Kevin Pinvidic（加拿大｜CA）

我的研究開始於在城市裡的探索，不斷尋找能夠吸引我的細節，從而改變我的感知，激發我的想象力。通常我在閒逛的時候會記錄筆記、創作文字和圖畫，收集圖像和視頻以及各種對象、原材料，甚至是廢棄物。所有這些材料的收集都重新組建了我對城市材料的認識，也因此構成了我不同形式的創作，如繪畫、雕塑、虛擬圖像、三維動畫、裝置等。事實上通過這些材料，我希望我的作品能在城市裡發起一種行為，它可以包含許多未知因素。我的目標是通過不同的空間佈局（二維、三維、真實或虛擬）邀請觀眾參與其中，並對呈現的環境產生不同的感知。根據我在城市和這座城市不斷轉變的事物於中穿梭，這些創造了一種城市空間及其使用的表現。

整個產生行為的過程是一種辯證的關於現代都市的使用功能在標準化及異化上的表達，也同樣和城市自身如何被構思、被構建這一問題緊密相連。

My research begins by walking and drifting in the city, looking for details that catch my attention, change my perception and active my imagination. During thoses moments of wandering, I collect notes, writings and drawings, images and videos, objects, materials and wastes. All this makes an inventory ready to transpose and reorganize my experience in many forms of plastic researches : drawing, painting, sculpture, virtual images, 3D animation, installation. In fact, from this materials, my work pursue the movement initiated in the city, with all the unexpected involved : hazard, error, accident, distraction, discovery. My aim is to produce layouts (in 2D, 3D, real or virtual) whon invite spectators to perceive differently what surrounds them. Those creates a representation of the urban space and his use according to my movement in the city at some point of her unceasing transformation. 

This process is leading by a critical reflection on the standardization and the alienation of the uses in the Modern city related to how she is thought, conceived and constructed.