{"id":9692,"date":"2024-04-20T19:00:56","date_gmt":"2024-04-20T11:00:56","guid":{"rendered":"http:\/\/chongqingdac.org\/?p=9692"},"modified":"2024-04-23T14:25:23","modified_gmt":"2024-04-23T06:25:23","slug":"%e5%8d%81%e6%96%b9%e5%b1%95%e8%a6%bd%ef%bd%9c%e3%80%8a%e5%8d%a1%e5%8d%a1%e8%a7%92%e8%a7%92-nowhere-land%e3%80%8b%e6%9d%8e%e5%ac%8c%e5%ac%8c-li-jiaojiao%ef%bc%88%e4%b8%ad%e5%9c%8b%ef%bc%89%e9%a7%90","status":"publish","type":"post","link":"http:\/\/chongqingdac.org\/?p=9692","title":{"rendered":"\u5341\u65b9\u5c55\u89bd\uff5c\u300a\u5361\u5361\u89d2\u89d2 Nowhere Land\u300b\u674e\u5b0c\u5b0c Li Jiaojiao\uff08\u4e2d\u570b\uff09\u99d0\u7559\u4f5c\u54c1\u5c55"},"content":{"rendered":"
<\/section>\n
\u200b<\/section>\n
<\/section>\n
<\/section>\n

 <\/p>\n

\u25a0\u00a0\u25a0 \u00a0<\/strong>\u00a0 \u7b56\u5c55\u4eba\u524d\u8a00\u00a0 \u00a0\u25a0\u00a0\u25a0<\/strong><\/p>\n

Curator’s Foreword<\/strong><\/p>\n

<\/section>\n

\u5728\u91cd\u6176\u9019\u5ea7\u5c71\u6c34\u4e4b\u57ce\uff0c\u8a31\u591a\u5730\u540d\u5e38\u6703\u4f7f\u7528\u58e9\u3001\u574e\u3001\u576a\u3001\u5761\u3001\u5ca9\u7b49\u5730\u7406\u6982\u5ff5\u4f5c\u70ba\u5f8c\u7db4\uff0c\u800c\u4e0d\u80fd\u88ab\u9019\u4e9b\u5730\u7406\u6982\u5ff5\u6240\u63cf\u8ff0\u7684\u7a7a\u9593\u5c31\u662f\u5c71\u57ce\u767e\u59d3\u6700\u5e38\u639b\u5728\u5634\u908a\u7684\u201c\u5361\u5361\u89d2\u89d2\u201d\uff0c\u4e5f\u662f\u7121\u9700\u754c\u5b9a\u7684\u201cNowhere Land\u201d\u3002\u85dd\u8853\u5bb6\u674e\u5b0c\u5b0c\u5f9e\u99d0\u7559\u958b\u59cb\u5c31\u947d\u9032\u4e86\u9ec3\u6877\u576a\u7684\u5361\u5361\u89d2\u89d2\uff0c\u9032\u5165\u9019\u7247\u8001\u5de5\u696d\u8f49\u578b\u5340\u7684\u593e\u7e2b\u4e4b\u4e2d\uff0c\u5979\u7528\u5b69\u7ae5\u4e00\u822c\u7684\u611f\u53d7\u529b\uff0c\u89f8\u6478\uff0c\u89c0\u5bdf\u548c\u9ad4\u6703\u8457\u4e00\u5207\u3002\u5728\u9019\u4e9b\u57ce\u5e02\u3001\u5c71\u5761\u8207\u6cb3\u6d41\u7684\u7e2b\u9699\u88cf\uff0c\u5ee2\u68c4\u7269\u8207\u571f\u58e4\u3001\u96dc\u8349\u3001\u96e8\u6c34\u4e00\u8d77\u6084\u7136\u5b58\u5728\u8457\u3002<\/p>\n

\u5982\u679c\u8aaa\u524d\u73fe\u4ee3\u7684\u8fb2\u696d\u6587\u660e\u9ad4\u73fe\u7684\u662f\u751f\u751f\u4e0d\u606f\u7684\u5faa\u74b0\u8207\u5ef6\u7e8c\uff0c\u90a3\u9ebc\u73fe\u4ee3\u793e\u6703\u5247\u662f\u4f9d\u9760\u8457\u4e0d\u65b7\u7684\u5275\u9020\u8207\u6467\u6bc0\u800c\u5b58\u5728\u3002\u4e00\u5207\u5546\u54c1\u5728\u751f\u7522\u4e4b\u65e5\u4fbf\u958b\u59cb\u4e86\u5b83\u88ab\u5ee2\u68c4\u7684\u4f7f\u547d\uff0c\u53ea\u6709\u88ab\u66f4\u5feb\u901f\u5730\u6368\u68c4\uff0c\u65b0\u7684\u5546\u54c1\u624d\u80fd\u88ab\u4e0d\u65b7\u751f\u7522\u3002\u7136\u800c\u5728\u751f\u7522\u548c\u6d88\u8cbb\u7684\u5faa\u74b0\u88cf\uff0c\u5ee2\u68c4\u7269\u4e26\u4e0d\u6703\u6d88\u5931\uff0c\u70ba\u4e86\u4f7f\u9019\u5ea7\u73fe\u4ee3\u6027\u7684\u8056\u6bbf\u4fdd\u6301\u7d14\u6f54\uff0c\u5ee2\u68c4\u7269\u5fc5\u9808\u4e0d\u65b7\u5730\u5411\u908a\u7de3\u8f49\u79fb\uff0c\u76f4\u5230\u79fb\u51fa\u5927\u773e\u7684\u8996\u91ce\u3002<\/p>\n

\u6216\u8a31\u5728\u53e6\u4e00\u5ea7\u8056\u6bbf\u4e2d\uff0c\u5c0d\u65bc\u7269\u8cea\u662f\u201c\u6709\u7528\u201d\u6216\u201c\u7121\u7528\u201d\u7684\u601d\u8003\u6703\u8b8a\u5f97\u66f4\u52a0\u8907\u96dc\u4e14\u6df1\u9083\uff0c\u5728\u5176\u4e2d\u5ee2\u589f\u8b8a\u6210\u4e86\u6a02\u5712\u3002\u5982\u540c\u5b69\u5b50\u7684\u904a\u6232\uff0c\u85dd\u8853\u5bb6\u6e05\u6f54\u3001\u6574\u7406\u4e26\u91cd\u7d44\u4e86\u9019\u4e9b\u5ee2\u68c4\u7269\uff0c\u5c07\u5979\u5728\u5ee2\u589f\u4e4b\u4e2d\u6240\u770b\u898b\u7684\u751f\u9577\u7684\u529b\u91cf\u3001\u751f\u547d\u7684\u5c0d\u6297\u548c\u4eba\u985e\u7684\u75d5\u8de1\u901a\u904e\u6b64\u6b21\u5c55\u89bd\u5448\u73fe\u5728\u4e86\u5927\u5bb6\u773c\u524d\u3002<\/p>\n

<\/section>\n
\u2014\u2014\u725b\u7426\u744b<\/section>\n
<\/section>\n
In Chongqing, a city of mountains and rivers, many locations often use geographical concepts as suffixes in their names, and the space that can\u2019t be described in these concepts is what people in Chongqing often called \u201c Kakaguoguo\u201d which is also the \u201cNowhere land\u201d . Artist Li Jiaojiao has been immersed in Huangjueping since the beginning of her residency, and has entered the cracks of this old industrial transformation area. She touches, observes and experiences everything with the sensibility like a child. In the gaps between these cities, hillsides and rivers, waste exists along with soil, weeds and rainwater in peace.<\/section>\n
<\/section>\n
If pre-modern agricultural civilization embodies continuation and cycle of life, then modern society relies on continuous creation and destruction to exist. All product begin their destiny to be wastes on the day they are produced. Only by being discarded more quickly can new product be continuously produced. However, in the cycle of production and consumption, waste will not disappear. In order to keep this temple of modernity pure, waste must continue to be moved to the edges until it is moved out of public view.<\/section>\n
<\/section>\n
Perhaps the thinking about what is \u201cuseful\u201d or \u201cuseless\u201d will become more complex and profound in another temple, where ruins become paradise. Like a child’s play, the artist cleans, organizes and reorganizes these wastes, presenting to everyone through this exhibition the power of growth, the conflict of life and the traces of humanity that she saw in these ruins.<\/section>\n
<\/section>\n
<\/section>\n
<\/section>\n
\u2014\u2014Niu\u00a0Qiwei<\/section>\n
<\/section>\n
<\/section>\n
<\/section>\n
\u25a0\u00a0\u25a0 \u00a0\u00a0<\/strong>\u85dd\u8853\u5bb6\u81ea\u8ff0\u00a0 \u25a0\u00a0\u25a0<\/strong><\/section>\n
Artist’s Statement<\/strong><\/section>\n
\n
\u90a3\u4e9b\u77f3\u982d\u8ddf\u6211\u8aaa\u8a71\uff0c\u4ed6\u5011\u56de\u7b54\u4e86\u6211\u7684\u554f\u984c<\/section>\n
\u7dda\u689d\u7834\u788e\u4e86\uff0c\u6211\u7684\u8a18\u61b6\u4e5f\u6d88\u5931\u4e86<\/section>\n
\u77f3\u982d\u3001\u6a39 \u3001\u52d5\u7269 \u3001\u90fd\u6c89\u9ed8\u4e86<\/section>\n
\u73fe\u5728\u53ea\u6709\u77f3\u982d\u4e0a\u7684\u756b\u9084\u6d3b\u8457<\/section>\n
\u73fe\u5728\u7684\u6211\u7a7a\u7a7a\u5982\u4e5f<\/section>\n
\u6211\u662f\u53e2\u6797\u7684\u9b42\u9b44<\/section>\n
\u2014\u2014\u300a\u86c7\u4e4b\u64c1\u62b1\u300b<\/section>\n
<\/section>\n
\u8ddf\u96a8\u76f4\u89ba\u5275\u4f5c\u662f\u6211\u8207\u81ea\u7136\u4ea4\u6d41\u7684\u8a9e\u8a00<\/section>\n
\u8b93\u7269\u56de\u6b78\u65bc\u7269\u9ad4\u672c\u8eab<\/section>\n
\u5ee2\u589f\u7d66\u6211\u4ec0\u9ebc\u6211\u4fbf\u505a\u4ec0\u9ebc<\/section>\n
\u81ea\u7136\u8ddf\u6211\u8aaa\u4ec0\u9ebc\u6211\u4fbf\u8868\u9054\u4ec0\u9ebc<\/section>\n
\u662f\u4f5c\u70ba\u8f49\u8b6f\u8005\u7684\u201c\u571f\u8fa6\u6cd5\u201d<\/section>\n
<\/section>\n
\u6a39\u6728\u92fc\u7b4b\u5efa\u9020\u7684\u623f\u5c4b<\/section>\n
\u4e2d\u7a7a\u4e4b\u8655\u7528\u65bc\u4eba\u985e\u5c45\u4f4f<\/section>\n
\u800c\u4f5c\u70ba\u5ee2\u68c4\u4e4b\u7269\u8a72\u5982\u4f55\u8d70\u5165\u9019\u9593\u8056\u6bbf\uff1f<\/section>\n
<\/section>\n
\u5728\u660f\u6697\u7684\u5149\u548c\u5de8\u5927\u7684\u6295\u5f71\u4e2d<\/section>\n
\u7246\u9ad4\u6d88\u5931\u65bc\u5c55\u5ef3\u4e2d<\/section>\n
\u7269 \u5931 \u7559\u65bc \u00a0\u5f71<\/section>\n
\u4f3c\u67d0\u7a2e\u795e\u79d8\u7684\u5100\u5f0f<\/section>\n
\u7576\u6211\u5011\u9032\u5165\u6559\u5802\u4f3c\u7684\u8056\u6bbf<\/section>\n
\u6240\u898b\u7684\u5de8\u7269<\/section>\n
\u5176\u7269\u9ad4\u672c\u8eab\u4e5f\u53ea\u662f\u201c\u5c0b\u5e38\u7684\u5ee2\u589f\u4e4b\u7269\u201d<\/section>\n
\u3002<\/section>\n

 <\/p>\n

<\/section>\n
\u2014\u2014\u674e\u5b0c\u5b0c<\/section>\n
<\/section>\n
The stones spoke to me, answering my questions<\/section>\n
The lines broke and my memories vanished<\/section>\n
The stones, the trees, the animals, they all became silent<\/section>\n
Only the paintings on the stones are alive now<\/section>\n
Now I’m empty<\/section>\n
I am the spirit of the jungle<\/section>\n
\u2014\u2014\u00a0Embrace of the Serpent<\/em><\/section>\n
<\/section>\n
Following my intuition is the language I use to communicate with nature<\/section>\n
Returning the object to the object itself<\/section>\n
I do what the ruins give me<\/section>\n
I express what nature says to me<\/section>\n
It’s the “local way” of being a translator<\/section>\n
<\/section>\n
Houses made of trees and steel\u00a0<\/section>\n
Are hollowed out for human habitation<\/section>\n
And how does one walk into this sanctuary as a ruin?<\/section>\n
<\/section>\n
In the dim light and huge projections<\/section>\n
The wall disappears into the gallery<\/section>\n
Objects get lost in the shadows<\/section>\n
It’s like some kind of mysterious ritual<\/section>\n
As we enter the church-like sanctuary<\/section>\n
We see huge objects<\/section>\n
The objects themselves are simply\u00a0“ordinary ruins”<\/section>\n

 <\/p>\n

<\/section>\n
\u2014\u2014Li\u00a0Jiaojiao<\/section>\n

 <\/p>\n

<\/section>\n<\/section>\n
<\/section>\n
<\/section>\n
\u25a0\u00a0\u25a0\u00a0<\/strong>\u00a0 \u5c55\u89bd\u4fe1\u606f\u00a0\u00a0 \u25a0\u00a0\u25a0<\/strong><\/section>\n
Exhibition Information<\/strong><\/section>\n
<\/section>\n
\u300a<\/strong>\u5361\u5361\u89d2\u89d2\u00a0Nowhere Land\u300b<\/strong><\/section>\n
Li\u00a0Jiaojiao\uff08CN\uff09Solo Resident Exhibition<\/strong><\/section>\n
<\/section>\n
\u674e\u5b0c\u5b0c\uff08\u4e2d\u570b\uff09\u500b\u4eba\u99d0\u7559\u4f5c\u54c1\u5c55<\/strong><\/section>\n
<\/section>\n
<\/section>\n
\u5c55\u89bd\u958b\u5e55 Opening\uff1a<\/strong>2024.4.20\u00a019:00<\/section>\n
\u5c55\u89bd\u6642\u9593 Exhibition Period\uff1a<\/strong><\/section>\n
2024.4.20-5.4\u00a014:00-18:00<\/section>\n
\uff08\u6bcf\u9031\u4e94\u81f3\u9031\u65e5\uff5cEvery Fri. to Sun.\uff09<\/section>\n
<\/section>\n
\u6d3b\u52d5\u5730\u9ede Venue\uff1a<\/strong><\/section>\n
\u91cd\u6176 \u5341\u65b9\u85dd\u8853\u4e2d\u5fc3 A\u5c55\u5385<\/section>\n
Exhibition Hall A, Dimensions Art Center, Chongqing, China<\/section>\n
<\/section>\n
\u85dd\u8853\u7e3d\u76e3\uff5cArt Director\uff1a<\/strong>\u66fe\u9014 Zeng Tu<\/section>\n
\u5c55\u89bd\u7b56\u5283\uff5cCurator\uff1a<\/strong>\u725b\u7426\u744b\u00a0Niu\u00a0Qiwei<\/section>\n
<\/section>\n
\u57f7\u884c\u7d71\u7c4c\uff5cCoordination\uff1a<\/strong>\u5289\u66a2\u00a0Liu Chang<\/section>\n
\u5c55\u89bd\u5354\u52a9\uff5cAssistance\uff1a<\/strong>\u5289\u6625\u5229 Liu Chunli\u00a0 \u80e1\u514b Ben<\/section>\n
<\/section>\n
<\/section>\n
<\/section>\n
<\/section>\n
\u99d0\u7559\u85dd\u8853\u5bb6\u7c21\u6b77\ufe31<\/strong>Resume of Artist\uff1a<\/strong><\/section>\n
\u00a0<\/strong><\/section>\n
<\/section>\n
\u751f\u65bc\u9ed1\u9f8d\u6c5f\uff0c\u73fe\u5de5\u4f5c\u751f\u6d3b\u65bc\u4e0a\u6d77\u3002<\/p>\n

Born in Heilongjiang Province, China, now lives and works in Shanghai, China.<\/p>\n

\u5275\u4f5c\u5a92\u4ecb\u805a\u7126\u65bc\u5ee2\u68c4\u74e6\u7247\uff0c\u8a66\u5716\u5efa\u7acb\u81ea\u7136\u8a9e\u8a00\u7684\u8f49\u8b6f\u3002\u6c34\u6ce5\u662f\u6700\u96e3\u6709\u751f\u547d\u529b\u7684\u7269\u9ad4\uff0c\u4f46\u7576\u5b83\u5f9e\u5c4b\u9802\u6389\u843d\u7684\u90a3\u4e00\u523b\uff0c\u751f\u9577\u5c31\u81ea\u7136\u800c\u7136\u5730\u767c\u751f\u4e86\uff0c\u800c\u6211\u53ea\u662f\u63a5\u6536\u5230\u4e86\u6bcf\u4e00\u584a\u74e6\u767c\u51fa\u7684\u4fe1\u865f\uff0c\u5ef6\u7e8c\u5176\u76f4\u89ba\u518d\u5275\u4f5c\u3002<\/p>\n

The artist’s creative medium involves using discarded tiles to create a translation of natural language. Although cement is a difficult material to work with, growth occurs naturally when it falls from the roof. The artist picks up on the signals sent by each tile to continue this\u00a0intuitive\u00a0re-creation.<\/p>\n

\u81ea\u5b78\u7e6a\u756b\/\u96d5\u5851\uff0c\u5f9e\u4e8b\u4ee5\u74e6\u7247\u70ba\u6838\u5fc3\u5a92\u4ecb\u7684\u500b\u4eba\u5275\u4f5c\u3002\u76ee\u524d\u5df2\u5728\u4e0a\u6d77\u3001\u96f2\u5357\u3001\u798f\u5efa\u3001\u676d\u5dde\u3001\u8607\u5dde\u3001\u6842\u6797\u3001\u6c5f\u897f\u3001\u5ee3\u6771\u3001\u6d77\u5357\u7b49\u5730\u5275\u4f5c\u8207\u5728\u5730\u7d50\u5408\u7684\u74e6\u7247\u4f5c\u54c1\u3002<\/p>\n

The artist is self-taught in painting and sculpture and has been creating personal works using tiles as the primary medium. Currently, she\u00a0has\u00a0been working in various locations throughout China, including Shanghai, Yunnan, Fujian, Hangzhou, Suzhou, Guilin, Jiangxi, Guangdong, and Hainan, to create tile works that are integrated with the local area.<\/p>\n

\u8fd1\u5e74\u53c3\u5c55\uff1a<\/strong><\/p>\n

Exhibitions:<\/strong><\/p>\n

2024 \u5c6c\u671b\u9752\u5e74\u85dd\u8853\u5bb6\u99d0\u7559\u8a08\u5283\u4f5c\u54c1\u5c55 \u676d\u5dde\u5009\u7f8e\u8853\u9928<\/p>\n

2023\u00a0\u570b\u969b\u63d2\u756b\u85dd\u8853\u7bc0\u00a0\u4e0a\u6d77\u5f97\u4e18\u79ae\u4eab\u7a40<\/p>\n

2023\u00a0\u662f\u6728\u975e\u6728 \u5ec8\u9580\u73a9\u6728\u5275\u610f\u5712<\/p>\n

2023 \u60c5\u7dd2\u7b26\u865f\u5de5\u4f5c\u574a\u00a0\u70cf\u93ae\u90ce\u5712ART<\/p>\n

2023 \u5927\u5730\u82b1\u5668\u5de5\u4f5c\u574a \u91cd\u6176\u98db\u8526\u96c6<\/p>\n

2023 \u524d\u6c7e\u6eaa\u56de\u4fe1 \u676d\u5dde\u5929\u76ee\u88cf\u7f8e\u8853\u9928<\/p>\n

2021 \u9be8\u8b8a\u8a08\u5283\u00a0\u5ee3\u6771\u73e0\u6d77<\/p>\n

2021 \u9059\u9060\u7684\u76f8\u4f3c\u6027 \u96f2\u5357\u6df1\u85cf<\/p>\n<\/section>\n

\n
<\/section>\n
\u5c55\u89bd\u9810\u89bd\ufe31<\/strong>E<\/strong>xhibition Preview\uff1a<\/strong><\/section>\n
\u00a0<\/strong><\/section>\n

<\/p>\n

\u5c55\u89bd\u4f5c\u54c1\uff08\u5c40\u90e8\uff09<\/p>\n

exhibition works(partial)<\/p>\n

<\/p>\n

\u5c55\u89bd\u4f5c\u54c1\uff08\u5c40\u90e8\uff09<\/p>\n

exhibition works(partial)<\/p>\n

<\/section>\n
<\/section>\n<\/section>\n
<\/section>\n
\u85dd\u8853\u5bb6\u4ee5\u5f80\u4f5c\u54c1\ufe31<\/strong>Previous works of the artist\uff1a<\/strong><\/section>\n
\u00a0<\/strong><\/section>\n
<\/section>\n
\n
\u300a<\/strong>\u6d88\u5931\u7684\u8461\u8404\u5712<\/strong>\u300b<\/strong>Lost Vineyard<\/strong><\/section>\n
– 2024 –<\/section>\n
<\/section>\n
<\/section>\n
<\/section>\n
<\/section>\n
\u300a<\/strong>\u9b5a\u7684\u846c\u79ae<\/strong>\u300b<\/strong>Fish Funeral<\/strong><\/section>\n
–\u00a02024\u00a0–<\/section>\n
<\/section>\n
<\/section>\n
\n
\n
<\/section>\n<\/section>\n<\/section>\n
<\/section>\n
<\/section>\n
<\/section>\n

<\/p>\n

\u300a\u56f0\u300b<\/strong><\/section>\n
Trapped<\/strong><\/section>\n
\u5c3a\u2f28\u53ef\u8b8a<\/section>\n
variable size<\/section>\n
\u5ee2\u68c4\u74e6\u7247\uff08\u666f\u5fb7\u93ae\uff09\uff0c\u9676\u6ce5\uff0c\u4e19\u70ef<\/section>\n
discarded tile(Jingdezhen), clay, acrylic paint<\/section>\n
\u74e6\u7247\u548c\u9676\u74f7\u90fd\u56f0\u65bc\u5404\u81ea\u7684\u6642\u4ee3\uff0c\u8b93\u74e6\u6b78\u65bc\u74e6\uff0c\u74f7\u6b78\u65bc\u74f7\uff0c\u501f\u52a9\u7a7a\u9593\u3001\u8272\u5f69\u3001\u660e\u6697\u7522\u751f\u4ea4\u878d\u548c\u93c8\u63a5\u3002<\/section>\n
Tiles and ceramics are both confined to their respective time periods. The aim of this work is to restore the essence of tiles and porcelain, and to establish a connection between them through the use of space, colour, light, and darkness.<\/section>\n
<\/section>\n
<\/section>\n
<\/section>\n
<\/section>\n
<\/section>\n
<\/section>\n
\u300a\u6c89\u7761\u7684\u6ce2\u6d6a\u300b<\/strong><\/section>\n
Sleeping Wave<\/strong><\/section>\n
\u5c3a\u2f28\u53ef\u8b8a<\/section>\n
variable size<\/section>\n
\u5ee2\u68c4\u74e6\u7247\uff08\u798f\u5efa\uff09\uff0c\u5ee2\u68c4\u74e6\u7247\uff08\u8607\u5dde\uff09\uff0c\u9435\uff0c\u4e7e\u8349<\/section>\n
discarded tile(Fujian), discarded tile(Suzhou), iron, hay<\/section>\n
<\/section>\n
\u5c07\u95a9\u5357\u548c\u6c5f\u5357\u7684\u74e6\u3001\u57ce\u5e02\u8207\u9109\u6751\u3001\u820a\u7269\u548c\u6f6e\u6d41\u54c1\uff0c\u901a\u904e\u4fee\u5fa9\u4e4b\u5f8c\u5728\u540c\u4e00\u7a7a\u9593\u5e73\u7b49\u5c0d\u8a71\uff0c\u6d88\u89e3\u5c0d\u85dd\u8853\u8a8d\u77e5\u7684\u908a\u754c\uff0c\u56de\u6b78\u5c0d\u81ea\u7136\u6d41\u52d5\u7684\u611f\u77e5\uff0c\u767c\u89ba\u7269\u9ad4\u672c\u8eab\u7684\u751f\u9577\u75d5\u8de1\uff0c\u63a2\u8a0e\u95dc\u65bc\u7f8e\u7684\u76f4\u89ba\u8868\u9054\u3002<\/section>\n
The restored space features a dialogue between the tiles of southern Fujian and south of the Yangtze River, as well as between the city and countryside, and old and trendy objects. This dissolves the boundaries of artistic cognition and allows for a return to the perception of natural flow. The traces of the objects’ growth are discovered and the expression of intuition about beauty is explored.<\/section>\n
<\/section>\n
<\/section>\n
<\/section>\n
<\/section>\n
<\/section>\n
<\/section>\n<\/section>\n
\n
\u300a\u6df1\u85cf\u300b<\/strong><\/section>\n
<\/section>\n
<\/section>\n
Hidden<\/strong><\/section>\n
23cm *20cm<\/section>\n
\u5ee2\u68c4\u74e6\u7247\uff08\u96f2\u5357\uff09\uff0c\u4e19\u70ef\uff0c\u5674\u6f06<\/section>\n
discarded tile(Yunnan), acrylic paint, spray paint<\/section>\n
<\/section>\n
\u74e6\u7247\u7684\u51f9\u51f8\u9762\u5728\u5275\u4f5c\u4e2d\u8868\u9054\u4e86\u4e8b\u7269\u7684\u4e00\u9ad4\u5169\u9762\uff0c\u8892\u9732\u7684\u548c\u96b1\u85cf\u7684\uff0c\u5728\u6211\u5011\u8d70\u8fd1\u5b83\u6642\uff0c\u624d\u6703\u9bae\u6d3b\u5730\u3001\u6beb\u7121\u4fdd\u7559\u5730\u5b8c\u5168\u5c55\u73fe\u3002<\/section>\n
The tiles’ concave and convex surfaces express the duality of the bare and the hidden, which are fully revealed only upon closer inspection.<\/section>\n
<\/section>\n
<\/section>\n
<\/section>\n
<\/section>\n
<\/section>\n
\u00a0<\/strong><\/section>\n
\u300a\u6f29\u6e26\u300b<\/strong><\/section>\n
Vortex<\/strong><\/section>\n
\u9ad81.5m, \u6700\u5927\u76f4\u5f9175cm<\/section>\n
1.5m (height), 75cm(maximum diameter)<\/section>\n
\u5ee2\u68c4\u74e6\u7247\uff08\u4e0a\u6d77\uff09\uff0c\u92fc\u7b4b\uff0c\u5e7b\u93e1\uff0c\u9435\u7d72\uff0c\u77f3\u818f\u7c89<\/section>\n
discarded tile(Shanghai), rebar, mirror, iron wire, gypsum<\/section>\n
<\/section>\n
\u98a8\u8207\u82b1\u5712\u88cf\u7684\u690d\u7269\u5e38\u6703\u767c\u751f\u5076\u7136\u7684\u5c0d\u8a71\uff0c\u7576\u5fae\u98a8\u8b8a\u63db\u6210\u9f8d\u6372\u98a8\u6642\u7d93\u904e\u7684\u4eba\u548c\u7269\u9ad4\u90fd\u6703\u9677\u5165\u5176\u4e2d\uff0c\u7576\u4f60\u958b\u59cb\u9760\u8fd1\u4e26\u7aba\u63a2\uff0c\u93e1\u9762\u548c\u53cd\u5c04\u5149\u5c07\u6240\u898b\u4e4b\u7269\u878d\u9032\u6f29\u6e26\u4e2d\u5f8c\u6d88\u5931\u3002\u5916\u9762\uff0c\u672c\u5c31\u7a7a\u7121\u4e00\u7269\u3002<\/section>\n
Casual conversations between the wind and the plants in the garden, as well as people and objects passing by, can get caught up in the wind as it changes into a tornado. When peering closer, the mirrors and reflected light create a vortex that eventually disappears. Outside, there is an otherwise empty state.<\/section>\n
<\/section>\n
<\/section>\n
<\/section>\n<\/section>\n
<\/section>\n
<\/section>\n
<\/section>\n
<\/section>\n
\n
<\/section>\n
<\/section>\n
\u90f5\u7bb1 : info@chongqingdac.org<\/section>\n
\u5fae\u4fe1 : CNCQDAC<\/section>\n
Facebook : \u91cd\u6176\u5e02\u5341\u65b9\u85dd\u8853\u4e2d\u5fc3<\/section>\n
\u5730\u5740\uff1a\u91cd\u6176\u5e02\u4e5d\u9f8d\u5761\u5340\u9ec3\u6877\u576a\u5b98\u5bb6\u6797190\u865f<\/section>\n
<\/section>\n
Website : chongqingdac.org<\/section>\n
Email : info@chongqingdac.org<\/section>\n
Wechat : CNCQDAC<\/section>\n
Facebook : Chongqing Dimensions Art Centre & Chongqing Artists In Residency<\/section>\n
Address : Huangjueping GuanJiaLin 190, Jiulongpo, Chongqing, CN.\u00a0<\/section>\n
<\/section>\n
<\/section>\n
<\/section>\n","protected":false},"excerpt":{"rendered":"

\u200b   \u25a0\u00a0\u25a0 \u00a0\u00a0 \u7b56\u5c55\u4eba\u524d\u8a00\u00a0 \u00a0\u25a0\u00a0\u25a0 Curator’s Foreword \u5728\u91cd […]<\/p>\n","protected":false},"author":2,"featured_media":9694,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[13],"tags":[],"eventsnews":[17],"class_list":["post-9692","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-dair-activities","eventsnews-eventsnews"],"blocksy_meta":{"styles_descriptor":{"styles":{"desktop":"","tablet":"","mobile":""},"google_fonts":[],"version":6}},"_links":{"self":[{"href":"http:\/\/chongqingdac.org\/index.php?rest_route=\/wp\/v2\/posts\/9692","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/chongqingdac.org\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/chongqingdac.org\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/chongqingdac.org\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"http:\/\/chongqingdac.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=9692"}],"version-history":[{"count":1,"href":"http:\/\/chongqingdac.org\/index.php?rest_route=\/wp\/v2\/posts\/9692\/revisions"}],"predecessor-version":[{"id":9710,"href":"http:\/\/chongqingdac.org\/index.php?rest_route=\/wp\/v2\/posts\/9692\/revisions\/9710"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/chongqingdac.org\/index.php?rest_route=\/wp\/v2\/media\/9694"}],"wp:attachment":[{"href":"http:\/\/chongqingdac.org\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=9692"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/chongqingdac.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=9692"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/chongqingdac.org\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=9692"},{"taxonomy":"eventsnews","embeddable":true,"href":"http:\/\/chongqingdac.org\/index.php?rest_route=%2Fwp%2Fv2%2Feventsnews&post=9692"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}