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About this Sharing
藝術家伊藤乃愛關注傳統繪畫與語言的讀解與再創作。從對文人畫的觀看、讀解、轉譯到描摹，這一過程中既有對原作者本意的揣測也有對藝術家自我念頭的讀解。作品通過簡單的形式使得歷史、現實、語言及自我都可以在創作中有所尋覓與表現。在這次短暫駐留的尾聲,藝術家想要邀請大家來進行一場開放的交流。
Artist Noe Ito focuses on the interpretation and recreation of traditional painting as well as language. From the observation, interpretation, translation, to the tracing of literati paintings, this process involves both conjecture about the original author’s intentions and understanding of artist’s own thoughts. History, reality, language, and the self can all be sought and expressed in such process. At the end of this brief residency, the artist would like to invite everyone to engage in an open exchange.
Noe Ito（JP）Sharing Session
2025.1.3 16:00-18:00（週五｜Fri.）
Meeting room, Dimensions Art Center, Chongqing, China
駐留藝術家簡歷︱Resume of Artist：
出生於日本三重縣，現居並工作於日本東京。
Born in Mie prefecture, Japan, now live and work in Tokyo, Japan.
伊藤乃愛通過描摹、複製和重複等簡單手法創作繪畫和雕塑作品。
Noe creates paintings and sculptures using simple methods such as tracing, copying and repeating.
作為一名日語使用者的生活經歷對其創作產生了強烈影響。
Living as a Japanese speaker strongly influences her work.
語言、繪畫和觀察之間存在著關聯，這些關聯是系統的一部分。
There are relationships between language, painting, and seeing that are parts of the system.
藝術家以往作品︱Previous works of the artist：
landscape painting＝broken ink landscape(Sesshu Toyo)
在這個正在進行的系列中，我只是在臨摹文人畫和詩意畫。由於我用的是複寫紙臨摹，所以它們變成了簡單的線條。
In this series, which is currently in progress, Iʼm just tracing the literatipaintings and poetic paintings. They become simple lines because I copy with carbon paper.
在文人畫中，畫與詩是相互關聯的。而在現代繪畫中，它們曾被認為彼此分離。不過，如今人們又開始認為它們是相互聯繫的。
In the literati paintings, pictures and words are linked. And in modern painting,they had been considered to be separated. However, they are being viewed as connected now.
Harry He Likes Beer But CanNot Obtain Food
我用金屬絲製作了諸如《伊呂波歌》之類的助記符，讓它們得以呈現。
I wrote mnemonics such as iroha-uta using wire and made them exist.
當我們把文字當作詞語來看待，也就是閱讀時，我們並不會去關注文字本身。但我把文字的線條當作繪畫線條來製作成了三維的複製品。
When we look at written characters as words, that is, when we read, we donʼt look at the characters themselves. But I made three-dimensional reproductions of character line when I see them as if it were a drawing line.
與此同時，我們意識到，即便是在觀看時，我們也是在使用詞語和概念。
At the same time, we realize that even when we look, we are using words and idea.
當我拆解那些原本具有明確意義的字母時，還剩下些什麼。或許能夠感覺到它們是某種文字。
When I break apart letters that originally had a definite meaning, what is left there. Maybe able to sense that they were words of some kind.
There is the experience of seeing and reading as if they were interrupting each other.
郵箱 : info@chongqingdac.org
Website : chongqingdac.org
Email : info@chongqingdac.org
Facebook : Chongqing Dimensions Art Centre & Chongqing Artists In Residency
Address : Huangjueping GuanJiaLin 190, Jiulongpo, Chongqing, CN.
