\u986f\u3002\u5982\u679c\u8a66\u5716\u63a2\u7d22\u771f\u5be6\u8207\u865b\u5e7b\u4e4b\u9593\u7684\u754c\u9650\uff0c\u5c31\u5fc5\u9808\u601d\u8003\u4f55\u70ba\u771f\uff1f\u5f9e\u7121\u5230\u6709\uff0c\u5f9e\u7c21\u55ae\u5230\u7e41\u5fa9\uff0c\u518d\u8a66\u5716\u56de\u6b78\u7c21\u55ae\uff0c\u96e3\u5728\u5982\u4f55\u8fd4\u749e\u6b78\u771f\u3002\u6709\u8da3\u7684\u662f\u6211\u5011\u540c\u5169\u4f4d\u570b\u969b\u85dd\u8853\u5bb6\u5171\u540c\u4ea4\u532f\u5728\u6b64\uff0c\u5728\u300c\u5e7b\u5883\u300d\u4e2d\u601d\u8003\u5fae\u5c0f\u8207\u5de8\u5927\u3001\u6b64\u5cb8\u8207\u5f7c\u5cb8\u3001\u771f\u5be6\u8207\u865b\u5e7b\u3002<\/section>\n<\/section>\n<\/section>\n
\n
\n
<\/section>\n
Curator’s Foreword:<\/section>\n
\u201cIf Writing is not illusory then no writing ; if illusions are not extreme then no illusions. The extremely illusory things in the world are the extremely true things; the extremely illusory reasons are the extremely real reasons.<\/section>\n
\u2014\u2014The inscription of “Journey to the West\u201d by Yuan Yuling<\/section>\n
<\/section>\n
Universes is plural. Through self-selection and reconstruction of individuals, universes of different shapes and forms are formed in the hearts. because of their different shapes and forms, they need to intersect , and through intersection can they collide and merge.<\/section>\n
The two artists of the international residency program went to different cities and historical sites in Sichuan, Chongqing and Shanxi, they selected and scanned 50 objects and spaces. These 50 3D models are the basic elements of the VR world. The artists use the symbolic characteristics and meanings to create a game-like virtual experience through virtual reality experience design. At the same time, during the residency period, the two artists carried out a three day open lab and many discussions to have in-depth communications with participants, so that they can adjust and optimize their works according to the feedback.<\/section>\n
When virtual reality technology was invited, it aimed to be as close to the reality as possible. The invention and development of this technology make what is real? What is illusory? becomes more prominent. If you try to explore the boundary between real and unreal, you must ask what is real? Starting from nothing, from simple to complex, and then trying to return to simplicity, the difficulty lies in how to return to the basics. It is interesting that here we intersect with two international artists, thinking about the small and the big ,here and there, reality and illusion in the virtual world.<\/section>\n<\/section>\n<\/section>\n
\n
\u00a0<\/strong><\/section>\n
\u25a0\u00a0\u25a0\u00a0\u85dd\u8853\u5bb6\u81ea\u8ff0\u00a0\u25a0\u00a0\u25a0<\/strong><\/section>\n
Artist Statement of Exhibition<\/strong><\/section>\n
\u00a0<\/strong><\/section>\n
\u00a0<\/strong><\/section>\n
\u00a0<\/strong><\/section>\n
<\/strong><\/section>\n
<\/section>\n<\/section>\n
Benjamin Efrati\u662f\u4e00\u4f4d\u591a\u5a92\u9ad4\u85dd\u8853\u5bb6\u3002\u4ed6\u7684\u4f5c\u54c1\u610f\u5728\u8cea\u7591\u7d93\u9a57\u3001\u8a9e\u8a00\u548c\u60f3\u8c61\u4e4b\u9593\u7684\u95dc\u4fc2\uff0c\u4ed6\u901a\u904e\u6587\u672c\u3001\u88dd\u7f6e\u3001\u8868\u6f14\u3001\u8072\u97f3\u3001\u96fb\u5f71\u3001\u63d2\u5716\u3001\u865b\u64ec\u73fe\u5be6\u3001\u7db2\u7d61\u5be6\u8e10\u3001\u8996\u983b\u904a\u6232\uff0c\u5275\u9020\u4e86\u4e00\u500b\u591a\u5c64\u6b21\u7684\u8de8\u5a92\u9ad4\u5b87\u5b99\uff0c\u8b93\u4eba\u60f3\u8d77\u9054\u9054\u4e3b\u7fa9\u548c\u8ff7\u5e7b\u7f8e\u5b78\u3002<\/section>\n
\n
\u4f5c\u70ba\u96fb\u5b50\u97f3\u6a02\u88fd\u4f5c\u4eba\u548c\u85dd\u8853\u5bb6\u591a\u91cd\u8eab\u4efd\uff0c\u4ed6\u9084\u70ba\u7372\u734e\u52d5\u756b\u77ed\u7247\uff08\u300cAmok\u300d\uff0cBalazs Turai\u57282022\u5e74\u7684\u4f5c\u54c1\uff09\u548c\u6c88\u6d78\u5f0f\u96fb\u5f71\uff08\u300cInner Feels\uff1aEverything Flows\u300d\uff0cCarin Klonowski\u57282021\u5e74\u7684\u4f5c\u54c1\uff09\u5275\u4f5c\u4e86\u539f\u5275\u914d\u6a02\u3002<\/section>\n<\/section>\n
\n
\n
1985\u5e74\u51fa\u751f\u65bc\u65e5\u5167\u74e6\uff0c\u7562\u696d\u65bc\u91cc\u6602\u7b2c\u4e09\u5927\u5b78\u54f2\u5b78\u7cfb\u548c\u5df4\u9ece\u7f8e\u8853\u5b78\u9662\u591a\u5a92\u9ad4\u5be6\u8e10\u5c08\u696d\u3002\u81ea2020\u5e74\u4ee5\u4f86\uff0c\u4ed6\u5728\u6cd5\u570b\u793e\u6703\u79d1\u5b78\u9ad8\u7b49\u7814\u7a76\u9662\uff08\u5df4\u9ece\uff09\u653b\u8b80\u535a\u58eb\u5b78\u4f4d\uff0c\u7814\u7a76\u96fb\u5b50\u904a\u6232\u4e2d\u5c0d\u53f2\u524d\u53f2\u7684\u63cf\u8ff0\u3002\u4ed6\u57282013\u5e74\u7d50\u8b58\u4e86\u6b66\u7576\u6b66\u8853\u5b78\u6821Yuan Xiu Gang\u7684\u5b78\u751fFabien Fromont\u5f8c\u63a5\u89f8\u4e86\u592a\u6975\u62f3\u3002<\/section>\n<\/section>\n
\n
<\/section>\n<\/section>\n
\n
Benjamin Efrati is a media artist. His work questions the relations between experience, language and imagination. He creates a multi-layered transmedia universe reminiscent of Dadaist and Psychedelic aesthetics through texts, installations, performances, sound pieces, films, illustration,VR, web-based practices, video games. Electronic music producer and artist using a multiple digital identities, he also composes original soundtracks for award-winning animated shorts (Amok, Balazs Turai, 2022) and immersive cinema (Inner Feels : Everything Flows, Carin Klonowski, 2021). Born in 1985 in Geneva, graduated Universit\u00e9 Lyon 3\u2019s Philosophy Faculty and Beaux-Arts de Paris in multimedia practices. Since 2020, he studies depictions of prehistory in video games as a PhD candidate at EHESS (Paris). He<\/section>\n<\/section>\n
\n
discovered Tai Chi \u00a0in 2013 upon meeting Fabien Fromont, a student of Yuan Xiu Gang from the Wudang Wushu School of Martial Arts.<\/section>\n<\/section>\n
\n
<\/section>\n
<\/section>\n<\/section>\n
\n
<\/section>\n
“Dream Invaders”,\u00a0Benjamin Efrati,\u00a02020<\/section>\n
<\/section>\n

“Iphig\u00e9nie”, performance at Faux Positifs solo show\uff08\u5728Faux Positifs\u500b\u5c55\u4e0a\u7684\u8868\u6f14\uff09, Benjamin Efrati,\u00a02021<\/p>\n

<\/section>\n
<\/section>\n

“Mushroom”,\u00a0Benjamin Efrati,\u00a0from Faux Positifs exhibition\uff08\u4f86\u81eaFaux Positifs\u5c55\u89bd\uff09, 2021<\/p>\n

<\/section>\n
“The Gnozo Show”, Benjamin Efrati, 2018, in “Talk Show”, exhibition curated by Nicolas Bourriaud, MOCO, Montpellier\u00a0<\/section>\n
\u201cGnozo Show\u201d\uff0cBenjamin Efrati\uff0c2018\uff0c\u53c2\u4e0e\u7531Nicolas Bourriaud\u7b56\u5212\u5c55\u89c8\u201c\u8131\u53e3\u79c0\u201d\u4e2d\uff0cMOCO\uff0c\u4f4d\u4e8e\u6cd5\u56fd\u8499\u5f7c\u5229\u57c3<\/section>\n
<\/section>\n
<\/section>\n
<\/section>\n
<\/section>\n
<\/section>\n<\/section>\n
\n
Shu Isaka\u662f\u5b8c\u6210\u4e86\u6771\u4eac\u7f8e\u8853\u97f3\u6a02\u5927\u5b78\u4e2d\u7d1a\u85dd\u8853\u7cfb\u535a\u58eb\u5b78\u4f4d\u3002\u4ed6\u5728\u7814\u7a76\u5728\u81ea\u7136\u74b0\u5883\u4e2d\u7684\u4e0d\u53ef\u5bdf\u89ba\u73fe\u8c61\u548c\u4eba\u985e\u6d3b\u52d5\u7684\u540c\u6642\uff0c\u5275\u4f5c\u4e86\u8de8\u8d8a\u79d1\u5b78\u77e5\u8b58\u548c\u6558\u4e8b\u806f\u60f3\u7684\u4f5c\u54c1\u3002\u4ed6\u5229\u7528\u5be6\u5730\u8003\u5bdf\u93e1\u982d\u30013DCG\u548cVR\u7b49\u5a92\u4ecb\u4ee5\u53ca\u81ea\u5236\u7684\u89c0\u5bdf\u8a2d\u5099\uff0c\u63a2\u7d22\u4e86\u4e00\u7a2e\u878d\u5408\u7d00\u9304\u7247\u548c\u5c0f\u8aaa\u8a9e\u8a00\u7368\u7279\u7684\u8b1b\u8ff0\u98a8\u683c\u3002<\/section>\n
\u8fd1\u5e74\u4f86\uff0c\u4ed6\u524d\u5f80\u5404\u570b\u7684\u706b\u5c71\u5730\u5340\u88fd\u4f5c\u8996\u983b\u4f5c\u54c1\uff0c\u63a2\u7d22\u706b\u5c71\u6d3b\u52d5\u8207\u5468\u570d\u5730\u5340\u5c45\u6c11\u751f\u6d3b\uff0c\u706b\u5c71\u8207\u4eba\u985e\u4e4b\u9593\u7684\u7368\u7279\u4ea4\u4e92\u73fe\u8c61\u3002\u9019\u4e0d\u662f\u95dc\u65bc\u8d85\u81ea\u7136\u73fe\u8c61\uff0c\u800c\u662f\u95dc\u65bc\u98a8\u96aa\u4ea4\u6d41\uff0c\u4f8b\u5982\u5982\u4f55\u7a4d\u6975\u611f\u77e5\u548c\u8a08\u7b97\u8207\u81ea\u7136\u73fe\u8c61\u76f8\u95dc\u7684\u4e0d\u78ba\u5b9a\u98a8\u96aa\u3002\u7136\u800c\uff0c\u5728\u4ed6\u7684\u8996\u983b\u88fd\u4f5c\u4e2d\uff0c\u4ed6\u4e26\u6c92\u6709\u5c07\u5176\u7c21\u5316\u70ba\u9632\u707d\u5de5\u7a0b\u6216\u793e\u6703\u5b78\u9818\u57df\u63a2\u7a76\uff0c\u800c\u662f\u65e8\u5728\u901a\u904e\u5c0f\u8aaa\u9019\u7a2e\u8df3\u8e8d\u6027\u7684\u8868\u9054\u65b9\u5f0f\u4f86\u5ef6\u5c55\u5b83\uff0c\u4f8b\u5982Shu Isaka\u7684\u4f5c\u54c1\u300cSprout\u300d, \u300cSprites\u300d\u3002<\/section>\n<\/section>\n
\n
<\/section>\n
<\/section>\n<\/section>\n
Completed the doctoral program of Tokyo University of Fine Arts and Music, Department of \u00a0Intermedia Art. While researching imperceptible phenomena in the natural environment and human activities in response to them, he creates works in the realm that crosses scientific knowledge and narrative imagination. Using fieldwork footage, visual media such as 3DCG and VR, and self-made observation devices, he explores a unique storytelling style that mixes documentary and fiction techniques.<\/section>\n
\n
\n
<\/section>\n
<\/section>\n<\/section>\n
\n
In recent years, he has traveled to volcanic regions in various countries to make video works that explore the special communication between volcanoes and humans that occurs in volcanic activities and in the lives of people living in the surrounding areas. This is not about supernatural phenomena, but rather about risk communication, such as how to positively perceive and calculate risks associated with natural phenomena that behave in<\/section>\n<\/section>\n<\/section>\n
\n
an uncertain manner. However, in his filmmaking, he does not reduce it to the realm of disaster prevention engineering or sociology, but aims to expand it with a leap forward in fiction. [Reference work: \u201cSprout\u201d, \u201cSprites\u201d]<\/section>\n
<\/section>\n
<\/section>\n
“Sprite”,\u00a0Shu Isaka<\/section>\n
<\/section>\n
“Sprout”,Shu Isaka<\/strong><\/section>\n
<\/section>\n
<\/section>\n
<\/section>\n
\n
\u00a0<\/strong><\/section>\n
<\/section>\n
\u90f5\u7bb1 : info@chongqingdac.org<\/section>\n
\u5fae\u4fe1 : CNCQDAC<\/section>\n
Facebook : \u91cd\u6176\u5e02\u5341\u65b9\u85dd\u8853\u4e2d\u5fc3<\/section>\n
\u5730\u5740\uff1a\u91cd\u6176\u5e02\u4e5d\u9f8d\u5761\u5340\u9ec3\u6877\u576a\u5b98\u5bb6\u6797190\u865f<\/section>\n
<\/section>\n
Website : chongqingdac.org<\/section>\n
Email : info@chongqingdac.org<\/section>\n
Wechat : CNCQDAC<\/section>\n
Facebook : Chongqing Dimensions Art Centre & Chongqing Artists In Residency<\/section>\n
Address : Huangjueping GuanJiaLin 190, Jiulongpo, Chongqing, CN.\u00a0<\/section>\n
\u00a0<\/strong><\/section>\n
\u00a0<\/strong><\/section>\n
<\/section>\n<\/section>\n<\/section>\n","protected":false},"excerpt":{"rendered":"

\u25a0\u00a0\u25a0\u00a0\u7b56\u5c55\u4eba\u524d\u8a00\u25a0\u00a0\u25a0 Curator’s Foreword \u300c\u6587\u4e0d\u5e7b\u4e0d\u6587\uff0c\u5e7b\u4e0d\u6975\u4e0d\u5e7b\u3002\u662f\u77e5\u5929\u4e0b […]<\/p>\n","protected":false},"author":1,"featured_media":8935,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[13],"tags":[],"eventsnews":[17],"class_list":["post-8933","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-dair-activities","eventsnews-eventsnews"],"blocksy_meta":{"styles_descriptor":{"styles":{"desktop":"","tablet":"","mobile":""},"google_fonts":[],"version":6}},"_links":{"self":[{"href":"http:\/\/chongqingdac.org\/index.php?rest_route=\/wp\/v2\/posts\/8933","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/chongqingdac.org\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/chongqingdac.org\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/chongqingdac.org\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/chongqingdac.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=8933"}],"version-history":[{"count":2,"href":"http:\/\/chongqingdac.org\/index.php?rest_route=\/wp\/v2\/posts\/8933\/revisions"}],"predecessor-version":[{"id":8948,"href":"http:\/\/chongqingdac.org\/index.php?rest_route=\/wp\/v2\/posts\/8933\/revisions\/8948"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/chongqingdac.org\/index.php?rest_route=\/wp\/v2\/media\/8935"}],"wp:attachment":[{"href":"http:\/\/chongqingdac.org\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=8933"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/chongqingdac.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=8933"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/chongqingdac.org\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=8933"},{"taxonomy":"eventsnews","embeddable":true,"href":"http:\/\/chongqingdac.org\/index.php?rest_route=%2Fwp%2Fv2%2Feventsnews&post=8933"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}