​Natheim & Charly Fargas（AR｜阿根廷）

Natheim（Argentina）

阿根廷视觉艺术家、摄影师、表演者、
FotoCreativeBA艺术总监 & 策展人

Visual artist, photographer, performer and
director and curator of FotoCreativaBA
纳特海姆（Natheim），1982年生于阿根廷。毕业于布宜诺斯艾利斯大学社会传播学专业，曾在安迪·戈尔茨坦创意摄影学校学习摄影，并获得马德里屠宰场艺术中心（Intermediae, Matadero Madrid）文化管理认证。

她的摄影书《领地》（Lurraldeak）曾亮相菲布雷摄影书展（2020—2022）。在阿根廷、乌拉圭、厄瓜多尔、西班牙、意大利、法国及中国等地举办过个展与群展，包括《支流》（Afluente，2025年于NY20+与Mil Gotas画廊）及《火山口》（Crater，2025年于成都A4驻留艺术中心）。曾入围国家视觉艺术沙龙（2025）及FELIFA（2021）决赛。

她参与过多个国际驻留项目，包括Patrim+（巴斯克地区）、R.A.R.O.（马德里）、Cal Gras（阿维尼奥）、Proyecto ‘ace与Arte x Arte（布宜诺斯艾利斯）、Isla Invisible（布兰卡港），以及NY20+与A4驻留艺术中心（成都），并在成都呈现了表演与艺术家讲座。她的创作涵盖摄影、装置与行为实践，常探讨物质性与象征物。

作为FotoCreativaBA的总监与策展人，组织过众多展览，并策划了包括巴塞罗那实验摄影节（2025）与加拿大圣罗莎艺术与疗愈项目在内的国际项目。她还获得过布宜诺斯艾利斯大都会艺术基金会的制作资助。

她的作品曾在以下机构展出：布兰卡港当代艺术博物馆、Gachi Prieto画廊、Acéfala画廊、罗马当代艺术博物馆、马德里美洲之家及蒙得维的亚摄影中心等。

Natheim (b. 1982, Argentina) is a visual artist, photographer, and performer. She holds a degree in Social Communication from the University of Buenos Aires, trained in photography at the Andy Goldstein Creative Photography School, and is a certified cultural manager by Intermediae, Matadero Madrid.

Her photobook Lurraldeak [Territories] was exhibited at Fiebre Photobook Fest (2020–2022). She has presented solo and group exhibitions in Argentina, Uruguay, Ecuador, Spain, Italy, France, and China, including Afluente (NY20+ and Galería Mil Gotas, 2025) and Crater (A4 Residency Art Center, Chengdu, 2025). She was a finalist at the National Visual Arts Salon (2025) and FELIFA (2021).

Natheim has participated in international artist residencies, including Patrim+ (Basque Country), R.A.R.O. (Madrid), Cal Gras (Avinyó), Proyecto ’ace and Arte x Arte (Buenos Aires), Isla Invisible (Bahía Blanca), and NY20+ and A4 Residency Art Center (Chengdu), where she presented a performance and an artist talk. Her work spans photography, installation, and performative practices, often exploring materiality and symbolic objects.

She is director and curator of FotoCreativaBA, where she has organized numerous exhibitions, and has curated international projects including Experimental Photo Festival 2025 (Barcelona) and Santa Rosa Arts and Healing (Canada). She has also received production grants from the Fondo Metropolitano de las Artes, Buenos Aires.

Her work has been shown at institutions such as the Museo de Arte Contemporáneo de Bahía Blanca, Galería Gachi Prieto, Galería Acéfala, Museo d’Arte Contemporanea di Roma, Casa de América (Madrid), and Centro de Fotografía Montevideo.

Charly Fargas（Argentina）

阿根廷作家、艺术评论
家、FotoCreativeBA联合创始人

Writer, art critic, and
co-founder of FotoCreativaBA
查理·法加斯（Charly Fargas），1975年生于阿根廷。曾在布宜诺斯艾利斯大学学习法律与综合艺术。

他参与过多个艺术项目，包括协助纳特海姆完成《领地》（2019，巴斯克地区）及《我会成为什么？》（Què seré?，2022，加泰罗尼亚），负责展览记录、项目开发与艺术研究。2025年，他为纳特海姆在NY20+（成都）和Mil Gotas画廊（北京）的个展《支流》创作了影像、文字与声音作品。近年来，他开始探索实验影像艺术。

法加斯曾开设音乐治疗与安第斯文化、电影创意写作、礼仪与规程等 Workshops 及课程。著有《一场转变的历史》（Historia de una transformación，Dunken出版社，2007）。

他参与过多个合作项目的概念与技术支持，包括策展协助、文献记录与创意策略。其实践连接了批评写作、视觉艺术与实验媒介，关注叙事、仪式与行为实践的交汇。

通过合作、工作坊与出版，法加斯为艺术知识的传播与实验项目的推动做出了贡献，活动范围包括布宜诺斯艾利斯本地及国际。他的实践体现了对写作、视觉实验与参与式互动相结合的混合形式的持续兴趣。

Charly Fargas (b. 1975, Argentina) is a writer and art critic. He studied Law and Combined Arts at the University of Buenos Aires and is co-founder of FotoCreativaBA.

He has collaborated on numerous artistic projects, including assisting Natheim in Lurraldeak [Territories] (Basque Country, 2019) and Què seré? (Catalonia, 2022), contributing to exhibition documentation, project development and artistic research. In 2025, he created video art, a written piece and a sound activation for Natheim’s solo exhibition Afluente at NY20+ (Chengdu) and Galería Mil Gotas (Beijing). In recent years, he has been exploring experimental video art as part of his creative practice.

Fargas has conducted workshops and courses in music therapy and Andean culture, creative writing for cinema and ceremonial and protocol studies. He is the author of History of a Transformation (Editorial Dunken, 2007).

He has been involved in the development of collaborative projects, supporting both the conceptual and technical aspects of artistic production, including curatorial assistance, documentation, and creative strategy. His work bridges critical writing, visual arts, and experimental media, with a focus on the intersections between narrative, ritual and performative practices.

Through his collaborations, workshops, and publications, Fargas has contributed to the dissemination of artistic knowledge and the facilitation of experimental projects, both locally in Buenos Aires and internationally. His practice reflects a continued interest in hybrid forms that combine writing, visual experimentation and participatory engagement.